In the appreciation of Chinese poetry in college entrance examination, some materials analyze imagination as an artistic technique. Is imagination an artistic technique?

Poetry appreciation skills

There are three levels of speech skills: rhetoric, expression (methods of expression and literary expression) and text structure.

Type question: Does this poem use any means of expression?

Variant poetry is an artistic technique (skill)? How do poets express their feelings? Or use one aspect of a specific problem.

Answer points: analytical expression skills are to analyze the poet's expression of thoughts and feelings. First of all, we should distinguish between the requirements of appreciation, the setting of test papers, the expression techniques from the perspective of western rhetoric, or the structure of the text or the combination points.

(1) What must be pointed out, the meaning expressed, or what kind of skills. The second is the appreciation of related speech skills.

(2) Combining with related scriptures, using poetry to tell the content.

(3) The reason for the conversation is to adopt this way. Explain it again.

(4) How does this method express the poet's feelings and convey the theme? The benefits of using tactics. In the process of language appreciation, we must explain the combination of poetic skill appreciation, fluent and beautiful artistic conception and appreciation form.

Problem solving format:

Appreciation Rhetoric: Revealing the expressive function of practice+analysis (gathering meaning+context+theme emotion)

Expressing appreciation: how to tell (introduce)+tell (introduce)+express what love is?

Appreciation and expression: practice+expression (sentence meaning+context+theme emotion)

Common mistakes: The answers to these questions are often wrong to illustrate local rhetorical poems. This is not correct. But when dealing with a specific poem, it talks about the use of rhetorical devices.

For example 1, read [Tang]' s "Xiu Jiu Deng Gao" and analyze the artistic characteristics of this poem.

On September 9th, in Wangxiang's unit, there was a distant Northern Fujian Cup.

Are humans tired of South Africa and poor geese from the north?

[Note] ①: Still, there are reasons.

The answer leads to the analysis of the artistic features or speech skills of poetry, generally starting from these linguistic features (easy to understand, popular, elegant and solemn; Tragedy, hero, freshness, fashion, euphemism, vividness, irony, humor, etc. It's no use just reading sweet words. There is no special expression, look at the structural characteristics. In the outline of these spiritual fields, you can control the comments of poetry alone. From a linguistic point of view, there is a saying that "this poem is similar to word of mouth every day, as if: the money machine is kind." From the perspective of western rhetoric, the last sentence of 34 is the application of comparative rhetoric. The third sentence directly expresses the poet and the fourth sentence, but the way is euphemistic and unique. It can be said that the artistic characteristics of this poem are basically mastered, and the answers and road words are to be said. The first answer, what things should be thought clearly and clearly, such as the idea is not very clear, the best time to say. Analysis of the poetry of the association seems to be established.

Refer to everyday expressions, such as "He sits far away" and "De", which seems to be an answer to Qian's kind language poem. Tired of practicing chest pain directly expressed by South Africa's "human suffering". The missing relatives may not only be from the south to the north. The fourth sentence asks: "Is the goose from the north?" In sharp contrast, the first three seemingly "unreasonable demands" put forward the feelings of the poet's relatives, which are particularly vivid and touching.

Example 2, Xia Sai Qu Li Bai.

It snows in Tianshan Mountain in May, but it is cold without flowers? . You can never see the taste of willow flute in spring.

Xiao Zhan sleeps at night and holds a jade saddle. I am willing to go to the waist with a sword and cut Loulan straight.

[Note] Liu Yang: Fold the ancient music and talk about Liu Yang, but also talk about spring scenery and sadness. Loulan: In the Western Han Dynasty, King Loulan sent several people to stop and kill Ambassador China, and was later sent by General Huo Guang.

Q: About the poetic expression ability of beauty. (4 points)

A: Typical applications of quantitative and comparative techniques. The smell of willow flute, in the natural spring, I heard someone playing a song introduced by relatives, and I really wanted to go home, but in the face of spring, I was far from satisfied without relatives. In this case, officers and men actively participate in hostilities, and the number of heroic enemy killings is linked to simplicity. Ando, the soldiers have a strong performance. In order to satisfy the original poem, viewpoint and analysis. )

1, rhetorical method:

Metaphor-comparison of one thing or scene with another. The characteristics of excellent things, abstract things, more vivid and touching visualization.

Analogy-something called anthropomorphic description, or when the description of crops is called simulacra. This metaphor encourages readers to associate and describe people, things and things with more vivid functions.

Ask questions-the first question, give your opinion. The introduction drives the whole chapter, asking questions in the middle, connecting the preceding with the following, and the end requires deepening the theme, which is memorable.

Rhetorical question-expressed in the form of a question that determines the meaning. Used to emphasize and express strong feelings.

Metonymy-borrowing something is not what you want to express. Metonymy represents all concrete rather than abstract features, not people. The language used is concise and subtle.

Double use of the same structure, the same number of words, a sentence or phrase to express two opposite or similar meanings. Formally, the language is concise, neat and symmetrical; From the content point of view, this means subtle focus.

Exaggeration-an enlarged or reduced description of the image, characteristics, function and degree of things. There are more outstanding and vivid things.

Allusions-Allusions are a form of expression of ancient poetry, which can play a subtle, concise, euphemistic and elegant role in association. The language of poetry can make the refiner add rich content, vivid and implicit, acceptable words, with concise and interesting effects, enhance the expressive force and appeal of the work, and increase the expression of the inner meaning of the work. , also caused a certain reading. A typical ancient poem is one of the following situations: (1) Point out the historical story used in the previous sentence ② to quote myths (3).

Huadian (Use)-Re-process and re-create the oral words of predecessors and written works created by the masses, and endow them with new contents and emotions. It can be divided into three types: the sublimated mood is opened.

Intertextuality-"intertextuality", the words used in adjacent ancient poetry sentences complement each other and combine to express a complete meaning, is a special rhetorical device. China's ancient poems generally have two forms: a, to avoid monotony, repeated words are used alternately? Synonyms and other characteristics, intertextuality refers to the corresponding position of words that explain each other in the same or roughly the same phrase or sentence. So, you can infer another unknown meaning from the known meaning. If B is the quantity of binding, the restriction of metrical rules or the demand of expressing art must be concise, implicit and concise sentences to express rich content. In addition, such two things can only be influenced by omitting "two things" in the context in which they appear. To understand this intertextuality, it is customarily called "intertextuality", if the background words are combined with each other, complement each other and set off each other.

Chorus: no more than two repetitive roles-overlapping words: enhance the sense of rhythm of language, or highlight more vivid images. Dense and tortuous syllable flow to express thoughts and feelings, language to enhance musical beauty, American rhetoric.

Parallelism series-several closely related sentences or phrases with the same or similar structure and consistent tone.

Camp-In some poems, especially folk songs, the author often uses metaphors and puns to express euphemistic feelings.

Jin Lie, the so-called Jin Lie, is a rhetorical device that skillfully arranges all nouns or noun phrases together to form vivid feelings, set off the atmosphere, create the atmosphere and express emotions. You can use this rhetoric: ① concise American artistic effect. Poetry sometimes deliberately leaves the composition incomplete, thus achieving a concise effect. 2 concise and beautiful. However, the simple choice of ordinary things and the writer's ingenious artistic treatment have unified rich, profound and extensive ideological content and emotions. 3 implicit beauty. Subtle, not direct and complete divorce, but euphemistic notification of receiving a good expression.

2. The expression means:

(1) Performance: narration, discussion, description and lyricism.

Poetry and lyric images are expressed in different artistic techniques, and we should know some common artistic techniques. Lyric narrative poetry, description, discussion, lyrical expression, the theme of description, and the focus of examination.

Feelings and relationships: Poems written by poets to express thoughts and feelings. In order to achieve this magic, he needs to draw portraits-around the nature of Que Wang, the feelings aroused and the emotions conveyed to readers. It is very important to deal with the situation with the king. If not handled properly, he will arouse the feelings of readers and make them produce * * * sounds with him. This poem is well written and can be moved.

Lyrics can be divided into direct lyricism and indirect lyricism.

Express one's mind directly-express the poet's naked heart directly in poetry, without falsely recording the passion, happiness or melancholy expressed in disguise. In this way, it is more intuitive.

Indirect lyric-various rhetorical arts commonly used by poets to express their thoughts and feelings euphemistically. Divided into lyrical scenes and props.

The lyrical poet's feelings about certain scenes or some objective things are used to ignite his feelings and express it with the scenes described by the expressed thoughts. There is such a lyrical way called "King" or "Lyrics".

Scene: This kind of emotion, especially the life scenes or scenes described by natural scenery or scenes, is an indirect and implicit way of expressing feelings. Scenery and scenes include three forms, one is the emotion of the king, and the other is the emotion of the scenery of Wang Jie and Yuan Qing. China's ancient poems, pines and bamboos, plum blossoms, rocks and streams, desert trips, sunset at the border, jathyapple breeze, drizzling lotus flowers, plantain phoenix trees, yellow duckweeds and wild geese, pavilions and low pavilions, etc., are often targeted at lyric poets, which are no longer purely natural things, but convey extremely rich and complicated people's thoughts and feelings.

Pay attention to the relationship between some emotions and mourning for the king: the music scene of Wang Yu's poems, and the feelings of all so-called Wang poets. Regarding the scene and appreciation, the key is that love is love. Are we actually asked to taste the king of kings-sad scenery, happy scenery and unfortunate king? In general, happy live music expresses love and sadness for the king who has broken his heart, but there are also music that is lined with sadness or sadness. The king wrote a story to write music. Love that grieves or mourns for Wang's Elegy can get twice the result with half the effort.

Blog difference of children's lyrics by borrowing scenery: borrowing scenery to express emotion, scene description, expressing emotion, while the poet's poems express subtle feelings, so there are music, sadness and troubles, but this emotion must not be regarded as a concept. "Love" in the lyrics refers to feelings such as love, hate, praise, joy and sadness. Advertising sentences, more importantly, are the objects described by poets, their thoughts, and their attitudes and feelings towards life. Tuo's statement often relies on some functional things to support the statement that "wisdom" refers to feelings, wishes, emotions, hobbies, wishes and requirements.

Description methods: comparison and contrast, combination of reality and falsehood, combination of reality and falsehood, combination of reality and falsehood, combination of reality and falsehood.

Light color rendering and contrast painting with ink or China traditional painting-Rendering and contrast technology is a method to enrich the image by emphasizing the place, yin and yang or opposition displayed on the screen. Poetry mainly focuses on description, and makes a lot of positive descriptions of images that highlight the environment and landscape. Contrast ink or color images to outline the rendering background, and the images are excellent. For poetry creation, it refers to describing pain from the side, making things clear and prominent as a foil. Our purpose is not to say, but to say something else, highlighting the real intention. It is possible to compare the same thing from the front and the side.

Contrast and contrast-we should make full use of similar or opposite things under the lifting conditions, and some things are to highlight the expression techniques. It can make metal foil things stand out in the image. Point contrast and contrast. The scenic spots that are queuing are highlighting the main body with similar conditions. In contrast, the main body and the liner are arranged oppositely from the back. Comparing two different things or things is to control two different aspects, which is better and which is better. Contrast reveals the strong impact of contradiction, contrast and contrast.

Definition: Poetry appreciation with the combination of reality and fiction. If it is true, no virtual evidence is true, camouflage is fiction, objective truth and subjective virtuality; As a concrete practical behavior of a virtual hermit and a virtual apprentice, this is true, the future is false, and the unknown is false. In traditional Chinese painting techniques, virtualization, sparse strokes or blank parts of the picture. The space of imagination is memorable. Poetry is picturesque, so is poetry and Chinese painting. "Virtual" in the poem refers to intangible intuition, but we can appreciate the gap between these virtual images and the ethereal boundary line. Specifically, the "emptiness" in poetry mainly includes the following three categories: the fairy world and the dream world. Poets can often reflect the nothingness of reality. This is the so-called virtual image is reality. The scene of two dead people. The author of the virtual king type is the person who has experienced or happened the historical scene, not the person in front of him. Imagine the future. This virtual environment has not happened yet, and its situation will continue into the future, not the performance of the server. Therefore, anxiety and worry about writing music will double their music. "Reality" is the real image of the objective world and becomes a real reality. To put it simply, the "virtual" method is actually the author's imagination, association and reading works. From our point of view, there are mainly two kinds: memory, and the second is dreams. Compared with the real thing of Diwang. "Virtual reality coexists with reality" refers to the mutual infiltration and transformation between virtual reality and reality, so as to realize the true and virtual realm of virtual reality, which greatly enriches the image of this poem, opens up the artistic conception of the poem, provides readers with a broad aesthetic space and enriches people's aesthetic taste. The relationship between virtual scene and reality sometimes forms sharp contrast, highlighting the center, and sometimes presents contrast and highlighting the center in a complementary form.

Combination Movement-In ancient Chinese poetry, the dynamic description of the poet's creative mood is a common way to write scenery, which should be paid special attention to. Using this strategy, creativity, "words" leave "all fields." The combination of static and dynamic scenery is often the harmonious unity of artistic conception and image formed in a kind of artistic conception, usually in the way of combining static and dynamic ("dynamic" includes the description of static and dynamic as "bamboo noisy return, lotus moving fishing boat" noisy "dynamic"). Therefore, the combination of static and dynamic painting portraits is inseparable.

Positive, positive direct description-the description of the object is a positive description, describing the things around the object, making the object more vivid and prominent. On the one hand, the way of description leaves more imagination space for readers.

The whole area-everything is interrelated, not isolated, describing this scene, because they are always inextricably linked with the surrounding scenery. Therefore, we are not isolated in the physical landscape, and the main object of writing must also write a more comprehensive and vivid subject image with the contact materials around the whole region. Often point out the concealment, including the complete effect.

Detail description-China's classical poems are generally short and pithy. I don't like narratives because there are too many details. However, even a short chapter, even a lyric sketch, can not ignore the description of details. This is a place that needs special attention. Described in detail in a real and vivid literary work, "seeing the micro-knowledge" has a good effect.

The angle of change-description should be horizontal-from far to near or from bottom to top. Watch the same scene, different angles, top and bottom, the direction of the observer's overlooking, and watch different styles of visual images at close range, which are constantly changing. From different angles, the described scenes give readers a more comprehensive understanding of the feeling of perfection.

Fine brushwork line drawing-originally a traditional technique of Chinese painting, it is a sketch or sketch of general western painting. It is characterized by using ink, sketching the picture with simple lines and freehand brushwork, regardless of contrast and color. The introduction of this painting in poetry creation has no adjectives and modifiers, no great care and rendering layer, no need for writing technology or metal foil, but captures the description of the object and accurate and powerful brushstrokes. Simple and clear language, simple words, clean Li Su, things that outline shapes, light and darkness (sound) express feelings about things. Meticulousness is originally the brushwork of painting, while the latter refers to sculpture and heavy color and thick ink description.

* * * See the big with the small, and win more with the little. It should have the following characteristics: the general things are the same, showing inevitability and stimulating readers' association. Concreteness: refers to the opportunity for things to show their individuality, reflect emotional connection and restrict readers. What you see is the local life experience of all infinitely limited people, and through the typical and symbolic, the artistic effect of seeing the big from the small is realized. In ancient poetry, it often shows the observation window of artistic interest, and the infinite charm is linked by finiteness and infinity. Similarly, in view of Japan, the king of bamboo, the king of mirror and the king of underwater, the same artistic effect characteristics: grasping the typical characteristics of small scenes and big realms can arouse readers' hearts, and the so-called "Sichuan big scene" feels a little scenic. Two quatrains about social life are also the details of life, which are especially suitable for major social content and typical performance in practice.

Poetry, painting and calligraphy is a landscape poem, which depicts the picture with meticulous techniques and expresses an emotion. Wang's poem "Painting in Poetry" is a very pertinent opinion. Wang Wei's pastoral poems always outline pictures and a little ethereal subtlety.

Artistic expression: Fu, Bi, Xing, Yin and Yang, detailed description, symbolic association, etc.

Bixing's practice-this is a figure of speech, not something fundamentally different. In poetry, its use is also called bi xing. Poetry often uses this method to achieve vivid artistic effects and real virtuality. The metaphor of real virtual image depicts more vivid and richer emotions. If the infiltration of this image is a symbol,