People familiar with He Xiangyang may be a little surprised to see her poetry collection "Blue". Because he Xiangyang is good at rational and thorough analysis and wise and meticulous speculation, he is an excellent critic, which does not seem to be the poet's characteristic. Some people know that she loved poetry when she was in college, but they don't know that she has accumulated a thick book of poems and has profound literacy. It seems that there are too many hidden secrets in this era.
Her poem The Sea is as follows
"All the sounds/falling/the waves are silent/rolling up and falling/reminding me of the crying of azaleas/overlapping layers" ...
"All the windows/are closed/a story/pulling a long back/traveling alone/whose tears/wet the swaying mast lights on the sea" (1986).
When writing this poem, He Xiangyang was probably a sophomore, just at the budding age. Although everything goes well, inexplicable distress is also hidden in my heart. More appropriately, this is the sorrow of a new generation of talented people and beautiful women, or the sorrow of female students at a turning point. The sensitivity of the girl's heart is also stained with cautious sadness in the charm of her poems, which has the style of early Li Qingzhao, fresh and elegant. A discerning person can tell at a glance that it was written by a girl with strong reserve and self-control. After long-term intentional or unintentional training, it has become the so-called temperament. Once this temperament is stereotyped in poetry creation, a pen is another style.
And "the best". This is a work about a pair of men and women who are speechless but don't know how to express their love.
"I am sitting with you/the distance between benches/the words from my heart/the worries in your inquiry/the coolness tonight" (1988).
The above is for reference.