The scenery in front of the poem is very dense, and six scenes are written in fourteen words, but the pictures behind it are particularly sparse. The two poems only wrote one thing: sleeping in the night clock of the mountain temple. This is because the midnight bell of Hanshan Temple is the most vivid, profound and poetic impression the poet got in a night-mooring near maple bridge. Moonsetting, Frosty Night, Fishing by the River, Lonely Boat and other scenes. It shows the characteristics of night parking near Fengqiao in all aspects, but it is not enough to convey its charm. In the dark night, people's hearing rises to the first place to feel the sight of external things. And the silent night bell gives people a particularly strong impression. In this way, the "Midnight Bell" not only sets off the quietness of the night, but also reveals the depth and clarity of the night. The poet's unspeakable feelings when lying listening to the bell are beyond words.
It seems that "Hanshan Temple outside Gusu City" cannot be ignored here. Hanshan Temple, located in the west of Qiao Feng, was founded in the Liang Dynasty, where Hanshan, a monk of the Tang Dynasty, once lived, hence its name. The poetic beauty of Qiao Feng, together with this ancient temple, has brought the color of history and culture, making it more rich and moving. Therefore, the "midnight bell" of Hanshan Temple seems to echo the echo of history, permeated with religious feelings, giving people a sense of simplicity and solemnity. It seems that the poet pointed out the source of the bell with a poem. With the stroke of midnight in Hanshan Temple, the charm of "a night-mooring near maple bridge" can be perfectly expressed. This poem no longer stays at the level of pure landscape painting on autumn nights in Qiao Feng, but creates a typical artistic conception of blending scenes. Although the custom of midnight was recorded as early as in heather, it was Zhang Ji's creation to write it into poetry and become the eye of poetic artistic conception. At the same time or after Zhang Ji, although many poets described midnight, they did not reach Zhang Ji's level, let alone create a complete artistic conception.