The ballads of Han Dynasty and Wei Dynasty have been diversified for a long time, and no one can discuss them in detail. Who is the chisel in the poem? For the time being, I will teach Jing and Wei to be clear and muddy. ——Jin Dynasty·Yuan Haowen's "On Thirty Poems·Part One" On Thirty Poems·Part One There have been many different ballads in Han and Wei Dynasties for a long time, but no one can discuss them in detail.
Who is the chisel in the poem? For the time being, I will teach Jing and Wei to be clear and muddy. Commentary on Poems Commentary
Han ballads refer to Han Yuefu folk songs.
Wei Shi refers to Jian'an poetry. Shi, the Ya and Songs in the Book of Songs are divided into ten chapters into one volume, which is called "Shi". Later, "Shi" was used to refer to the poems.
Jingshui and Weishui are each clear and turbid, and Jingshui and Weishui are clear and turbid. When they merge, the clear and turbidity are distinct. Brief analysis: This is the first poem in Yuan Haowen's "Thirty Poems on Poetry", which shows his motivation, purpose and standard for writing this group of poems on poetry. Yuan Haowen regarded the elegant tradition of the Book of Songs as the "original style" and believed that Han Yuefu and Jian'an literature were the continuation of this tradition. He targeted some shortcomings in the poetry world of the Song and Jin Dynasties and the prevalence of "pseudo-style" and the confusion of the Han and Wei poetry traditions. , taking "poems with sparse hands" as their own responsibility, they must rectify the origins of poetry creation, distinguish the true from the false, and make them clear, so as to clarify the correct direction of the development of poetry. Yuan Haowen, courtesy name Yuzhi, nicknamed Yishan, was born in Xiurong, Taiyuan (today's Xinzhou, Shanxi Province). He was descended from the Tuoba clan of the Xianbei tribe in the Northern Wei Dynasty. Yuan Haowen was his uncle Yuan Ge. He was able to write poems at the age of seven and studied under Hao Tianting at the age of fourteen. It took six years to complete his career; in the fifth year of Xingding (1221), he was selected as a Jinshi; in the first year of Zhengda (1224), he was awarded the title of Confucian scholar in the macro-ci subject of Zhong Bo Xue and was appointed as the editor of the Academy of National History. Township magistrate. In the autumn of the eighth year (1231), he was ordered to enter the capital. In addition to the ministers of Shengpu and Zuosi, he was transferred to the post of wailang. After the death of Jin Dynasty, he was not an official. In the seventh year of Yuan Xianzong's reign, he died in Huolu's residence. His poems and essays were written in Jin and Yuan Dynasties. The poems are written in a melancholy style and are often sentimental and sentimental. The thirty quatrains of his "On Poetry" are quite important in the history of Chinese literary criticism; he wrote "Yishan Collection", also known as "Collected Works of Mr. Yishan", and edited "Zhongzhou Collection".
Yuan Haowen
Yuan Haowen, courtesy name Yuzhi, nicknamed Yishan, was born in Xiurong, Taiyuan (now Xinzhou, Shanxi); he was descended from the Tuoba clan of the Xianbei tribe in the Northern Wei Dynasty. Yuan Haowen Adopted his uncle Yuan Ge; he was able to write poems at the age of seven, and studied under Hao Tianting at the age of fourteen. He completed his career in six years; in the fifth year of Xingding (1221), he was selected as a Jinshi; in the first year of Zhengda (1224), he was awarded the title of "Bo Xue Hong Ci" in the middle school. Scholar, he served as editor and editor of the Imperial Academy of History, and served as magistrate of Zhenping, Nanyang and Neixiang counties. In the autumn of the eighth year (1231), he was ordered to enter the capital. In addition to the ministers of Shengpu and Zuosi, he was transferred to the post of wailang. After the death of Jin Dynasty, he was not an official. In the seventh year of Yuan Xianzong's reign, he died in Huolu's residence. His poems and essays were written in Jin and Yuan Dynasties. The poems are written in a melancholy style and are often sentimental and sentimental. The thirty quatrains of his "On Poetry" are quite important in the history of Chinese literary criticism; he wrote "Yishan Collection", also known as "Collected Works of Mr. Yishan", and edited "Zhongzhou Collection". ? 525 poems
The sharp sound is subtle and deep, but what is the purpose of grinding it to get the bitter fruit? Langweng's water music has no palace signs, so it is the sound of Yunshan Shaocheng. ——Jin Dynasty·Yuan Haowen's "On Thirty Poems·Seventeen"
On Thirty Poems·Seventeen
Jin Dynasty: Yuan Haowen's "Thirty Poems·Seventeen"
The art is deep and skillful, but what is the purpose of grinding it and grinding it, even though the fruit will be bitter?
Langweng Shuiyue has no palace signs, so it is naturally the sound of Yunshan Shaocheng. Comments, Poems: Ancient elegance makes it difficult to marry a beautiful child, and all purity and purity are lost. On Shining, he went to Fu Weng to worship him, but he was not a member of the community in Jiangxi Province. ——Jin Dynasty·Yuan Haowen's "On Thirty Poems·Twenty-eight"
On Thirty Poems·Twenty-Eight
Jin Dynasty: Yuan Haowen asked about the difficulty of ancient elegance The general's son is beautiful and close, but his purity and integrity are completely lost.
On Shi Ning went to Fu Weng to worship, but he was not from Jiangxi Sheli. Comments, Poems: Gold enters the great furnace without getting tired of it, and the true plan is subject to fine dust. If there are loyal ministers in Sumen, will they be willing to write all kinds of new poems? ——Jin Dynasty·Yuan Haowen's "On Thirty Poems·Twenty-six"
On Thirty Poems·Twenty-six Gold enters the furnace without getting tired of it, and the true plan is subject to fine dust.
If there are loyal ministers in Sumen, are they willing to write new poems? Comment group poem