Toni Nogueira
Tonino Guerra (first translation: Donino Guerra), Italian poet, film script writer, concentration camp survivor. Born on March 16, 1920 in a small town in Rimini, Italy, and died on March 21, 2012. He is the first choice screenwriter for film directors such as Antonioni and Theo Angelopoulos, and his collaboration with Antonioni lasted for nearly 40 years. In 1983, he received former Soviet director Tarkovsky to Italy for inspection and collaborated with him to break through the ideological barriers at the time and complete the film "Nostalgia".
Chinese name: Tonino Guerra
Foreign name: Antonio Tonino Guerra
Nationality: Italian
Date of birth: March 1920 March 16
Date of death: March 21, 2012
Occupation: poet, film script writer
Representative works: "Nostalgia" and "Landscape in the Fog" "Night", "Zoom", "Eternity and a Day"
Personal Experience
Born on March 16, 1920 in Rimini, Emilia-Romagna, Italy. Town Santarcangelo.
At the age of 22, he was thrown into a German concentration camp for participating in the anti-fascist resistance organization and began to write poetry. At the age of 30, he moved to Rome to work as a teacher, met Elio Petry, who was De Santis' assistant at the time, and started his career in film script writing.
Collaborated with Italian film director Michelangelo Antonioni for nearly 40 years, until Antonioni’s last film "Days Above the Clouds"; the scripts he collaborated with include "Night" and "Blow Up" "Red Desert" etc.
In his later years, he wrote the scripts for most classic art films for the Greek film director Angelopoulos, including "Eternity and a Day", "Landscape in the Mist", "The Gaze of Ulysses" and "The Stork" "The Beekeeper", "Journey to Sethe Island", "The Weeping Prairie" and "The Dust of Time".
In 1983, he received the former Soviet director Tarkovsky to Italy for inspection, and cooperated with him to break through the ideological barriers at the time and complete the film "Nostalgia" (Nostalgia), during which he filmed the documentary "Carving Time" (Voyage in Time), recording the two of them’s mutual communication, learning, and exploration while planning the film.
Chronology of Works
PieceoftheSky(1959)
L'avventura(1960)
Lanotte(1961)
< p>TheAssassin(1961)L'eclisse(1962)
TheRedDesert(1964)
Blow-Up(1966)
CatchAsCatchCan(1967)
Ghosts-ItalianStyle(1968)
InSearchofGregory(1969)
AQuietPlaceintheCountry(1969)
TheVoyeur(1970)
ZabriskiePoint(1970)
TheMatteiAffair(1972)
LuckyLuciano(1973)
Amarcord(1973)
Illustrious Corpses(1976)
CaroMichele(1976)
The Night of the Shooting Stars(1981)
IdentificationofaWoman(1982)
VoyageinTime(1983)< /p>
Nostalghia(1983)
And the Ship Sails On(1983)
Henry IV(1984)
Voyage to Cythera(1984)
GingerandFred(1985)
The Beekeeper(1986)
ChronicleofaDeathForetold(1987)
Landscape in the Mist(1988)
Burro(1989)
Dimenticare Palermo(1989)
TheSunAlsoShinesatNight(1990)
TheSuspendedStepoftheStork(1991)
EternityandaDay(1998)
Ulysses 'Gaze(1995)
Tierradelfuego(2000)
Award Resume
2010
The 54th Italian DaviddiDonatelloAwards David Lifetime Achievement Award
1994
The 51st Venice Film Festival (Venice Film Festival) Pietro Bianchi Award
1985
The 29th Italian DaviddiDonatelloAwards David Award-Best Screenplay Kaos (1984) ***Co-winners: Paolo Taviani, Victorio Taviani Vittorio Taviani
1984
The 28th Italian David di Donatello Awards David Award-Best Screenplay Elanaveva (1983)*** Same award-winning filmmakers: Federico Fellini
The main competition unit of the 37th Cannes Film Festival (CannesFilmFestival)-Best Screenplay Award Taxidista Kithira (1984) ***Same award-winning filmmaker: Xi Theo Angelopoulos, Thanassis Valtinos
1981
The 25th Italian David Awards (DaviddiDonatelloAwards) David Award-Best Screenplay by the Three Brothers Trefratelli (1981)** *Shared award-winning filmmaker: Francesco Rosi
The 5 most acclaimed works
Nostalgia Ностальгия 1983
Landscape in the Fog Τοπ_οστηνομ_χλη1988
Eternity and a Day Miaaioniotakaimiamera1998
The Weeping Steppe Τρ?λογ_α1:ΤοΛιβ_διπουδακρ_ζει2004
The Gaze of Ulysses Τοβλ_μματουΟδυσσ_α1995
The Film Poet (Excerpt from Interview)
p>“When you’re working, even as a photographer, your personal preferences are always inherent. I'm still feeling what I've put in, and many times I'm satisfied with my work, other times less so. The most wonderful moment is when you reach a deep understanding with the director, and he can transform your thoughts and words into images. I was extremely intoxicated with those times. ”
“My poems are the condensation of certain images. The movie itself is in those words, for me. This is no joke, these words are full of illusions that can be extended infinitely. ”
“I have worked with many directors, and I feel that I have gained a lot during this period. For me personally, a movie that allows me to be a bystander and create needs and pursuits due to half-knowledge - that's what I want - and sometimes the most hazy and sincere things. It is also becoming increasingly clear. It's very difficult to write good movies, and those things that are real, you need to - you have to discover them, be a spectator, and that's very difficult. If a movie carries more obscure truths, I think the stronger the relationship it has with me. It raises questions for me, makes me think, and helps me see the world clearly and understand everything about life and the truth. In fact, these things cannot be fully expressed in just a few words. ”