Today, I came to the railway station to meet my uncle who works outside. After arriving at the railway station, the train hasn't arrived yet.
After waiting for a while, I saw the train coming from a distance. The locomotive wheezing panting, with a green car, slowly driving on the tracks.
Look at the green grass and flowers beside the railway tracks, attracting a group of bees and butterflies. The lined train is not so beautiful. After reading these, look at the locomotive, and there are a few drops of oil coming out of the top of the head. Like sweating, I must be thinking, almost there, almost there!
When the train arrived, my uncle got off. But my attention was not on my uncle, but on the trees on both sides of the train. There are dense leaves with one or two small flowers embedded in them. It's beautiful to have red in green!
We will go home after picking up my uncle, but I really can't bear to part with this beautiful and colorful railway station!
Extended data
Precautions:
In ancient Chinese poetry, in order to create Taoist ethereal artistic conception, poets pay special attention to dynamic description, and the combination of dynamic and static is a common way to write scenery. In the use of this technique, it is unique, with "every word is the best" and "the realm is the best".
As a combination of dynamic and static scenery, it is often described as a kind of artistic conception, and it is often based on static, with dynamic lining static (the "dynamic" here includes dynamic harmony:
For example, "the bamboo language washs the clothes, and the lotus leaves are collected before the fishing boat", "noisy" is sound, "moving" is moving, and "returning" is moving), forming a harmonious unity of artistic conception, image and action. Therefore, the combination of dynamic and static scenery writing techniques can not be separated from contrast and personification.