Qingqing is your collar, YY is my miss. If I didn't go to see you, didn't you get my letter?
Green is what you wear, and leisurely is my feeling. If I never visit you, can't you take the initiative?
Come on, always open your eyes, on this high tower. A day without seeing your face seems as long as March!
This poem describes a woman's psychological activity of missing her sweetheart. Her anxiety and complaints are mixed with expectation and love, and unrestrained strong feelings come to mind.
Cao Cao's "Short Songs" also borrowed the poem "Green, leisurely in my heart", expressing the desire for talents comparable to the degree of love between lovers.
In fact, there are many chapters in the Book of Songs that express the love between men and women, such as the famous "The Dove in Guanluo, in Hezhou ... My Fair Lady, My Gentleman is Good" ("Nan Zhou Guanluo") and "The White Dew is Frost". The so-called Iraqis are on the water side. Looking back, the road is long and in the middle of the water. "("Qin bamboo slips ")," Jing female, I am in the corner. Love without seeing, scratching your head ... "("The Beauty and the Quiet Girl ") and so on. , equally simple and clear. But the strange thing is, why are Zheng and Wei's poems criticized as typical of "obscenity"?
In ancient times, the word "Yin" was interpreted as rich in meaning, which not only meant that men and women were not proper relationship, but also meant inferiority, confusion, excessiveness and indulgence. Of course, none of them have a good meaning.
The ancients criticized Zheng and Wei for "lewdness", in fact, mainly because the folk customs in these two places were relatively open at that time, and there were fewer restrictions on ethics, so men and women could fall in love freely and were not destroyed by ethics. Therefore, Kevin·Z's poems and music are passionate, enthusiastic and bold. However, this is incompatible with orthodox elegant music and morality. Defenders represented by Confucius defined Zheng's voice as "lewdness", and some even upgraded it to "the voice of national subjugation".
As shown in the Book of Songs, in the pre-Qin period, Zheng and Wei were not the only places with open folk customs and free relations between men and women. At that time, there was no bondage of feudal ethics, and everything about the relationship between men and women was straightforward, but Zheng and Wei might be more obvious-historical records show that Zheng's customs, with the water of Qin and Tang Dynasties, men and women got together and sang praises to each other, so they were raped. "Ritual collapse and bad music" is also reflected in life such as music and dance. The forms and tones of Zheng music and Wei music are changeable, either long and sad, or loud and violent, while the dance performances are miscellaneous and informal. This is naturally disliked by many conservatives.
It is said that Confucius edited the Book of Songs, and in order to maintain his rule, he cut as many as 3,000 poems according to the purpose of self-denial, and finally only 305 poems were left (except 6 poems without eyes, ***3 1 1), which was called "three hundred poems". This matter is very controversial, and many scholars believe that Confucius did not delete poems.
In fact, although Zheng's voice was severely criticized by the defenders represented by Confucianism, it was loved by people from Li nationality to nobility. He once said: I feel melancholy and sad when I hear Zheng's voice, eulogize and sing ... I don't like court music, but I like this secular music. It can be seen that Zheng's voice is lively in form, vivid in emotion, beautiful in melody and extremely infectious compared with the gentle "elegant music" of Zhongzheng.
The difference between the so-called "elegant music" and "lewd voice" actually happened in the 1970s and 1980s. For example, Teresa Teng's songs have long been criticized as "Huang Ge" and "decadent voice" because of their content and form, and have been banned from spreading. However, the public likes this fresh and catchy pop song very much. Pop songs sung by singers from Hong Kong and Taiwan, represented by Teresa Teng, spread rapidly and swept the country.
In fact, it is good to have snow in spring, and the lower Liba people should not be suppressed. After all, "a single flower is not spring, and a hundred flowers bloom in spring."