Early Tang Dynasty: Zhang Ruoxu's poem: On a moonlit night on the Spring River, the spring river tide reaches the sea level, and the bright moon on the sea rises with the tide. The twinkling waves follow the waves for thousands of miles, but there is no moon on the spring river anywhere. The river flows around Fangdian, and the moonlight shines on the flowers and forests like snowflakes. Frost is flying in the sky unknowingly, and the white sand on the pavilion cannot be seen. The river and the sky were completely dustless, and there was only a solitary moon in the bright sky. Who by the river sees the moon for the first time, and who first sees the moon on the river. Life is endless from generation to generation, but the river and the moon are only similar year after year. I don’t know who Jiang Yue is waiting for, but I see the Yangtze River sending water. The white clouds are slowly disappearing, and the green maple pond is full of sorrow. Appreciation: "Spring River Flowers and Moonlight Night" is an old Yuefu song, and is titled "Qing Shang Songs and Wu Shengge". The whole poem is written closely against the background of spring, river, flowers, moon and night, with the moon as the main subject. "Moon" is a fusion of scenes in the poem. It beats the pulse of the poet and is like a life link in the whole poem. It runs up and down and brings life to life when it touches it. The poetry rises and falls with the rise and fall of the moon. The moon went through the process of rising - hanging high - leaning west - setting overnight. Under the light of the moon, the river, the beach, the sky, the wilderness, the maple trees, the flower forest, Feishuang, Bai Qu, the boat, the tall building, the mirror stand, the anvil stone, the flying geese, the diving fish and dragon, and the sleepless missing woman. and the wandering wanderer, form a complete poetic image, showing a picture full of life philosophy and life interest. The color tone of this scroll is light and dense. Although it is outlined and dyed with ink, the "ink is divided into five colors", showing a gorgeous and colorful artistic effect from the complementation of black and white, the complementation of virtuality and reality, just like an elegant Chinese ink painting, embodying The beautiful artistic conception of the spring river with flowers and moonlit night.
The rhythm of the poem is particularly distinctive. The emotional melody that the poet poured into the poem is extremely sad and stirring, but the melody is neither a sorrowful song nor a fast and complicated string, but like a serenade or a dreamy song played by a violin, which is meaningful and meaningful. The inner feelings of the poem are so warm and deep, but they appear to be natural and peaceful, as regular and rhythmic as the beating of the pulse, and the rhythm of the poem also suppresses and turns accordingly. There are thirty-six lines in the whole poem, four lines have one rhyme, and one line has nine rhymes. It starts with flat tone rhyme, followed by oblique tone rhyme, flat tone rhyme, oblique tone rhyme, flat tone rhyme, flat tone rhyme, flat tone rhyme, flat tone rhyme, and finally ends with oblique tone Yun rhyme. The whole poem changes with the change of rhyme and rhyme, interweaving use of oblique and oblique, singing three sighs, exhaling before and after, and the loops are repeated and endless. The music rhythm is strong and beautiful. This change in pronunciation and charm is in line with the ups and downs of poetry. It can be said that the voice and emotion are closely linked, and they are harmonious and beautiful. The meaning of the whole poem coincides with the rhyme and rhyme, and can be divided into nine relatively independent paragraphs.
"The tide of the Spring River reaches the level of the sea, and the bright moon on the sea rises with the tide. The waves follow the waves for thousands of miles, but there is no moon on the Spring River." The first four sentences imply that the moonlit night we are chanting is located in the lower reaches of the Yangtze River. Because it can be seen from the poem that the water here is wide, the spring tide is high, the river and the sea are connected, and the bright moon rises with the tide. The moon is getting higher, and the bright and clear light rushes with the spring tide, shining for thousands of miles.
"The river flows around the meadow, and the moonlight shines on the flowers and forests like snowflakes. Frost flies in the sky, and the white sand on the terrace is invisible." The focus of these four sentences shifts from the intersection of the river and the sea. On the bank, the river flows around the islet covered with fragrant grass and wild flowers. The clear light of the moon fills the fragrant flower forest, as if it has been sprinkled with a layer of snow beads. The moonlight is as white as frost, which makes the frost flying in the sky difficult to detect. It also makes the beach along the river seem to be covered with a layer of silver frost, so that only the moonlight can be seen but the white sand cannot be "invisible".
"The sky over the river is the same color without any dust, and there is only a single moon in the bright sky. Who first sees the moon by the river? When does the moon over the river shine on people for the first time? Life has been endless from generation to generation, but the moon over the river is only similar year after year. I don’t know where the moon in the river is waiting. Who? But seeing the Yangtze River sending flowing water." These eight sentences triggered the exploration of the philosophy of life from the beautiful scenery of the river and the sky. Life is easy to age, and generations are endless; however, the sky is not old, and Jiang Yue always rises with her "only similar every year" appearance. I don't know who she is waiting for persistently, but all she can see is The Yangtze River carries water with waves.
"The white clouds drift away leisurely, and there is so much sorrow on the Qingfeng River. Who will sail away tonight? Where can I miss the Mingyue Tower?" The four sentences are about a white cloud floating away leisurely in the wind, and parting with relatives in the past. Seeing the white clouds disappearing from the riverbank makes people feel even more miserable. Under the bright moonlight, whose family's wanderer is floating out in a small boat? The only place where I can express my love is Mingyue Tower.
"Poor moon wandering upstairs, it should be seen away from the makeup mirror. It cannot be rolled up in the jade door curtain, and it comes back when it is smashed on the anvil of clothes." These four lines are the climax of the emotional impulse of the whole poem. The lonely bright moon in the sky seemed to have found a "sympathizer" with the missing woman upstairs. It walked up to the balcony and lingered in the boudoir, refusing to leave, and also shone on her dressing table. The moonlight shines on the door curtain of the boudoir, but cannot be rolled away; it shines on the anvil where the husband's clothes were pounded, and it is brushed away but comes back again.
"At this time, we look at each other but do not hear each other, and I hope that the moonlight will shine on you. The swans fly so long that the light cannot be crossed, and the fish and dragons dive and jump into the water." These two sentences are about a bright moon that shines on two places at the same time. , our husband and wife can only look at each other from a distance but cannot communicate with each other. How I wish that the moonlight would shine on you.
However, the sky is so vast that even the geese that are good at long-distance flying cannot fly out of the boundless moonlight world. Even the fish and dragons that are good at swimming can only set off layers of ripples but cannot swim to your side. How can I meet you? Woolen cloth?
"Last night, I dreamed of falling flowers in the pond, and it was a pity that I didn't return home in the middle of the spring. The spring flow in the river was gone, and the moon fell in the river pond and turned to the west." These four sentences intertwined the dream and the reality, and the virtual and the real were intertwined. By alternating with each other, the melancholy of the moonlit night and the unfulfilled dream is highlighted with lingering melancholy.
"The slanting moon hides the sea fog, and there are endless roads to Jieshi and Xiaoxiang. I don't know how many people will return home by the moon. The falling moon shakes the trees full of love." These four lines are about the end of the nocturne of separation and the longing for a new day. The love song begins.
This poem "Spring River Flower Moonlight Night" has been praised by Mr. Wen Yiduo as "the poem among poems, the peak on the peak" and has fascinated countless readers for more than a thousand years. Zhang Ruoxu, who only left two poems in his life, also because of this poem, "the single poem is unique, but it is for everyone." If you don't see it, the water of the Yellow River will come up from the sky and rush to the sea never to return. Don't you see, the bright mirror in the high hall has sad white hair, and it looks like blue silk in the morning and turns to snow in the evening. If you are proud of life, you must have all the joy, and don't let the golden bottle stand empty against the moon. It is my nature that my talents will be useful, and I will come back after all my money has been spent. Cooking sheep and slaughtering cattle is a pleasure, and you will have to drink three hundred cups at a time. Master Cen, Dan Qiusheng, is about to drink wine, but don’t stop drinking. A song with you, please listen to me. Bells, drums, food and jade are not expensive, but I hope I will never wake up after being drunk for a long time. In ancient times, all the sages were lonely, but only the drinkers left their names. In the old days, King Chen had a banquet and a lot of fun and banquets. What does the master mean if he has less money? It is up to you to sell it. The five-flowered horse and the golden fur will be exchanged for fine wine, and I will sell the eternal sorrow with you. Appreciation: About to Enter the Wine" is an old title of the ancient Yuefu, and the content is mostly about banquets and singing. This poem was written after Li Bai left Chang'an. Judging from the main content of the poem, it seems that it is all about carpe diem, seeing through life, and only wanting to be drunk and unwilling to wake up, which is quite negative. But if you deeply understand Li Bai's heart, you will find that Li Bai is not really negative and decadent, but he has great ambitions but cannot implement them, so he uses wine to vent his depression, in order to relieve his depression and show his contempt for the powerful and the world. But at the same time, the author also reveals the negative sentiment that life is easy to get old and enjoy the time. The whole poem is full of unrestrained momentum, bold language, and bright and changeable syntax, which fully reflects Li Bai's uninhibited character and writing style. Mid-Tang Dynasty: Meng Jiao's poem: The wanderer chants the thread in the hands of his loving mother, and the wanderer wears the clothes on his body. Before leaving, I was afraid of returning late.
Whoever speaks an inch of grass will be rewarded with three rays of spring. Appreciation: This is an ode to maternal love. The poem eulogizes the great beauty of human nature and maternal love in a cordial and sincere manner. In the first two sentences of the poem, the people described are mother and son, and the objects described are threads and clothes, but they highlight the flesh-and-blood feelings of mother and son depending on each other. The middle two sentences focus on the loving mother's movements and attitudes, showing the mother's deep love for her son. Although there are no words or tears, it is full of pure love, gripping and making people cry. The last two sentences are the sublimation of the first four sentences. They use popular metaphors to express the fiery feelings of a child. How can we repay the maternal love like spring and the children like grass? The whole poem has neither gorgeous words nor clever carvings. It is full of rich and mellow poetic flavor in fresh, smooth, simple and plain language. It is sincere and sincere. It has touched the heartstrings of many readers for thousands of years and attracted thousands of wanderers. The most famous song in the late Tang Dynasty: Bai Juyi's poem: The ancient grassland is said to bid farewell to the grassland on the grassland, which is prosperous every year. Wildfires never burn out, but spring breezes blow them again.
The distant fragrance invades the ancient road, and the clear green meets the deserted city.
I sent the king and grandson off again, and the love was full of farewell.
I did not write these myself, they were all found online. But it also took a long time to search. Thank you if you can adopt it~ I hope it will be helpful to you.