In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making birds fly away and people disappear. Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow". On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water. However, the author only used the word "cold river snow" to connect the two farthest images, giving people a vague, distant and narrow feeling and forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent. Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly. Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman.
Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.
original work
Jiang Xue.
liu zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Brief introduction of the author
Liu Zongyuan (773-8 19), with thick words, was a famous writer and thinker in the Tang Dynasty. Liu Zongyuan was born in Hedong (now Ruicheng, Yuncheng, Shanxi Province). He was born in an official family, with little talent and great ambitions. In his early years, he was a scholar in the exam, and his writings were mainly flowery rhetoric. One of the eight great poets in Tang and Song Dynasties, he and Han Yu jointly advocated the ancient prose movement in Tang Dynasty and called it "Liu Han". Liu Yuxi also called it "Liu Liu". Wang Wei, Meng Haoran and Wei also called it "Wang Meng". Liu Zongyuan left more than 600 poems and works in his life, and his philosophy is characterized by simple materialism. His political thoughts are mainly manifested in his social historical view of attaching importance to "potential" and Confucian people-oriented thought. His literary works are simple and natural in language and elegant and meaningful in style. His representative works include Qian Donkey, Snake Catcher, Eight Stories of Yongzhou, Jiang Xue and so on.