Common Language Styles in Ancient Poetry (1)
1 Meng Haoran's "Passing the Old Village";
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
Language style: fresh and natural
Features: the language is novel and unconventional.
Freshness is common in most pastoral poets' poems, with distinctive poetic style, popular language and novel metaphor, which contains the author's joy. For example, the poems of Wang Wei and Meng Haoran are relatively fresh.
2 Tao Yuanming's Five Poems of Returning to the Garden is one of them:
Few people do as the Romans do. Their nature is to love nature.
Fall into the dust net by mistake, thirteen years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
Open up wasteland in the south and return to the garden.
Language style: simple and clear
Features: Simple language.
Strive for simplicity, do not pursue gorgeous rhetoric, show simple characteristics, but plain contains profound meaning. On the surface, every sentence is plain and contains the poet's detached and carefree interest. People comment on his poems? Plain and thoughtful? .
3 Li Shangyin "Jinse":
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever? Before I knew it, it had come and gone.
Language style: gorgeous
Features: rich words, colorful and fantastic feelings.
If rhetoric is gorgeous and antithesis is neat, words will form a colorful picture. The whole poem is colorful, beautiful, unpredictable, beautiful and elegant.
Common Language Styles in Ancient Poetry (2)
4. Liu Yuxi's Wuyi Lane
There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane. Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people. Du Mu's Red Cliff
A broken iron halberd sank into the sand and disappeared, only to find that it was the remnant of Battle of Red Cliffs after grinding and washing. If the east wind is not convenient for Zhou Yu, I'm afraid the outcome will be Cao Cao's victory and Er Qiao's detention in Tongquetai. Language style: euphemistic and implicit characteristics: the intention is beyond words, often not directly described, but twists and turns. What is said here is to do it intentionally, or not to send it, or to do it intentionally, so that readers can appreciate it.
For example, Li Shangyin's Notes to Friends in the North on a Rainy Night was intended to express the author's memory of his wife, but it was not written directly? When * * * cut the candle at the west window, but talk about the rain at night? .
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5. Li Qingzhao's Wulingchun
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry. Language style: elegant and exquisite
Features: This style is often reflected? Bend, thin, soft? Features, winding path leading to a secluded spot, lingering artistic conception, lyrical like spinning silk.
6. Jia Dao's "Visiting the Hermit"
When I asked your students under a pine tree, "my teacher," he replied, "went to pick herbs." However, through these clouds, how can I know which corner of the mountain it is facing? . "Day crystal sand? Qiu Si "
Old vines faint ducks, small bridges run water. The ancient road is sparse, the sun sets, and heartbroken people are in the end of the world. Language style: lively and fluent (concise and vivid)
Features: don't beat around the bush, hit the nail on the head, hit the nail on the head. Nothing is brighter than Bai Juyi. Others, such as implication and conciseness, are not unique to that poet. Most poets have some more or less.
7. Chen Ziang is on the Youzhou Tower.
No one can see the ancient wisdom of the ancient king, only those wise men who can't see the afterlife can see it. Only the boundless universe, boundless, can't stop the tears full of sadness. Language style: tragic and generous
Features: The works of this style are generous and tragic, with high language and full of feelings of the times, or they are late bloomers, or they are worried about the country and the people, and they are depressed and angry.
Common Language Styles in Ancient Poetry (3)
8 Su Shi's Niannujiao:
The surging river flows eastward, and those heroes of the past are gone forever. Old camp west, people say it's the war of the Three Kingdoms, Battle of Red Cliffs. The steep rock wall, like thunder waves lapping against the river bank, waves like rolling up thousands of snow. The majestic rivers and mountains are picturesque, and many heroes emerge at once.
Looking back on Zhou Yu's spring breeze era, young and beautiful Joe just married him, and he was full of heroic spirit. A white figure with a feather fan came face to face, and while talking and laughing, the enemy warships burned to ashes. I am wandering in the battlefield today. I feel a feeling heart and give birth to white hair prematurely. Life is like a dream, and a bottle returns to the moon.
Language style: bold and unconstrained
Features: Strong bones and great momentum.
Use the language with momentum and unrestrained rhythm to create a broad and novel image, create a broad and far-reaching artistic conception and express positive thoughts and feelings. The most prominent is Su Dongpo's poem, which is bold and vigorous, just like a Kanto man holding a copper pipa.
9 Su Fu's Mountaineering:
The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
Language style: depression
Features: profound meaning
Describe the broad social life with an old and vigorous style, and the life picture depicted is shrouded in a dignified and deep melancholy and tragic atmosphere, accompanied by rigorous poetic rhythm and sonorous rhyme. The author seems to have a thousand words in his chest, and then he ponders it over and over again. The so-called heavy, mainly in the depth of feelings; The so-called depression is mainly in terms of emotional richness. The so-called depression refers to the profundity, richness, anxiety and suggestibility of emotions. ? Frustrated? It refers to the poet's progressive and frustrated brushwork, which deeply and powerfully expresses the repressed feelings hidden in the poet's heart.