The soft hairspring is tied to the floating spring pavilion, and the fallen catkins lightly touch the embroidered curtain. ?
The daughter in the boudoir cherishes the twilight of spring, full of melancholy and unable to find relief. ?
Peel the flowers out of the embroidered curtain with your hands, and bear to step on the fallen flowers back and forth? ?
The willow silk and elm pods are fragrant, regardless of the peach blossoms and Li Fei. ?
The peaches and plums will bloom again next year. Who will be in my boudoir next year?
Qilu·Long March Mao Zedong
The Red Army is not afraid of the difficulties of the expedition, and it can only wait for thousands of rivers and mountains. ?
The five ridges are meandering and the waves are flowing, and the Wumeng is majestic and muddy. ?
The clouds and cliffs are warm when the golden sands are splashed by the water, and the iron cables across the Dadu Bridge are cold.
I am even more happy that there is thousands of miles of snow in Minshan Mountain, and the three armies are all happy after the passing.
Seven-character ancient poetry
Seven-character ancient poetry is referred to as Qigu. Among ancient poems, it has the most lively form, the most diverse genres, the freest processing of syntax and rhyme, and the most lyrical narrative. A form of poetry that is rich in expressiveness. Each sentence in the poem has seven characters or mainly seven-character sentences. Simply put, it means longer length, larger capacity, and flexible rhyme. For example, Du Fu's representative works of seven-character ancient poems include "Watching Gongsun's Disciples Dance with Swords and Prefaces" and "Pictures Presented to General Cao Ba", etc.