The most famous one is of course "Li Sao". The title of "Chu Ci". Qu Yuan's masterpiece. With more than 370 sentences and more than 2,400 words, it is the longest political lyric poem in ancient China. Wang Yi's "Chapter of Chu Ci" was titled "Li Sao Jing". Hong Xingzu of the Song Dynasty pointed out in "Supplementary Notes to Chu Ci": "It is because later generations of scholars recounted his poems and respected them as classics." Some people also call it "Li Sao Fu", Or simply "Sao". From the Han Dynasty to the Southern and Northern Dynasties, "Li Sao" was often cited as the general title for all Qu Yuan's works. In the history of literature, "wind" and "sao" are often used together. "Wind" is used to summarize the "Book of Songs" and "Sao" is used to summarize "The Songs of Chu". The poet used many metaphors in "Li Sao" to ruthlessly expose the ugliness of the ruling group and criticized their evil, indulgence, greed, lust and rape. At the same time, he also created an image of a character who upholds justice, pursues truth, does not avoid hardships, is not afraid of persecution, and loves his country and people. "Li Sao" is a romantic lyric poem with practical significance. In the poem, whether it is the shaping of the protagonist's image or the description of the characteristics of some things, the poet uses a large number of exaggerated romantic expression techniques. The full use of myths and legends spreads the wings of colorful fantasy and further strengthens the romantic charm of "Li Sao". The use of comparison and xing techniques is very common in "Li Sao". For example, he uses vanilla to compare the noble character of the poet, the relationship between men and women to compare the relationship between monarch and ministers, and the driving horse to compare the governance of the country. The form of "Li Sao" comes from the oral creation of the people of Chu State, and the poet transformed it into a long novel, making it contain rich content. Its language is refined, absorbing many dialects of Chu State, and its sentence construction is quite distinctive. "Songs of Chu" collects the poems of Qu Yuan, Song Yu and others from the Chu state during the Warring States Period, compiled by Liu Xiang of the Western Han Dynasty, and composed by Wang Yi of the Eastern Han Dynasty. These poems use the poetic forms and dialect rhymes of the Chu region to describe the customs and customs of the Chu region. They have a strong local flavor, hence the name "Chu Ci". "Li Sao" was written after Qu Yuan was demoted. This poem has a certain status in Chinese history, so the poet is also called "Sao Ren". Post-poet evaluation: "The Book of Songs" is the source of urban realism, while "Li Sao" is the source of romanticism. In addition to Li Sao, Qu Yuan's more famous work is "Nine Songs". It was originally the name of a legendary ancient song. It was adapted or processed by Qu Yuan, a native of Chu during the Warring States Period, based on folk songs for worshiping gods. ***Eleven articles: "Donghuang Taiyi", "Yunzhongjun", "Xiangjun", "Mrs. Xiang", "Da Siming", "Shao Siming", "Dongjun", "He Bo" , "Mountain Ghost", "National Memorial", "Rite Soul". One chapter, "National Memorial", commemorates and praises the soldiers who died fighting for the Chu Kingdom; most of the chapters describe the attachment between the gods, showing deep longing or the sadness of failed attempts. Wang Yi said it was made by Qu Yuan when he was exiled to Jiangnan. However, modern researchers mostly believe that it was made before the exile and was only used for sacrifice.