Don't be jealous of the new makeup girl in the boudoir, but be ashamed of Fu Fenlang in a stranger.
Last night, the moon was as bright as water, and I felt fragrant when I got started.
Precautions:
1. Mo: Road.
Fu Fenlang: A young man painted with powder.
Xiongnu: Almost, almost.
Translation:
A young lady dressed up in a boudoir should not be jealous.
A proud husband is covered in powder on the road and should be ashamed.
Last night, the moonlight in the yard was as transparent as water.
Only the fragrance of Bai Mudan permeated the whole yard.
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How beautiful the bride in the well-dressed boudoir is and how charming the teenagers on the road are. However, Bai Mudan's plain makeup makes the bride feel jealous, and her natural appearance makes the girl Langton feel ashamed. The poet used two inverted sentences to set off Bai Mudan's peerless elegance with the jealousy of the bride and the shame of Fu Fenlang. The last two punch lines are amazing. He has created the image of Bai Mudan from two aspects: vision and smell. Crystal clear, white peony flowers completely melted in the moonlight, as if disappeared. But once you step into the courtyard, the fragrance of flowers floating in the moonlight tells people that flowers are being exposed. Bai Mudan wrote a poem, but the word "white" did not appear in the last article, but it was not Bai Mudan who dared to do it. The poet's natural pen has reached the realm of "ethereal, stirring and lingering" pursued by the poet.
Red peony has its own charm. What about Bai Mudan? Pure, beautiful and flawless, in the eyes of poets, Bai Mudan is not bright enough, but it also has its charm.
Wei Zhuang, the fourth grandson of the poet Wei, was the former prime minister of Shu. He is very capable and has been an official of Shu all his life. From the official department to the official department as assistant minister, he died at the age of 75 in Hualinfang, Chengdu.
As an important poet of Huajian School, Wei Zhuang has made great achievements in lyrics, but his style is quite different. Wen's words are gorgeous, while Wei's words are sparse.
In this poem, the poet wrote the beauty of Bai Mudan's color by contrast. However, he did not compare flowers with similar flowers, but described "new makeup girl" and "Fu Fenlang" to contrast the white color of Bai Mudan, which made flowers have people's preferences and emotions.
In addition to writing a westward journey with white flowers, the poet also wrote a strong floral fragrance: the night is like water, and everything is silent. At this time, only the fragrance of flowers in Bai Mudan is spreading quietly, with fragrance of flowers, trees, courtyards, houses, people and memories. If the passionate red peony belongs to the lively day, then the quiet Bai Mudan belongs to the silent night.