Word: parting
Athena Chu: Leibier
Interpretation: Long-term separation from familiar people or places.
A person's life has to face many farewells, such as friends' farewells, relatives' farewells and lovers' farewells. As the saying goes, all things must come to an end, and it is inevitable and inevitable, but it is so helpless! Every parting is so sad and heartbreaking!
Of all the emotions, parting should be regarded as a beautiful feeling! Whether it's the disappointment of "urging you to drink more wine and go out to the Western Heaven for no reason" or the quatrains of "Lanzhou urging you to send your hair, holding your hand, looking at your eyes with tears, but choking in silence", all of them prove the helplessness and sadness of parting, which are the quatrains that literati never tire of reading!
Master Gu Long has a weapon called a parting hook. What weapon is that? Hook hands-broken hands; Hook foot-broken foot; If you let it hook your head, then if you speak quickly, you can also say, "Twenty years later, you are a hero again!" " "In that case! Anyway, it's a hook, parting! So it's called parting hook!
After many years, I can't help thinking, parting hook can make everything leave, what about feelings? There is a saying, "but since the water is still flowing, although we cut it with swords, it is even more sad to raise a glass to dispel our worries." What about this parting? Can parting hook put an end to it? I'm afraid this is what ancient warriors didn't think of!
In fact, what's wrong with parting? Without the sadness of parting, how can we have a smiling face when we meet? Parting is to prepare for the next gathering! If the relationship between two people lasts for a long time, is it a matter of time? Let's separate, as long as we can be together, what's wrong?
After parting, you can look out of the window when the sky is full of rosy clouds and accompany the lilies to open quietly. You can also have a cup of fragrant tea, a few plain papers and miss each other on a rainy day. It turns out that your figure is so familiar and your smile is so touching. What a good feeling! If you are together, how do you feel? People always don't cherish what they have, but once they lose it, they know that what they missed is so unforgettable! When you understand this truth, that is, when you are reborn!
What's wrong with parting? It is an old saying that distance produces beauty. If there is no parting, how can there be a heart of "one kind of acacia, two places of leisure"? If there is no parting, how can there be the feeling of "only eyebrows, no heart"? If there is no parting, how can there be? ...
If there is a parting hook in the world, let her gently hook my neck and let me light myself like a phoenix when I leave, so that I can achieve nirvana!
Standing at the crossroads of the road, the traffic lights passed one after another, and finally at the nth green light-goodbye. Maybe from now on, walking on the intersection line will meet one day, maybe walking on the two ends of parallel lines will never meet one day, but in any case, I thank those who accompanied me all the way, because with them, there will be joys and sorrows in the world and a colorful life!
Sad parting, parting is always in sight, it can only be Sauvignon Blanc, but it can't last forever, leaving tears on my pillow ~ ~ ~ ~ ~
On parting poems
I woke up in a dream this morning, but I don't remember the dream. There have been a few words hovering in my chest: "You have to have a word, Wan Li's cloud, Qian Shan's snow, who are you only looking for?" . I thought for a long time, as if I saw it in Jin Yong's martial arts. I glanced at the dragon slayer in a hurry before going to work, but I couldn't find it. I searched it at work and found that it was written in a sculpture. Hey, I saw a comment on one or two parting poems by the way. I thought it was beautiful, so I moved here to enjoy it with everyone.
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Yu Tingchun; Spring In Jade Pavilion；Song of Youth
Ouyang Xiu
Before the bottle, I'm going to say I'm going back to China. I didn't say I was miserable in spring. Life is naturally infatuated, and this resentment has nothing to do with romance.
Before the farewell party, Mo sang a new tie. This song has a sad feeling. It's easy to see all the flowers in Los Angeles at first.
(May)
The whole word is friends leaving, one is reluctant to go, and the other is saying. I like this sentence best: "Life is naturally infatuated", and a "self" is written without regrets. Sister Lin prefers parting to meeting. She thinks there is always pain in parting, so why meet? But the higher realm is "the golden wind and the jade dew meet and win, but there are countless people in the world." For such a meeting, everything is worthwhile.
Although it is a knot, it is inevitable to leave, so wait until you see the spring scenery in Los Angeles, as if
Is waving, struggling to cheer up. The evaluation of human words: "Being bold and unconstrained is Shen Yu's career, so it is particularly high", but I think it should be caused by being depressed and bold.
On Other Poems (Moonlight Meteor Shower)
"Ecstasy, as long as you don't?" The word has not jumped out of the circle of ecstasy. The so-called uninhibited is also the difference between early and late. ...
Among other poems, I personally think that Cen Can's poems are the boldest, perhaps because he is far from the frontier, and he is very open-minded when it comes to state affairs. "Send a doctor to the West" changed its previous style and greatly exaggerated the sinister and brave March of "Han Jiang". "Send the Judge to Beijing" is a well-known poem, with great brushwork that renders the beautiful scenery beyond the Great Wall and organically combines parting with the scenery beyond the Great Wall. Although leaving, there is the momentum of "Mochow has a vast road ahead, and no one in the world knows a gentleman", which is the only way to be strong. Cui is basically the same as the first one, but it is even more reluctant to go. I prefer "Tianshan Guo farewell drunk, watching the sunset by the sea". Although it is parting, I won't talk about the scene of "* * * touching the towel". It goes without saying that watching the sunset fall from the hot sea.
Hehe, maybe it's because I'm from the western regions. I prefer this magnificent parting work, all for attracting jade. Really make everyone smile.
(pengpeng)
"Life is naturally infatuated, and this resentment has nothing to do with romance." Having said so much, what a love word it is! Yuan Yishan, "Ask the world, what is love? Teach life and death. "You can reveal the news. It also reminds me of a sentence in Kuang Zhouyi's "Huanxi Yarn": "He is not infatuated with love. "This life is over, infatuated with love, trapped by love, just ask him to live, don't be obsessed with love." Those who are ecstatic have no choice but to. "What is more sad than parting, and what is more touching than parting!" Holding your hand, growing old with your son ",beauty is beauty, but every time I think of breaking up after holding hands, I am doomed to separate after meeting, and I dare not meet again every time. It can be described as bleak. "If two people love for a long time, sooner or later! "How many people in the world can do this? Not to mention this pure true love has been dead since the Middle Ages. Therefore, the love of "Golden Wind Lulu" can only exist in literary works, and is it what we can imagine?
The song mentioned at the beginning is Yuan Yishan's Mai Bei Tang, which is mainly about love.
Maibeitang
Gardening mountain
Ask what love is in the world and teach life and death. Flying in all directions, the old wings have been hot and cold several times. Have fun, leave the bitterness, and there will be more children in school. You should have a sentence, Wan Liyun, Qian Shan Dusk, who is the only shadow?
Cross grave road, flute and drum when lonely, smoke is still flat. What's the point of evocation? Shan Gui secretly calls the shots. The sky is jealous, too. I don't believe there are Yinger and Swallow in the loess. For generations, leave it to poets to sing, drink and visit Qiu Yan.
short review
This word is written for goose. One wild goose was killed, and the other wild goose grabbed the ground and died. The author bought a goose to bury it, called it "Qiu Yan" and wrote the word.
Ask what love is in the world and teach life and death. When I opened my mouth, I burst into tears. It was really blood and tears. It's about a pair of old geese in Guanshan, who come from south to north and go through cold and heat. "The clouds in Wan Li, the snow in Qian Shan, only to whom?" Wan Li's cloud, Qian Shan's snow, can't bear to be immune, only death is worth it.
In the second half, we tried our best to manage the atmosphere of condolence. Shan Gui secretly cried, and the storm aroused the soul. The author doesn't want this pair of "love birds" and "Birds and Swallows share the Loess" to build a goose mound for future generations to mourn.
Yu Li
Meet you.
Silently alone in the west wing, the moon is like a hook, and the solitary phoenix tree locks the autumn in the deep courtyard.
It is sad, especially the general taste in my heart.
Waves washing the beach
The rain outside the curtain is gurgling, and the spring is fading. It's unbearable cold on Friday. He didn't know that he was a guest in his dream, and he wanted to have fun in one day.
Don't lean against the fence alone, it is infinite, and it is easier to see when you are away. Running water is gone, and spring is gone.
The poems of the Southern Tang Empress have always been beautiful, and their literary attainments are very high. The above song "Meet You Huan" was written after returning to the Song Dynasty. The Forbidden City is full of sadness, so it is also called "Remember the real princess".
The word "sadness", heavy sadness, will not be a simple sadness between men and women, but should contain profound and complicated life pain. Song Huangsheng's Selected Poems of Tang and Song Dynasties said that "this word is the saddest, and the so-called' voice of national subjugation, sadness of thinking'" is to understand this word as the pain of national subjugation. After being captured in the Song Dynasty, the late Lord had the death threat of being killed at any time, the pain of national subjugation, the shame of seeing his wife humiliated, and the sharp contrast between the monarch and the minister now. These feelings are intertwined in his chest, and the pain is almost numb. It's hard to tell what he is sad and worried about at the moment, except that "he keeps cutting, but he is still in chaos" and "he has something special in his heart", which is really indescribable.
The lyric hero of this word is a man of few words. The deep courtyard "locked" not only the chill of late autumn, but also the deep sorrow and great pain that he could not talk about in his heart. The mentality revealed in the poem is basically the same as that in the last one. Li Houzhu's configuration ability is particularly strong. He can outline a realm in a few words, just like a clever painter, a few lines can outline a painting. The West Building in Silence and Loneliness describes an unusually heavy sense of loneliness from the heart to the situation. The phrase "the moon is like a hook", from the line of sight, is pitching the heavens and the earth, which has the potential to call heaven and earth; In terms of artistic conception, the waning moon in the sky and the phoenix tree in the deep courtyard on the ground constitute a three-dimensional realm of time and space. The word "lock" is precise and meaningful, which not only shows the harshness of the closed environment, but also writes the high degree of depression inside. Endless bitterness has been sealed in my heart for a long time, so it is particularly true and natural to continue to say that "cutting is not stopped, and the reason is still chaotic". Just like the sentence at the end of Li Qingzhao's Slow Whispering, "How can I get a sad word this time?" I feel that Chen Zhong has infinite twists and turns. This is a condensed generation that has been suppressed for too long and too much, so it has shocking artistic power.
His other words "Looking at the South of the Yangtze River"
Coffee senna
Yu Li
Dreaming in a distant place,
This is clear autumn in the south.
Thousands of miles away, cool colors are beautiful,
A boat is moored in the depths of reed flowers.
The flute is in the Moon Building.
Some comments are as follows:
The late Lord's words have a high artistic generalization. In a few words, he described the autumn scenery in the south of the Yangtze River and his state of mind under his sponsor. Just the words "carefree dreams are far away" at the beginning of the sentence are already amazing. As an inferior guest, if you want to return to your hometown, you can only realize it in the form of a dream. The meaning is very implicit and sour.
In a few words, the momentum is magnificent, and the mountains and rivers are wide and thick in autumn. The writing style is extremely powerful and the artistic conception is very beautiful. Focusing on the clear autumn, the scenery is described everywhere between the lines, but the love in the scenery is contained in the distant flute and lonely moon, which will last for a long time.
Pengpeng:
I like the words of the late Lord very much, but this song "Looking at Jiangnan" is rare. Later ci pushed ci to the peak at that time, making ci a literary genre comparable to poetry. Wang Guowei's "Words on Earth" said: "Words are the last word, but their horizons are wide, so the words of Lingguan were changed to the words of literati." Really insightful. The dead country Lord imprisoned in the north can only regret and grieve for the old country of South Tang Dynasty that he misses day and night, and only in his dreams can he occasionally return to the warmth of the past.
We often find that this naive middle-aged child likes to use the word "dream" in his works when he reads words later. Indeed, what support does he have except in his dreams? He is greedy for the memory and imagination of "I don't know who it is in my dream". How can he tolerate all kinds of cruelty and ruthlessness in this reality?
As Wang Guowei said, the words of the late Lord have a "childlike innocence", that is to say, he has a childlike innocence, which is inseparable from his "being born in the palace and growing up in the hands of women". I think, of all the poets who have written Ci, only two have this kind of "childlike innocence", one is the late master and the other is Nalan Rong Ruo. Besides, there is no third party. This is also "the weakness of the late master as a monarch and the strength of the late master as a poet." Later generations commented: "Being a poet is really unparalleled, and being a poor and unlucky king." Really understand.
Ruyi: (The late master has another midnight song, which I like very much)
How can we avoid the sadness and hate in life, and what is the limit of ecstasy!
The dream of the old country is back, and I feel tears falling down my eyes.
Who is above the tall building always remembers the crisp autumn air.
The past is empty, still like a dream.
It is also about dreams, and both the first and second parts are written around dreams. The old country is hard to return to, and the past is empty. Only in dreams can we come back. However, after a dream, we are greedy and happy, and when we wake up, we are full of sadness and hatred. Alone in a tall building, you can see the horizon, but when it is associated with prison life, how can it not make people feel sad? The last four sentences are gloomy and sad, and the great contrast between dreams and reality makes people feel deeply.
It's hard to say whether the late master was a peerless wizard or an unlucky king, lucky or unlucky.
The order of scouring sand-
This is one of Li Yu's most famous masterpieces, which makes people shudder to read. As a courtier, Li Yu's evening scene was too bleak and desperate, and he endured humiliation all day long, and his life was without joy and comfort. Only in dreams can you forget your prisoner status and indulge your emotions temporarily. Greed in dreams is in sharp contrast to the extreme helplessness and pain in reality. In the late Qing Dynasty, Duanmu once said that he was greedy in his dream, "Chen is ruthless, and the monarch who perished in the country is as before" (Selected Poems of Zhang Huiyan), which was really a harsh "cold comment" and he didn't understand the intentions and situation of the ancients at all.
This word uses flashback to write about the environment and feelings after waking up, and then write dreams. However, we can think of the last movie as two sets of indoor and outdoor shots superimposed in the same time and space. The outdoor spring rain is falling, and the short spring is about to pass away under the destruction of wind and rain. The dim appearance sets off the sadness and desolation in Spring Will Stop. At five o'clock in the room, the hero woke up from his dream and felt chilly listening to the spring rain outside the curtain. "Not warm" and "cold" seem to be repetitive, but in fact each has its own emphasis. "Not warm" refers to the thinness of Luozhou and reflects the poor living conditions. The word "cold" focuses on the psychological desolation and misery. In real life, he is always in a state of high depression, imprisonment, fear, humiliation and sadness. He can only be greedy in his dreams. How can he not despair and lose heart!
The next movie is about the scene after dawn. It's been a long night. How's the day? I have been under house arrest for many years and want to climb the building and overlook it. "Don't lean on the railing alone" means to have the desire to lean on the railing and overlook it, and then decide for yourself. "Alone" on the railing, without the hustle and bustle of "busy Ma Rulong" when swimming to the garden, without the beautiful scenery of "flowers and flowers are spring breeze", you can't see the infinitely beautiful old country, and you can only be lonely. The word "Mo" is used firmly and sadly. The subtle language of "it is easy to see when parting is difficult" contains extremely rich feelings of life, and its meaning is much more complicated than Li Shangyin's poem "Time was far before I met her, but it was longer after we parted" in Untitled. Shi Li means that it is difficult for male and female lovers to meet at any time because of external constraints, and they are angry but not disappointed. And Li Yu here refers to the loss of Jiangshan and the division of the old country. Once lost, Jiangshan will never return, which contains regret, helplessness and despair.
At the end of the poem, Li Yu's despair of life is further manifested through three images: running water, falling flowers and spring leaving and spring coming. "Heaven" and "Earth" are the bipolar worlds of heaven and hell, joy and pain, and they are also the portrayal of Li Yu's life, mentality and feelings in past lives.
The whole word begins with the spring rain and ends with the fallen flowers in the spring rain. The structure is complete and the artistic conception is muddy. Tang Guizhang, a contemporary master of Ci, once said that this poem was "a bloody word, extremely bleak" when commenting on Li Houzhu. I'm afraid there won't be such a whine when cuckoos crow at night and apes crow on both sides of Wuxia gorge. ""Later poets, either deliberately melodious, or showing off allusions, or overlapping colors, like the late master's purely wayward works, are really one in a million. "
Interpretation of Tang Wenhua from the Farewell Poems in Tang Dynasty
Poets in the Tang Dynasty roamed the world, and farewell poems were unprecedentedly prosperous. Among more than 2,000 outstanding poets in the Tang Dynasty, almost every poet wrote a farewell poem. Many of the long-sung Tang poems are parting works. Yan Yu in the Southern Song Dynasty said in Cang Shi Lang Dialect: "The good poems of the Tang people are mostly works of withdrawing troops, going to the countryside, moving away and leaving, which can often touch people's hearts and stimulate people's wishes." When I was studying and exploring farewell poems in the Tang Dynasty, I found some interesting cultural phenomena in the Tang Dynasty.
First, a unique way to say goodbye.
1, fold the willow to bid farewell
The ancient custom of breaking willows to bid farewell was first seen in the Han Dynasty. There is an old song "Song of Broken Willow" in the Han Yuefu: "If you don't catch the whip when you get on the horse, you will break Yang Liuzhi. Playing the flute on the bench is for fear of killing travelers. " There are many farewell poems in the Tang Dynasty.
"Don't suffer the spring breeze, don't send the willow green" (Li Bai's "Lao Lao Song Ting")
"Liu Dongfeng tree, green clip royal river. The recent ups and downs, it should be more parting "(Wang Zhihuan" Farewell ").
"Water LiuChen silk, trouble you to fold a right away. Only the spring breeze cherishes each other the most, and the diligence blows to the hand. " (Juyuan Yang's "Folding Willow")
The poem quoted above vividly shows the sad parting scene of the poet facing the green willow, and reflects the prevalence of the custom of breaking the willow to bid farewell in the Tang Dynasty. Not only that, people can't walk away from Liu Yang. As long as they hear the tune of "folding willow", they will evoke infinite feelings of parting, such as "Who can't miss home when listening to willow at night" (Li Bai's "Smelling flute in Los Angeles on a Spring Night") and "Why is the strong flute complaining about willow and the spring breeze is not worth mentioning" (Wang Zhihuan's "Liangzhou Ci").
The inseparable willow dancing with the wind is very similar to the parting sadness that is inseparable from people, while "willow" is homophonic with "stay", so breaking the willow to bid farewell is to stay, say goodbye and give up. Willow branches have the habit of growing everywhere, "inadvertently inserting willow into the shade", so I want to give away willow leaves and wish my friends a smooth and prosperous life in a foreign land.
In short, in the eyes of the Tang people, "Liu" has gone far beyond its nature as a plant, and has evolved into a symbol of separation, with a strong human touch and profound cultural connotation.
2, drinking farewell dinner
In the Tang Dynasty, "Give people more wine to express their feelings, and write words of mutual encouragement for happiness to show their respect" (Yuan Yangzai's Poems for Legalists). The chic and romantic poets in the Tang Dynasty combined wine with poetry and parting, forming a unique "farewell poem".
As soon as Wang Wei's "Send Yuan 20 An Xi" came out, it spread all over the north and south of the Tang Dynasty. "Advise you to make another glass of wine and go out of Yangguan for no reason" has touched generations of future generations. Li Bai, a poetic Brewmaster, even pinned his parting thoughts on a wine glass, saying, "People are thousands of miles away, and a cup is happy", "I can't bear to look at each other, but it's even more in the cup" and "Flying over the eaves, the cup is in my hand".
Studying the parting poems of other poets in the Tang Dynasty, there is a lingering fragrance of wine. "All drink without joy, leave without happiness, and the river is full of twists and turns" (Bai Juyi), "Don't be drunk today, and remember each other far away in the Ming Dynasty" (Jia Zhi), "Leave hate like wine, and get drunk in ancient and modern times" (Guan Xiu) and "Don't be drunk with oranges and pomelo in Biejianglou" (Wang Changling).
In the works of poets in the Tang Dynasty, no matter when and where they leave, most of the farewers and farewers want to be "drinking to drown their sorrows" and "Jia Zhi", and "wine" has become one of their main images to express their feelings of parting.
Step 3 sing goodbye
Singing farewell was very popular in the Tang Dynasty, the most famous of which was Li Bai's "To Wang Lun": "Li Bai was about to leave by boat when he heard singing on the shore. Taohuatan is deep in thousands of feet, not as good as Wang Lun. " "Percussion Song" is a folk tune, and it is sung with the rhythm of stepping on the ground. Another poem of Li Bai's "Baling Sorrow" has a poem "Tonight is just heartbreaking, and I can't bear to listen to it." According to the Appreciation Dictionary of Tang Poetry, this is a song to be sung when leaving. Wang Wei's Farewell to Yuan Ershi Anxi is also a farewell song that has been circulating for a long time in the Tang Dynasty. As the saying goes, "when this statement comes out, everyone knows it for a while, even the song of three times", but it was later regarded as synonymous with farewell. In the works of other poets in the Tang Dynasty, it is not difficult to find poems sung to each other, such as "Singing farewell songs at the sight of a wanderer" (Xin Li) and "Riding a horse with a twist" (Xu Hun). According to the Interpretation of the Appreciation Dictionary of Tang Poetry, the old songs originally refer to the songs sung at the old pavilion when seeing off guests, and later become synonymous with farewell songs.
Step 4 write a poem to say goodbye
In the Tang Dynasty, when sending people away for a long journey, seclusion, leaving Beijing to go abroad, going to the first place for pilgrimage, entrusting friends, and going to a farewell party, poems were often used as gifts with strong colors. The people who were sent in the Tang Dynasty were proud of being endowed with poems, but ashamed that no one was endowed with poems. Qian Yi's New Book of the South said, "Since I became prime minister, I have been sent as a shepherd, and I have no money. It is obvious that the Tang people gave each other poems. Gao Shi's Biedongda and Wang Wei's An are immortal gifts, among which Li Bai's Farewell to the Governor is the most popular. Li Bai made many friends in his life. More than 400 people mentioned their names in his farewell poems. The most popular is the farewell to Meng Haoran and the gift to Wang Lun on the way to Yangzhou. " Talking about Li Bai comments that Li Bai's poems are "indifferent to friends, so his feelings are vague", which is another aspect that farewell poems are a very common and universal behavior in the Tang Dynasty.
Secondly, the time and space background in the farewell poems of Tang people.
1. Time images such as dusk and moonlit night often appear in farewell poems in Tang Dynasty.
Many poets in the Tang Dynasty like to combine parting with dusk. For example, in Wang Wei's Farewell in the Mountain, "Friend, I watched you go down the mountain until it was dark", and in Liu Changqing's Farewell to Teacher, "When a pilgrim's hat carries the sunset, he goes further and further down the green hill". Cen Can has "Until dusk, when the snow overwhelmed our tent" and "We watched him walk eastward through the tower gate", and Wei has "Did it rain all the way to Chu on the river? The bell in the evening came to us from Nanjing ... Similarly, because of our great love, there are waterlines on our faces. ". ……
The words "sunset", "sunset", "twilight snow" and "twilight bell" in the above poems all indicate that it is in the evening. The farewell poems of Tang people like to choose the image of dusk. This is a strange phenomenon. The reason, the author thinks, is that this sad feeling of parting coincides with the feeling of vastness in the twilight. From the perspective of the American Party, both are cool colors. For a wanderer who is far away from home, evening means the arrival of night. At this time, the birds returned to the forest, the fish sank to the bottom of the pool, and the twilight gradually rose and disappeared. This situation can especially arouse the departure of wandering people.
Another parting image with high frequency in Tang Dynasty is Moonlit Night. Turning to the Tang poetry, we can see that the farewell sigh expressed by the moon is endless, stretching into a hazy moonlight landscape. In the Tang Dynasty, the moon was full of spirituality and life. For example, Xue Tao's poem "Farewell to Friends" said: "The water country is frosty at night, and the moonlight and mountains are boundless. Who said that today, a thousand miles away, the dream stack is long, "Bai Juyi's poem" Qujiang Lake in Jialing River, though the bright moon leaves ",Li Bai's poem:" If you see the horizon and miss your old friend, you can see the bright moon on the Huanxi stone "and so on. In these poems, because of the moon's triggering and contrast, as well as the artistic conception and atmosphere created by the moon, the abstract feelings are touching.
Poets in the Tang Dynasty often chose the moon as an image to express their feelings. The author knows that this is because in people's aesthetic consciousness, the moon has a corresponding aesthetic relationship with feelings. In the concept of the ancients, the moon belongs to women. Yijing says: "The ridge is the moon, and the yin essence is also." Shuowen also said: "The moon is the essence of the moon." Moonlight covers the earth, giving people a hazy, blurred and desolate feeling. After a long period of accumulation, this intuition has formed an aesthetic stereotype on people's psychological level, that is, the moon is soft and beautiful. Once this aesthetic stereotype is formed, when people perceive things, they will associate things with female characteristics and form a corresponding relationship, thus leaving people's emotional world. Parting is a deep and long-lasting emotion, euphemistic and sad. This feature is consistent with the character of the moon, so people in the Tang Dynasty often express their feelings through the moon.
2. There are many spatial images such as pavilions, ferries and Nanpu in the farewell poems in the Tang Dynasty.
The famous parting places in Tang poetry are Laolao Pavilion, Xieting Pavilion and Baling Pavilion.
The old pavilion, also known as the new pavilion, is about fifteen miles away from the old town of Jiankang, which is the only place in the lower reaches of the Yangtze River. If you get on the boat from downtown during the day, you will arrive at the new pavilion at night. Parting often stops here, watching pedestrians drift away, and letting the old pavilion, an ordinary pavilion, be shrouded in a sad mood of parting. Li Bai has a famous song, "Song of Labor Pavilion": "When the world is sad, the labor pavilion will send guests away. The spring breeze knows that it is not bitter, and it is not green. "
Xie Ting is also called Xie Gongting. In the north of Xuancheng, it was built by Xie Yuezhao, a poet of Southern Qi Dynasty, as the great punctuality of Xuancheng. He once bid farewell to his good friend Fan Li here, and later Xie Ting became a famous farewell place in Xuancheng. Li Bai has a poem "Xie Ting": "After Xie Ting left, the scenery was always sad. Outside the sky, the mountains are clear. " Xu Hun wrote "Xie Ting Farewell": "When my brother misinterpreted the boat, the red leaves and green mountains and rivers were in a hurry. It's still far from waking up at sunset, and it's raining down the west building. " Repeated parting was staged in Xie Ting, which stained the beautiful scenery of Xie Ting with a layer of sadness.
Three miles southeast of Chang 'an, there is a Bashui River, where Emperor Wen of Han Dynasty was buried, hence the name Baling, and there is a Baling Pavilion by the water. In the Tang Dynasty, people went out to the East Gate of Chang 'an to see their relatives and friends off, and often broke up here. Therefore, Baling Pavilion in Tang poetry is often associated with parting. Li Baiyou's poem Farewell to Baling said: "Farewell to Baling Pavilion, flowing water is colorful. There are ancient trees that don't bloom in the world, and there are sad spring grasses under the trees. " Luo Yin's "Willow" also describes the farewell scene of the Tang people in Bating. The sun is shining on the shore and it is difficult to get close. "
Ferry and waterfront are also very common farewell places in Tang Dynasty. The famous waterfront farewell place is "Nanpu", which is the waterfront in the south. Nanpu, like the pavilion, became synonymous with the farewell place in the Tang Dynasty. The famous poem is Bai Juyi's Nanpu Bie: "Nanpu is sad, and the west wind is curling in autumn." At the sight of heartbroken, it is a good cloud not to look back. "
In the Tang Dynasty, water transportation was developed, and the Grand Canal and many rivers and lakes formed a water network extending in all directions. Travelers usually go out by boat. Therefore, it is not surprising that waterfront and other places have become common images in parting poems.
Farewell poems in the Tang Dynasty are a picture of social life that shows the customs of the Tang people. Although they don't often become the focus of academic attention like the pastoral poems and frontier poems in the Tang Dynasty, they reflect a wider life, reveal deeper social problems and reflect richer cultural connotations than the pastoral poems and frontier poems in the Tang Dynasty. Only by deeply studying the farewell poems of Tang people can we really touch the core of Tang Wenhua and understand the Tang poems correctly and comprehensively.
I like Li Yu's Crying at Night best: Hua Lin Xie Chunhong is in a hurry, the cold rain comes late, and the wind comes late. When you are drunk, you should be heavy. Natural people hate water when they grow up.
There is a TV play that reflects Li Yu, the queen of the Southern Tang Dynasty. The theme song is this word. It sounds tight when put on music.
This song was originally a Tang song, also known as Welcome to Youhuan, Autumn Night and Bright Moon, and Go to the West Building. Thirty-six characters, Kamikatahira rhyme, the next two rhymes and Ping two rhymes. This word reflects the infinite disappointment with life in the description of the remnants of late spring, and is a model of live lyric. Beginning with the sentence "flowers in the forest have withered in spring", it shows the author's feelings of hurting spring and loving flowers; And the continuation of "Too hasty" will strengthen this feeling of hurting spring and cherishing flowers. The messy residual red, spring hurried by; The spring of the author's life has already left in a hurry, leaving only a broken spring heart and a broken spring dream. Therefore, the feeling of "being in a hurry" is of course caused by the speed of forest flowers dying, but it also incorporates the lament that life is short and the future is numbered, which includes the author's rational thinking on the process of life. The sentence "cold rain comes but night wind comes" points out that the reason why Lin Hua left in a hurry was that wind and rain invaded Gong, and the author died young in the spring of life, not because of hurricanes and too much rain. Therefore, this sentence is both an exclamation and an exclamation. "Helpless" is full of feelings of being unwilling to be destroyed by external forces and hating oneself for being unable to change the ecological environment. Changing the first three sentences of "Tears of Rouge" into anthropomorphic pen and ink shows the farewell feeling between the author and Hua Lin. Here, on the one hand, there are frustrated people who have lived to the end of life, and on the other hand, there are flowers that are no longer in full bloom. The two are suddenly opposite. According to the last sentence, "Flowers in the forest have withered in spring", the "Rouge Tears" is a variation of Du Fu's poem "Flowers in the forest are wet by rain". The flowers in the forest are invaded by the wind, and the flowers are red and sad (next to the fish on the left), like rouge. "rouge tears", this is also called. However, Hua Ben has no tears. In fact, the author who is used to "seeing things from my point of view" empathizes with him, which makes him personalized-the author has been changing since ancient times, crying blood without tears, isn't it like rouge? "stay drunk", one is "stay drunk", flowers are solid and pity people, and people also cherish flowers; In tears, it is hard to say whether people keep flowers or flowers. With the word "drunk", we vividly wrote the mode of infatuation with each other and becoming reluctant at an early date, while "when is the most important" aroused the disappointment and confusion that people shared the same hope with flowers and knew that their hopes could not be realized. Summing up a sentence "People hate water growing in the East when they grow up" is conducive to seeing sorrow in one go. It seems that Growing Hate on Earth is not only an expression of one's own frustration, but also covers the shortcomings of the whole human life. It is a sigh that integrates and condenses countless painful life experiences.