Like a volcano, a pomegranate reflects a hill, which can also be glamorous and idle in the midst of complexity.
On a beautiful Hosta, I only doubt that it will burn to Cui Yun.
Du Mu's Shan Shiliu captures the most striking red color of pomegranate to describe it. Shan Shiliu, red as fire, reflected the whole mountain. The beauty picked a flower and put it on the Hosta, which made people think it was the hair burnt by the fire. Among the flowers, the thin petals are gorgeous, which is in harmony with the lazy and carefree beauty. Flowers are beautiful, people are more beautiful, and those who enjoy the beautiful scenery have endless aftertaste.
From the characteristics of quatrains, first of all, this poem chooses a point, not a face. In Shan Shiliu, people can pay attention to many things, such as swaying trees, green leaves, exquisite flowers, stories about pomegranate, and so on. However, the author only cuts in from color. The whole poem describes Shan Shiliu around the fiery red color, and uses words that can best express the color of pomegranate, such as "like fire", "brilliant" and "burning", so that people can enjoy the pomegranate flowers all over the mountains while enjoying the poem. The girls dotted under the flowers in the forest are also to better set off the beauty of pomegranate.
Secondly, the language of this poem is popular and fluent, and the material selection is ordinary. The author chooses a very ordinary Shan Shiliu as the object of description and expression, which is easy to make readers' * * language as clear as words, without deliberate modification and obscure words, and easy to understand.
Thirdly, the title of this poem is Shan Shiliu and the content is Shan Shiliu. But when writing pomegranate, I also wrote a beautiful woman with pomegranate flowers on her head, which makes people feel that writing flowers means writing people, and writing people also means writing flowers, which are beautiful, pleasing to the eye and lasting.
Du Mu (803-852 AD) was born in Fanchuan, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You. Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu.
Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan". Du Mu's poems are famous for their seven-character quatrains, and the main content is to chant history and express emotion. His poems are handsome and natural, and cut into secular things. He achieved great success in the late Tang Dynasty. Du Mu is called "Xiao Du" to distinguish it from Du Fu and "Da Du". Also known as "Little Du Li" with Li Shangyin.
Du Mu's representative works include Jiangnan Chun, Bo Qinhuai and Guo Huaqing Palace. Du Mu is good at prose, and his "Epanggong Fu" is read by later generations. He wrote a lot of military papers, and also annotated Grandson. The Collected Works of Fan Chuan handed down from ancient times has twenty volumes, including four volumes of poetry, edited by his nephew Pei. There is also a volume of "Fan Chuan Waiji" and "Fan Chuan Bieji" supplemented by Song people. The Complete Tang Poetry contains eight volumes of Du Mu's poems. Poetry in the late Tang Dynasty was so soft that Mu Zhi corrected it with steepness. Its seven unique skills are far-reaching, and the factions in the late Tang Dynasty were independent. Mu Zhi is ambitious and eloquent, boasting about his ability to help the world. Icbc, cursive script. "Xuan He Shu Pu" says: "Grass and animal husbandry are vigorous and powerful, which set each other off with their articles." Dong Qichang's "Rong Tai Collection" says: "If I hear that Fei Qing and Du Fu are also famous after what I have seen", it says that their books are "rich in the charm of the Six Dynasties". The ink handed down from ancient times has Zhang Shihua. His works are very rich, mainly including Collected Works of Fan Chuan, Old Tang Book (147) and New Tang Book (166). Zhang Shi, cursive ink, was written at the age of 32 in the eighth year of Taihe (834). The post is a piece of hemp paper, 28.2 cm long and 162 cm wide, with 46 lines and 322 words in total. As can be seen from the whole poem volume, his calligraphy won the charm of the Six Dynasties. The original is now in the Palace Museum. This calligraphy work is magnificent and smooth. Because it is a manuscript of poetry, it is even more unpretentious. There are inscriptions, inscriptions and seals of Song, Yuan, Ming and Qing dynasties at the beginning and end of the volume. He has been awarded by Song Dynasty, Jia Sidao, Ming Xiangzi, Xiao Si, Qing Biao, Qianlong, Jiaqing, Neifu and Collection. There are records in Xuanhe Pu Shu, Rong Tai Collection, Splendid Life and Grand View Record. Du Mu is famous for his poems, so his title is covered by the title of his poems. This book was carved in Fa Tie, a monk. Photocopying can be done in Yan Guang Room and Showa Fa Tie Series.