Li Bai's poems and songs, as Wang Shizhen said, are "based on nature". The author thinks that in order to explore nature for Li Bai, it is necessary to deeply study his skillful and fluent artistic creation skills and natural language expression skills. Li Bai's natural poetic style consists of six aesthetic features: deep beauty, bright beauty, halal beauty, round beauty, simple beauty and novelty beauty. These six characteristics are all "based on nature", which are interrelated and integrated; It shows that Li Bai's natural poetic style is the dialectical unity of diversity and concreteness, and the unity of flexibility and skill. Li Bai's natural poetic style is mainly manifested in six aspects: bold language, quick language, drunken language, fairy language, modest language and spoken language. In a word, the combination of skillful and flexible creative skills and skillful and natural language skills is Li Bai's incredible natural poetic style.
Du Fu:
Du Fu wrote more than 1000 poems in his life, among which the famous ones are Three Officials, Three Farewells, Military Vehicle Shop, Autumn Wind Breaking the Cottage, Two Roads, Spring Hope and so on. Du Fu's poems fully expressed his deep sympathy for the people and revealed the sharp opposition between the exploiters and the exploited in feudal society: "The drunken road in Zhumen froze to death!" This immortal poem has been remembered by the people of China for generations. "Dare to love death when saving, and be afraid when you are lonely!" This is the full expression of Du Fu's incomparable love for the motherland, and it is also the reason why his poems are so popular. Du Fu's patriotic hot pillow is also very rich in his masterpieces such as Spring Hope and Imperial Army Recovering the Banks of the Yellow River. In "Three Officials" and "Three Farewells", he praised the patriotic spirit of the broad masses of people who endured all kinds of pains, and even showed readers his childlike innocence of patriotism and love for the people. Out of love for the motherland and the people, it is bound to have a strong hatred for the extravagant and dissolute face of the ruling class and the crimes that bring disaster to the country and the people. This point has been vividly demonstrated in the immortal masterpieces "Car Shop" and "Two Ways". A great patriot's concern for the country and the people is bound to be expressed in other ways. Some of Du Fu's poems about things and scenery, even those about couples, brothers and friends, are permeated with deep feelings for the motherland and the people. In a word, Du Fu's poems are an artistic record of the decline of the Tang Dynasty. Du Fu bravely, faithfully and profoundly reflected the extremely extensive social reality with the positive spirit of joining the WTO. No matter what kind of sinister situation, he didn't lose heart. In the long history of China literature, the cognitive function, reference function, educational function and aesthetic function of Du Fu's poems are unattainable.
Wang Wei:
Wang Wei's poetry writing styles in the early and late periods are obviously inconsistent. Versatile and inspired by the times, Wang Wei's desire to be an official and make achievements is very urgent. Most of his poems in this period were heroic and even "chivalrous". After he became an official, some unexpected blows and encounters [7] made him feel dejected and live in seclusion, saying, "Don't report, learn." However, it is very intriguing that Wang Wei has never officially retired in his life, but he has been living a different life of "being an official and living in seclusion". His spiritual conversion and delayed official career made him "physically and mentally separated" (Wang Wei's career with Wei Jushi), which was full of contradictions. This kind of writing, born between great pain and patience, has a distinct personal style and the imprint of the times.
Liu Yuxi:
Liu Yuxi's poems, whether short or long, are mostly simple, lively and handsome, with the wisdom of a philosopher and the sincere feelings of a poet, full of artistic tension and heroic momentum. Such as "the north wind mourns the old horse, and the autumn frost moves the birds." ..... because of the sense of decline, Ann can arouse the heart "(the second part of" Learning Ruan Gong's Three Poems ")," Ma Si changed grass and fists, carving Qingyun sleep. Poems such as "Heaven and earth can be swept away, and the disease can be cured on a high platform" ("Beginning to smell the autumn wind") are written with high spirits and fierce style, which has a power to rise and fall and rejuvenate the people. As for his seven-character quatrains, they are also unique, such as: "Mo Dao's slanderers are as deep as waves, and Mo Yanke is as heavy as sand." Although the effort is hard, it still needs a lot of sand to nugget. "("Nine Poems of Langtaosha ",the eighth)" Plum blossoms play the strong flute in Saibei, and Guishushan poems Huainan. Please don't play the previous songs, listen to the new version of Yang Liuzhi. "Poetically, these two works are concise and easy to understand, but through one layer, we will realize an indomitable spirit of despising suffering, a feeling of transcending suffering to meet suffering, a flowing vitality, an optimistic spirit of abandoning the past and facing the future, and a firm and noble personality connotation.