2. This poem about imaginative writing is
Poetry about fictional writing 1. What is fictional writing in ancient poetry?
. Usually we call writing directly from the front real writing; The writing method of substituting one thing for another and setting off something from the side is called virtual writing.
Virtual writing is widely used in ancient poetry. For example, the beauty of Qin Luofu is written in the ancient poem "Shang Mo Sang": "When a traveler sees Luo Fu, he must caress his moustache. When the teenager saw Luo Fu, he took off his hat and hung his head. The tiller forgets to plow, and the hoe forgets to hoe; Come to complain, but sit and watch Luo Fu. " This wonderful description is fiction. Although the beauty of Luo Fu is not directly described, readers can still imagine the beauty of Luo Fu from people's ecstasy and infatuation. As Mr. Mao Dun said: "Sometimes, positive description is bound to fail. For example, if you write about the beauty of a woman, if you collect all the words' beauty' to describe her appearance and posture, it may not give the reader a vivid impression. You should use side contrast to save the shortcomings of positive description. " This sentence hits the nail on the head.
The technique of avoiding reality and avoiding emptiness also makes the work express the richest content with the least pen and ink. If I didn't look for Lu Hongxian at home, I said, "Looking for you, I moved outside the city, and a wide path led me from mulberry to hemp. The chrysanthemum near the fence has not been seen in autumn. There was no dog barking at the door, so I asked my neighbors in the west. Report the mountain and don't return at sunset. " The whole poem doesn't write a word about people, but it doesn't leave the master's words to express his character in his living environment. Birds of a feather flock together. The master's interest can reflect the poet's mind. It not only expresses the fact of this "unexpected encounter" well, but also achieves the goal of getting twice the result with half the effort, which can be described as "endless words, endless meanings and endless feelings".
Techniques can also produce special artistic effects in expressing people's abstract and nihilistic feelings. For example, if we describe it positively according to common sense, it is difficult to vividly express the worries of people. However, using a virtual pen can achieve this effect. There are many such examples in China's classical poems.
2. What are the poems written by Deng Fei Laifeng and what are empty?
There is a towering tower at the top of Feilai Peak. It is said that crows come and the morning sun rises. (Feilai Mountain: Feilai Peak)
As written in a China poem, we are not afraid of dark clouds covering our sight, because we are already on the top of the mountain. (There is only one work: self-destiny)
① ② Scenery writing, ① real writing, ② imaginary writing, and the combination of reality and fiction form a magnificent beauty.
In the first sentence, the poet used the exaggerated word "Chihiro" to describe the height of the ancient pagoda on the summit and the height of his foothold. The second sentence of the poem skillfully writes out the brilliant scene of the rising sun seen on the tower, showing the poet's vigor, ambition of reform and confidence in the future, and becomes the emotional tone of the whole poem. The last two sentences of the poem follow the first two sentences to describe the scenery and express emotions, so that the poem has vivid images and profound philosophy. The ancients often worried about clouds covering the sun, evil ministers covering the wise, and poets added the word "fearless". It shows the poet's courage and determination to be far-sighted in politics and not afraid of evil. These two sentences are the essence of the whole poem and contain profound philosophy: people should not only look at the immediate interests, but also look at the overall situation and the long term. In writing techniques, write the terrain of Feilaifeng in one sentence. The top of the mountain is in Shaoxing city. There is a pagoda on the top of the mountain, overlooking the whole city, which shows its height. This sentence is extremely written about the high risk of boarding. The purpose of writing sentences is extremely far away. As the saying goes, "The Story of the Xuanzhong" says: "There is a big tree in Du Taoshan, named Du Tao, with branches three thousand miles apart. There is a pheasant in the sky. At the beginning of the day, the tree shines, the pheasant crows, and the chickens in the world follow. " According to this test, the word "I heard that the rooster crows and the sun rises" is not only popular in Wanli, but also famous and powerful. Although it is a foreshadowing, it cannot be taken lightly. And the author is practical and ingenious. For example, the allusion "The sun shines on this tree and the cock crows at dawn" originally meant "The day after tomorrow", but Wang Anshi did not say "When you hear the cock crow at sunrise, you say" When you hear the cock crow at sunrise ",which means" The cock crows first, then the sun rises ". Poets are often subtle in their use of things, and they cannot aim at impartiality, or they make mistakes in their use of things for fear of having another meaning.
Turning the word "not afraid" into harsh language is overwhelming. "Clouds cover your eyes" has an allusion. According to Professor Wu Xiaoru's research, people often compared floating clouds to evil villains in the Western Han Dynasty, such as the Shen Xinyu Wei film: "Therefore, evil ministers cover sages as floating clouds cover the sun." That's what the king's judgment means. He also has a seven-metrical poem "Reading History", in which a couplet says: "At that time, darkness was still a mistake, and the customs at the end were even more confusing." If you want to achieve great things, the most terrible thing is to "cover your eyes with clouds" and "confuse the truth with vulgarity", and the new law that Wang Anshi subsequently implemented was precisely defeated by this. The poet's good intentions are shown in this poem.
The conclusion of the sentence uses "at the highest level" to enhance the realm of poetry, which has a far-sighted spirit. Turn, knot two sentences, wonderful love words, is also a famous sentence through the ages; The author's finishing touch is the conclusion. As far as the situation is concerned, the word order should be "because I am at the highest level, I am not afraid of clouds and fog", but the author is the other way around, saying the result first and then the reason; The inversion of one cause and one effect shows the transformation of poetic vision. Although this is a common method of writing poetry, it also shows the author's profound conception.
This poem is different from ordinary climbing poems. This poem doesn't write much about the scene in front of us, only about the height of the tower. The key point is to write about the feeling of climbing high, which embodies the concept of "standing high can only see far" This is similar to Wang Zhihuan's poem, "But when you walk up a flight of stairs, you broaden your horizons by 300 miles". The former shows the ideological realm and heroism of a political reformer, while the latter shows that to achieve better results, more efforts need to be made to encourage each other or encourage themselves.
"I am not afraid of clouds covering my eyes, but I am afraid of the highest realm." With Su Shi, "I don't know the true face of Lushan Mountain, but toward which corner of the mountain." In the same strain, the expression is very similar. In terms of affirmation, Wang's poems are metaphorical: "If you master the method of correct views and reach a certain level of understanding, you can see the essence through phenomena and you will not be confused by the illusion of things." Su Shi, on the other hand, is negative. He said, "People are confused by the illusion of things because they don't observe things comprehensively, objectively and correctly." Both of them are very philosophical and often used as mottoes.
3. What is fictional writing in ancient poetry?
Virtual writing is an indirect rendering through feeling, imagination, contrast and foil. Its function is to leave enough imagination for readers and make the article more implicit.
Such as Xin Qiji's:
Sword and song
Send strong words to Chen Tongfu.
Drunk watching the sword,
Dream back to blow the horn and set up camp.
Under 800 miles of gunfire,
Fifty strings turn the plug.
This is a military parade on the battlefield in autumn.
Luffy is made of horses,
Bow like a thunderbolt,
After the king's affairs in the world,
Win fame before and after death.
Poor hair has become a white-haired man!
The whole poem is mainly composed of imaginative writing, supplemented by real writing. The dream of fictional writing is used to express the author's ambition to resist the enemy and save the country, and the reality of real writing is used to express the author's grief and helplessness in serving the country. This combination of reality and reality makes the author's two thoughts and feelings form a contrast and contrast, so that both thoughts and feelings can be expressed more strongly and fully. Compared with the writing method of describing the author's two thoughts and feelings respectively, we can clearly see that the expression adopted by the author in this word is very clever, powerful and distinctive.
The poem about imaginary writing is 1. What is fictional writing in ancient poetry?
. Usually we call writing directly from the front real writing; The writing method of substituting one thing for another and setting off something from the side is called virtual writing.
Virtual writing is widely used in ancient poetry. For example, the beauty of Qin Luofu is written in the ancient poem "Shang Mo Sang": "When a traveler sees Luo Fu, he must caress his moustache. When the teenager saw Luo Fu, he took off his hat and hung his head. The tiller forgets to plow, and the hoe forgets to hoe; Come to complain, but sit and watch Luo Fu. " This wonderful description is fiction. Although the beauty of Luo Fu is not directly described, readers can still imagine the beauty of Luo Fu from people's ecstasy and infatuation. As Mr. Mao Dun said: "Sometimes, positive description is bound to fail. For example, if you write about the beauty of a woman, if you collect all the words' beauty' to describe her appearance and posture, it may not give the reader a vivid impression. You should use side contrast to save the shortcomings of positive description. " This sentence hits the nail on the head.
The technique of avoiding reality and avoiding emptiness also makes the work express the richest content with the least pen and ink. If I didn't look for Lu Hongxian at home, I said, "Looking for you, I moved outside the city, and a wide path led me from mulberry to hemp. The chrysanthemum near the fence has not been seen in autumn. There was no dog barking at the door, so I asked my neighbors in the west. Report the mountain and don't return at sunset. " The whole poem doesn't write a word about people, but it doesn't leave the master's words to express his character in his living environment. Birds of a feather flock together. The master's interest can reflect the poet's mind. It not only expresses the fact of this "unexpected encounter" well, but also achieves the goal of getting twice the result with half the effort, which can be described as "endless words, endless meanings and endless feelings".
Techniques can also produce special artistic effects in expressing people's abstract and nihilistic feelings. For example, if we describe it positively according to common sense, it is difficult to vividly express the worries of people. However, using a virtual pen can achieve this effect. There are many such examples in China's classical poems.
2. Poetry about truth and falsehood
Mao Zedong's "Qinyuan Spring Snow": "Mountain dancing silver snake, original wax elephant" is the real scene; "It must be sunny to see plain clothes in a red dress" is a virtual scene.
Yongmei: "There are hundreds of feet of ice on the cliff and beautiful flowers" is a real scene; "When the mountain blossoms, she laughs among the flowers" is an illusory scene.
Zhu's Sailing in Shuikou: "It rained on the ship last night. What about the stormy night?" At present, just looking at the test paper, there are still many green mountains and green waters. The wind and rain in the poem are always temporary, the wind and rain will always calm down, the green mountains and green waters will always be eternal, and the vitality of all beautiful things can't be suppressed after all. The poet's landscape painting narrative contains the philosophy of life and is illusory.
Li Chen's poem Waterfall: "Thousands of rocks and valleys spare no effort, and only from a distance can the source be high. If a stream can stay, the sea will eventually make waves. " The poem describes the majestic waterfall image that eventually ran to the sea through bumps. This is an objective landscape and reality. In this poem, the poet entrusts himself with the idea that he will never be satisfied with the status quo, not afraid of difficulties, and will never give up until he reaches his goal. This is his ambition.
The words that combine reality and fiction are: Yu Meiren by Li Yu and Wulingchun by Li Qingzhao.
3. Imaginary sentences
Realism-grass crawls out of the soil, tender and green. In the gardens and fields, a large area is covered with it. Peach, apricot and pear trees, whether you let me or I won't let you, are all in full bloom. Red is like fire, pink is like Chardonnay and white is like snow. Flowers are sweet and closed, and trees seem to be in full bloom. Woven askew, people's roofs were covered with a thin layer of smoke. The leaves are bright green, and the grass is green enough to stare at your eyes. At night, turn on the lights, and a little dim light sets off a quiet and peaceful night. People who go to the countryside, roadside and stone bridge and walk slowly with umbrellas; There are also farmers working in the fields, wearing hemp fiber and hats. Their hut was sparse and quiet in the rain. Butterflies are flying everywhere. Wildflowers are everywhere: miscellaneous, famous and nameless, scattered among flowers. There are more kites in the sky and more children on the ground. Every family in urban and rural areas, old and young, seems to be busy. At first, there was plenty of time and hope. The wind brought some newly turned earthy smell, mixed with the smell of grass and the fragrance of various flowers, all of which were brewing in the slightly humid air. Birds nest in flowers and leaves. They are very happy. Calling friends to show off their crisp voice and sing a melody that echoes the breeze and flowing water. At this time, the shepherd boy's piccolo is also on the cow's back.
Realism-grass crawls out of the soil, tender and green. In the gardens and fields, a large area is covered with it. Peach, apricot and pear trees, whether you let me or I won't let you, are all in full bloom. Red is like fire, pink is like Chardonnay and white is like snow. Flowers are sweet and closed, and trees seem to be in full bloom. Woven askew, people's roofs were covered with a thin layer of smoke. The leaves are bright green, and the grass is green enough to stare at your eyes. At night, turn on the lights, and a little dim light sets off a quiet and peaceful night. People who go to the countryside, roadside and stone bridge and walk slowly with umbrellas; There are also farmers working in the fields, wearing hemp fiber and hats. Their hut was sparse and quiet in the rain. Butterflies are flying everywhere. Wildflowers are everywhere: miscellaneous, famous and nameless, scattered among flowers. There are more kites in the sky and more children on the ground. Every family in urban and rural areas, old and young, seems to be busy. At first, there was plenty of time and hope. The wind brought some newly turned earthy smell, mixed with the smell of grass and the fragrance of various flowers, all of which were brewing in the slightly humid air. Birds nest in flowers and leaves. They are very happy. Calling friends to show off their crisp voice and sing a melody that echoes the breeze and flowing water. At this time, the shepherd boy's piccolo is also on the cow's back. Touch you like a mother's hand. The wind brings some new earthy smells, mixed with the smell of grass, and the fragrance of various flowers, all brewing in the slightly humid air. Like eyes, like stars, still flashing. Look, like cow hair, like a flower needle, like a filament, densely woven diagonally.
4. Appreciation of ancient poetry: the difference between real writing and imaginary writing.
Emptiness in poetry can be divided into the following four categories:
1, the dream world of immortals and ghosts. Poets often use this nothingness to contrast reality. This is the so-called representation of reality with virtual images. For example, Tianmu Mountain Wonderland climbing in the dream is a virtual image.
2. Past scenes. This kind of virtual scene is a scene that the author has experienced or happened in history, and now it is out of sight. For example, Su Shi's "Niannujiao Chibi Nostalgia" said: "When talking and laughing, the whole army was wiped out."
3. Imagine the future. The feelings expressed in this virtual environment will continue to extend into the future. Therefore, writing funeral music will double its funeral music; Syaraku will have more fun. For example, in Li Shangyin's Notes to Friends in the North on a Rainy Night, it is said that "when the candle is cut at the west window, we talk about the rain at night".
4. Write virtual from the other side's point of view. This article is similar to the previous one. The similarity is that they all imagine each other, but the difference is that the latter idea is from the other side's point of view, so some people call it positive writing. For example, in Wang Wei's "I miss my brothers in Shandong on vacation in the mountains", "If you know where your brother climbed from a distance, there will be one person missing from the dogwood".
The "truth" in poetry refers to the real images, facts and reality that exist in the objective world. For example, the dark reality of Tianmu Mountain ascended to heaven in a dream; In Nian Nujiao's Nostalgia for Red Cliff, Shangque wrote about the preciseness of Red Cliff.
The combination of reality and fiction refers to fiction and fact's mutual connection, mutual penetration and mutual transformation, reaching the realm of reality and fiction, thus greatly enriching the images in the poem, opening up the artistic conception in the poem, providing readers with a broad aesthetic space and enriching people's aesthetic taste.
5. What is fictional writing in ancient poetry?
Virtual writing is an indirect rendering through feeling, imagination, contrast and foil. Its function is to leave enough imagination for readers and make the article more implicit.
Such as Xin Qiji's:
Sword and song
Send strong words to Chen Tongfu.
Drunk watching the sword,
Dream back to blow the horn and set up camp.
Under 800 miles of gunfire,
Fifty strings turn the plug.
This is a military parade on the battlefield in autumn.
Luffy is made of horses,
Bow like a thunderbolt,
After the king's affairs in the world,
Win fame before and after death.
Poor hair has become a white-haired man!
The whole poem is mainly composed of imaginative writing, supplemented by real writing. The dream of fictional writing is used to express the author's ambition to resist the enemy and save the country, and the reality of real writing is used to express the author's grief and helplessness in serving the country. This combination of reality and reality makes the author's two thoughts and feelings form a contrast and contrast, so that both thoughts and feelings can be expressed more strongly and fully. Compared with the writing method of describing the author's two thoughts and feelings respectively, we can clearly see that the expression adopted by the author in this word is very clever, powerful and distinctive.