Levels and rules of levels in metrical poems.

Rhyme is a form of China's classical poetry, and its regularity of leveling is one of its important factors.

1. Metric poems usually consist of eight sentences, and the number of syllables in each poem is usually five or seven. For example, a five-character poem has five words and a seven-character poem has seven words.

2 usually follow the principle of "flat collection" or "flat collection". Specifically, if the first word of the first metrical poem is flat, then this metrical poem is in a "flat and flat" format; If the first word of the first poem is single-hole, then this metrical poem is in the format of "single-hole closed flat"

3. The tone of each word has a specific rule in the flat and level law of the metrical poem. Generally speaking, the parallelism in each sentence appears alternately, forming a specific rhythm and prosody. Specifically, the flat and oblique words in each sentence should be arranged in a specific order, so that the whole sentence is full of rhythm and music.

4. The levels and rules of metrical poems are also related to the setting of rhymes. Generally speaking, the rhyme of metrical poems is fixed, and the rhymes commonly used at that time are usually adopted. At the same time, the symmetry and balance of sentences should also be taken into account in the flat rhythm of metrical poems, so that the whole poem looks and sounds more harmonious and perfect.

The levels and rules of rhythmic poetry mainly include the following aspects:

1, alternating with each other: every poem in the orthodox poem has a law of alternating with each other. Specifically, the levels of each rhythm unit always overlap, such as "level to level, level to level". Moreover, the leveling of the last four sentences of the metrical poem is exactly the same as that of the first four sentences, which constitutes a cyclic rhythm.

2. Alternation of flat lines: The flat lines of each poem in metrical poems always appear in turn and are used alternately. If the previous rhythm is flat, then the next rhythm must be flat, and vice versa. For example, "flat one, flat one, flat one, flat one, flat one, flat one."

3. Adherence to metrical poetry: Adherence to metrical poetry is also a part of metrical poetry. Sticking refers to the same or similar tone connection, while the opposite or opposite tone connection. For example, these two sentences are in line with the labeling rules.

4. Stand up and stand up: If the first word of the first poem of a metrical poem is flat, then this metrical poem is in the form of "standing up"; If the first word of the first poem is pucked, then this metrical poem is in the form of pucked. This is the key to determine the regularity of the whole poem.

5. Contradictions: Contradictions in regular poems should be opposites. In other words, the leveling of the upper and lower sentences in the orthodox poem should be opposite or relative. For example, "flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat".

6. Avoid loneliness: In metrical poetry, if a poem has only one word, it must be placed at the end of the sentence to avoid loneliness. For example, "ping qi" is a sentence that conforms to the rules, but "ping qi" is not.