Lu Xun (September 25th, 1881 ~ October 19th, 1936) was a writer, thinker and revolutionary in China. Formerly known as Zhou Shuren, Yucai was born in Shaoxing, Zhejiang. Born in a ruined feudal family. Youth was influenced by the theory of evolution, Nietzsche's superman philosophy and Tolstoy's thought of fraternity. In 192, he went to Japan to study abroad. He studied medicine at Sendai Medical College and then worked in literature and art in an attempt to change the national spirit. From 195 to 197, he participated in the activities of revolutionaries and published papers such as "The Theory of Moro Poetry" and "The Theory of Cultural Bias". During this period, I went back to China to get married on the orders of my mother, and my wife, Zhu An. In 199, together with his brother Zhou Zuoren, he translated the Collection of Foreign Novels to introduce foreign literature. He returned to China in the same year and taught in Hangzhou and Shaoxing. After the Revolution of 1911, he worked as a member of the Ministry of Education of Nanjing Provisional Government and Beijing Government, and taught in Peking University and Women's Normal University. In May 1918, the diary of a madman, the first vernacular novel in the history of modern literature in China, was published under the pseudonym of Lu Xun for the first time, which laid the cornerstone of the new literature movement. Before and after the May 4th Movement, he took part in the work of New Youth magazine and became the leader of the May 4th New Culture Movement. From 1918 to 1926, he successively created and published novels, wandering, essays, graves, essays, poems, flowers in the morning, essays, hot air, canopy, and the sequel of canopy. Among them, the novella The True Story of Ah Q, published in December 1921, is an immortal masterpiece in the history of modern literature in China. In August 1926, he was wanted by the Beiyang warlord government for supporting the patriotic movement of Beijing students, and went south to Xiamen University as the head of the Chinese Department. In January 1927, he went to Guangzhou, the revolutionary center at that time, and served as the academic director of Sun Yat-sen University. He arrived in Shanghai in October 1927 and began to live with his student Xu Guangping. In 1929, his son Zhou Haiying was born. Since 193, he has participated in China Freedom Movement League, China Left-wing Writers League and China Civil Rights Protection League successively to resist the dictatorship and political persecution of the Kuomintang government. From 1927 to 1936, he created most of the works and a large number of essays in the collection of historical novels, which were collected in Just Collection, Three Idle Collections, Two-hearted Collection, Southern Tune and Northern Mobilization, Pseudo-free Book, Quasi-wind and Moon Talk, Lace Literature and Qijieting Essays. Lu Xun's life has made great contributions to China's cultural undertakings: he led and supported literary groups such as the "Unnamed Society" and the "Chaohua Society"; Editor-in-chief of the National New Newspaper Supplement [B], Mangyuan, Yusi, Running, Germination, Translation and other literary periodicals; Enthusiastic care and active training of young authors; Vigorously translate foreign progressive literary works and introduce famous paintings and woodcuts at home and abroad; Collect, study and sort out a large number of classical literature, compile A Brief History of Chinese Fiction, Outline of Chinese Literature History, sort out Ji Kangji, and compile Miscellaneous Records of Old Books in Huiji County, Hooking Ancient Novels, Legends of Tang and Song Dynasties, Notes on Old Novels, and so on. On October 19, 1936, he died of tuberculosis in Shanghai. Tens of thousands of people in Shanghai spontaneously held public sacrifices and funerals and were buried in Hongqiao Wanguo Cemetery. In 1956, Lu Xun's body was buried in Hongkou Park, and Mao Zedong wrote an inscription for the reconstructed Lu Xun's tomb. In 1938, The Complete Works of Lu Xun (2 volumes) was published. After the founding of the People's Republic of China, the translations of Lu Xun's works have been compiled into Complete Works of Lu Xun (ten volumes), Translated Works of Lu Xun (ten volumes), Diary of Lu Xun (two volumes) and Letters of Lu Xun, and various ancient books edited by Lu Xun have been reprinted. In 1981, The Complete Works of Lu Xun (sixteen volumes) was published. Luxun Museum and Memorial Hall have been established successively in Beijing, Shanghai, Shaoxing, Guangzhou and Xiamen. Dozens of novels, essays, poems and essays by Lu Xun were selected into Chinese textbooks for primary and secondary schools. The novels Blessing, The True Story of Ah Q and Medicine have been adapted into movies.
The Storm by Lu Xun is a classic in this field. How many people have experienced and written "braiding", but it didn't have a wide impact. The Storm was successful because Lu Xun grasped the historical detail of braiding and wrote the psychological truth of the characters. How can he live without braids? How to meet people? The social and psychological order in the era of pigtails was disrupted, and the pigtails were cut, and there was psychological panic. It was necessary to establish a new order, which promoted the new society. A braid of Zhao Qiye vividly shows the changes of the times and the unique weather of that era; A braid of Zhao Qiye also tells the helplessness of all the little people: change is a matter of the top, little people have no independent rights, and if they are not careful, their heads will fall to the ground, so they can only take the golden mean and protect themselves. In fact, in the real society, many of us are still "the Seventh Master of Zhao", which has more or less the factor of the Seventh Master of Zhao.
the birth of order, morality and aesthetic standards.