-Written before the first post-80s youth poetry meeting in Jilin Province.
■ Huang Chenxi
On June 28th of the lunar calendar, the sun is still shining in beginning of autumn and Chengdu, and it will take at least a few days for the "autumn tiger" to really feel a little cool. I wonder what the weather is like in Jilin now. It has been one month since the Western Brothers told Jilin to hold the first post-80s youth poetry meeting, and only one month before the opening of this poetry meeting. Speaking of shame, when the western brothers contacted me online and told me in detail about the post-80 s youth poetry meeting, the joy between the lines was beyond words, and I could deeply understand the meaning below the text. As a brother, I should stick my knife in both sides, or go to the meeting alone and go straight to Jilin. It's just a lot of trivial matters. It's a long way from Sichuan to Jilin, crossing the vast northeast and northwest, so I can only take the initiative to euphemistically say that although I can't reach it, I am longing for it. It is obligatory for my Western brothers to ask me to write some words of blessing. Unfortunately, there have been frequent accidents in recent days, so I can't do it, so I put it off until my face can't cover up my shame, so I nagged a few words.
The first time I heard my western brothers say that Jilin would hold a youth poetry club, forgive my ignorance, and directly associate it with the "Youth Poetry Club". 1980 was sponsored by Poetry Publishing House, and it was called Huangpu Military Academy. The first feeling is that the western brothers are tinkering a little, which is none of our business. But when the western brothers emphasized the word "80", I began to realize that this poem would be different. As far as my narrow communication network is concerned, it seems that there are few provincial-level poetry evenings in China that explicitly perform "post-80s" (please forgive me if there are pioneers). Last year, I traveled to Yinchuan, Ningxia, and the "2009 China Post-70s Poetry Forum Yinchuan Poetry Society" just came to an end. This forum is another poetry forum with the theme of post-1970s poetry after "2008 China Post-1970s Poetry Forum Grassland Poetry Society". This activity marks the collective voice of post-70 s poets, combs the concept of "post-70 s poetry" and deeply reflects on the present situation and future of post-70 s poetry. And 20 10 is the year when the post-80s poets began to enter the "thirties". Personally, it is necessary and meaningful to hold such a clear-cut poetry meeting. There may be many defenders who want to jump out and tell us what to do, saying that the post-80 s generation are still a group of hairless children, and engaging in such activities is just grandstanding and so on. What I want to say is that, as a post-80s generation, my "hair" really looks almost the same. A few days ago, many feathers compiled a book "Literature History of Post-80s", which will be published by Electronic Industry Press soon. Personally, I think it is too early to incorporate it into the history of literature after the 1980 s. Objectively speaking, the last post-80s generation just got rid of the black college entrance examination in June, and many talented people have not really realized their potential and displayed it, but it is meaningful for the development of the whole post-80s literature to dare to eat crabs and be the first post-80s generation to eat crabs. So I have high hopes for the first post-80s youth poetry meeting in Jilin Province.
"Modern Chinese Dictionary" explains youth, while "Dictionary" explains youth refers to the stage when people are about 15 years old or 16 to 30 years old. The first golden age of "Youth Poetry Club" in Poetry Magazine was the first youth poetry club, in which poets such as Gu Cheng, Shu Ting and He Jiang participated. The second golden age was the sixth and seventh sessions, with the emergence of important poets such as Jane, Yi, Xi Chuan and Ouyang, and the Whampoa Military Academy in the poetic world deserved its name. On the other hand, I have to say that some of the predecessors in these years are probably no longer in their youth, and I don't know whether they are "young" or have made great achievements, and they have become the modern version of Tianshan children's grandmother. This highlights the value of the first post-80s youth poetry meeting in Jilin Province, which was initiated by a group of passionate and responsible post-80s poets such as Chen Xuan and supported by the editorial board of Post-80s Poetry magazine, Jilin New Poetry Association, Psychological Decompression Studio of Northeast Cultural Research Association and College of Humanities of Northeast Normal University. It is foreseeable that this will be a festival event that belongs entirely to post-80s poets. I don't know others well enough to jump to conclusions, but the Western brothers and the Qian Chao brothers have been in contact for a long time, and their enthusiasm for poetry and their works are commendable. Simply put down an advertisement. If you are a brother from other provinces after 80s, it will definitely make you feel at home to find these two people to receive you.
Last year, when editing the post-80s poems, I reached a * * * understanding with my brothers Laojing, Xiyang and Jaco. In order to find more new post-80s poets who are still in the second and third lines, instead of just looking at the first-line post-80s poets who have become famous and made money, many of the collected post-80s poets may have left criticisms on defenders, all of whom are so-called little-known figures. But personally, I think that the situation in which a hundred schools of thought contend is conducive to the development of China's new poetry, and it is by no means a monopoly. Therefore, I hope that this poetry meeting will not only invite famous post-80s poets, but also have more uninvited brothers and sisters who love poetry. Even though his works are still immature, he may not even be able to write poetry, but as long as he really loves it, he should be like the propaganda of this poetry meeting, "the youth of Jilin poetry will live here poetically."
When she was young, Ling dared to laugh at Huang Chao's husband. From the perspective of Water Margin, Song Jiang wrote the so-called "anti-poem", which is not harmonious in itself. What I want to emphasize in particular is that the quotation here is only literal. I sincerely wish the first post-80s youth poetry meeting in Jilin Province a complete success, and I also wish all the post-80s brothers guidance, inspiration and lofty aspirations.