"Climbing the Stork Tower" is a five-character quatrain written by Wang Zhihuan, a poet in the prosperous Tang Dynasty. The first two sentences describe the natural scenery, but at the beginning of the writing, it is reduced to ten thousand miles close at hand, making what is close at hand have the potential to be thousands of miles away; The last two freehand lines are written unexpectedly, blending philosophy with scenery and situations seamlessly, becoming an immortal swan song on Stork Tower. What I bring to you next is Yan style calligraphy climbing the stork tower. I hope you like it. Climbing the Stork Tower in Yan style calligraphy to appreciate
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Climbing the Yan style calligraphy in Stork Tower Picture 3
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Original text of Climbing the Stork Tower in Yan style
The white sun disappears behind the mountains,
The Yellow River flows into the sea.
If you want to see a thousand miles away,
Go to the next level.
About Climbing the Stork Tower
"Climbing the Stork Tower" is a five-character quatrain written by Wang Zhihuan, a poet in the prosperous Tang Dynasty. The first two sentences describe the natural scenery, but the beginning of the pen contains Shrinking thousands of miles into a short distance, making it possible to reach thousands of miles away; the last two freehand lines are unexpectedly written, blending philosophy with scenery and situations seamlessly, becoming an immortal swan song on the Stork Tower.
Although this poem only has twenty characters, it uses thousands of giant rafters to depict the majestic momentum and magnificent scenery of the rivers and mountains in the North, which makes people feel bold and bold. The poet's soul was shocked by nature, and what he realized was a simple and profound philosophy, which can urge people to abandon their self-sufficient knowledge, climb high and look broadly, and constantly explore new and better realms. Poetry critics of the Qing Dynasty also believed: "Wang's poem is only twenty characters long. The first cross has the general idea, and the last cross has the potential to span a thousand miles." This poem is the masterpiece of five-character poetry in the Tang Dynasty. Wang Zhihuan was praised for this five-character poem. The quatrains are famous throughout the ages, and the Stork Tower is also famous in China for this poem.
"Climbing the Stork Tower" is majestic and profound in artistic conception. It has been inspiring the Chinese nation to be high-spirited for thousands of years. Especially the last two sentences are often quoted to express a life attitude of active exploration and unlimited enterprising. To this day, the poem has appeared on several major political and diplomatic occasions in China.
Appreciation of Climbing the Stork Tower
This poem describes the extraordinary ambition shown by the poet when he climbed high and looked into the distance, reflecting the positive and enterprising spirit of people in the prosperous Tang Dynasty.
The first two sentences describe what you see. When the sun is shining over the mountains, the mountains are depicted; when the Yellow River flows into the sea, the water is depicted. The poet watched the setting sun sink towards the endless rolling mountains in front of the building, and slowly disappeared at the end of the field of vision; he watched the Yellow River flowing under the building in front of the building roar and roll southward, and then turn eastward in the distance, flowing Return to the sea. The poet uses extremely simple and superficial language to capture the thousands of miles of rivers and mountains that have entered the broad field of vision in just ten words, which is both highly vivid and highly general. The picture is broad and far-reaching.
Du Fu’s "The Song of Landscape Paintings by Wang Zai" contains two sentences: "You are so far away and so powerful, so far away, so far away, so far away, so close to you, you need to talk about thousands of miles away". Although they are talking about painting, they can also be used to talk about poetry. . Wang Zhihuan's two lines of landscape poems are able to shrink thousands of miles into a close place, making a close distance have the potential of thousands of miles.
Write what you think in the last two sentences. "Wish to See a Thousand Miles Away", describes the poet's endless desire to explore, and also wants to see further, to see the places that his eyes can reach. The only way is to stand higher, to reach a higher level. building?. From the second half of the poem, it can be inferred that the first half of the poem may have been about what he saw on the second floor (not the highest floor), and the poet wanted to further see the distant scenery as far as he could, so he even climbed to the top of the building. The use of the word "floor" at the end also plays a role in pointing out that this is a poem about climbing a building.
The poem seems to describe the process of climbing the stairs in a straightforward manner, but its meaning is far-reaching and intriguing to explore. "Thousands of miles", "one floor", are all imaginary numbers, which are the vertical and horizontal spaces in the poet's imagination. ?Want to be poor?Go higher?How much hope and longing are contained in the words. These two lines of poetry express discussion, which are not only innovative and unexpected, but also very natural and closely connected with the first two lines of landscape poems, thus pushing the poem to a higher realm and showing readers a wider perspective. It is precisely because of this that these two lines of discussion containing simple philosophy have become famous lines that have been recited through the ages, making this poem an eternal masterpiece.
Zhou Fugang said that this poem has the power to transcend time and space. This power is the unity of beauty and philosophy, the harmony of objective and subjective, and a great artistic representation and creation.
The sun sets over the mountains. This is just a very short process. The setting sun touches the mountains, and the clouds cover the fog. The already weakened sun’s brilliance now appears even dimmer, which can be called The quiet scene represents the beauty of tranquility; the Yellow River flows towards the sea. This is not the so-called "freeze", but the roaring and rolling south and flowing east into the sea. It is full of infinite vitality, and its majestic momentum exists in eternal movement. The combination of movement and stillness in the two sentences forms a magnificent picture that is overflowing with color, golden and green, and ever-changing.
The first sentence describes a distant view, with the sun sinking in the sky and disappearing among the mountains. The second sentence extends from the Yellow River flowing in the close view downstairs to the distant ocean. In this way, the setting sun in the west and the flowing water in the east combine the visible setting sun with the sea in mind (the poet is on the Stork Tower, and it is impossible to see the Yellow River entering the sea), and cleverly blend the current scene with the scene in his mind. As one, from far to near and then to far, making the picture infinitely broad and far-reaching. This kind of ink also arranges endless reverie for the last two poems.
The eminent monk Kukai, the Japanese envoy to the Tang Dynasty, emphasized in "Wenjing Mifu Lun" that "the scenery enters the realm of reason", which means that poetry should not reason rigidly, boringly, and abstractly, but it does not mean that it cannot be revealed in poetry. and promote philosophy. This poem blends truth with scenery and emotions so seamlessly that readers do not feel that it is reasoning, but that the truth is within it. This is a model of using image thinking to show the philosophy of life based on the characteristics of poetry.
A pure philosopher appears as a preacher and can make people worship him. And when a philosopher-like poet speaks as a friend, it is enough to inspire people and pursue them.
This poem is a quatrain that uses antithesis throughout. When Shen Deqian selected this poem in "Tang Poetry Collection", he pointed out: "The four languages ????are all correct, and it is not distasteful to read because of its high bones." ?Jue Se consists of four five-character sentences, and the first is divided into two couplets. There is no rigid requirement for antithesis in quatrains, so it is generally not necessary to use antithesis. Many antithetical quatrains only have one antithetical sentence. When there are two contrasting sentence patterns, it is easy to create a feeling of stacking. If not handled well, it will be very rigid. The first couplet of this poem uses positive pairs, and the sentence structure is extremely neat. The latter couplet uses flowing pairs. Although the two sentences are opposite, there is no trace of antithesis. The poet's use of antithesis skills is also very mature.