Occasionally, I read a poem. The poem was written in general, but it was a poem about demolition and a poem about people's livelihood, which made me pay deep respect. In recent years, if a poet has paid attention to people's livelihood, he has written poems about the Wenchuan earthquake. However, this burst of noise also exposed the schizophrenia of the current poets. Most poets seemed to have experienced a serious overdraft of energy. In the face of disasters such as the Yushu earthquake and the drought in southwest China, they were powerless and chose silence, and concealed it in silence. I don’t have enough passion. At this moment, when I read a demolition poem, I was surprised to find life in the desert and gold in the sand. It turns out that there are still a few poets who retain a keen heart and write poems silently with their conscience. Demolition is an inevitable phenomenon in urbanization, but this word is by no means inferior to "SARS", "Sanlu", etc. It has a shocking effect, and the disharmonious factors it generates can often become the focus of society. People who burned their bodies into torches, people who outdid themselves to invent artillery, people who jumped over walls and put threats into bullets, people who were unscrupulous and killed people, performed thrilling scenes in a peaceful era. However, as a contradiction within the people that should be given a true reflection, the poem may have been stunned and speechless. In fact, there are many poetic materials and themes in demolition. "Why do I always have tears in my eyes? It's because I love this land deeply." Moving to a new place and returning fallen leaves to their roots is not so much a traditional bad habit of the Chinese people as it is the stable mentality of the Chinese people. However, the psychological shock caused by the demolition, the subtle impact of the market economy on the demolished households, and the inner feelings of the demolished people can be expressed in poetry, but a large number of poems are missing. "There are tens of thousands of vast buildings, and the poor people in the world are all happy. They are as safe as a mountain in the wind and rain." Du Fu's fraternity and sympathy are not worth a lot of money, but Du Fu's poems express reality on the one hand, which is the authentic reality. Doctrine, on the other hand, plays the role of poetry in speaking out for injustice and speaking out on behalf of the people. This makes him a great poet. When the demolished households are not "unmoving" but "precarious", who will pay attention to their dilemma of being unable to complain and resist? It is often when the extreme evicted households, like the extremely humiliated Japanese samurai, engage in self-destruction that the media suddenly jumps out and exposes the "surprising" discovery. At this time, a large number of poems are still sitting on the sidelines and turning a deaf ear, neither expressing reality nor containing a trace of anger. Some people say that if urbanization must come at the expense of lives, then is "city, make life better" a satire? And can poetry be like a sharp dagger that penetrates into the heart of social absurdities? In fact, the dagger has become rusty and the poet has become decadent. The reasons are as follows: first, the poet's schizophrenia. Nowadays, poets are often exhausted by the trivial life; second, the poet's life is marginalized and lacks universality. Sympathy, not paying attention to the common people; the third is the poet's personality disorder, no conscience, fear of getting burned, and wise to protect himself.
In the decadent current era, poets no longer take on social responsibilities, so I ask: Poet, your poetic heart has been demolished, can you write demolition poems?