1. The first part is about seeing a guest off on the river and suddenly hearing the sound of pipa, in order to explain it to the pipa girl. From "I saw the guests off on Xunyang River in the dead of night" to "I still hid half my face behind her guitar so that we couldn't see it", I described my regret that there was no music at the farewell party, invited businessmen to play the pipa, described the timbre of the pipa in detail, and tried to shape the image of the pipa girl.
The first sentence, "I see a guest off at night in Xunyang River", is only seven words, which roughly introduces the people (host and guests), the place (head of Xunyang River), the event (host sees a guest off) and the time (night); Dye the environment with the phrase "Maple leaves and adult rushes rustle in autumn", and the bleak feeling of farewell to Fujian in autumn night has already spread. But it's bleak and lonely, so it starts from "We raise our glasses and hope to drink-but, alas, there is no music".
The word "no orchestral strings" not only echoed the later "no strings and no bamboo for a whole year", but also paved the way for the appearance and performance of pipa girls. Because the foreshadowing of "No strings" and "We are unhappy after drinking all, and we are leaving" is very strong, then "When the river mysteriously widens to the full moon" is used as an environment for baking and dyeing, which constitutes a strong sense of depression, and makes "We heard a sudden sound and a guitar crossed the water" have a strong hollow footstep to prepare for the sudden change below.
From Autumn's Bleak, No Chord and Farewell at Night to Sudden Smell, Sounding for Sound, Quietly Asking, Moving Boat, to Inviting to See, it can be said to be "yet we called and urged a thousand times before she started toward us". But "inviting to meet" is not so easy. It takes a long-awaited process before she will "come out".
It's not that she cares about identity Just like "I" is eager to listen to Yue Xian's pipa, it is "eager to write the hatred of the end of the world", but she is "but we called it a thousand times before she set off for us" because she is full of "the hatred of the end of the world", so it is inconvenient to say it and she doesn't want to see anyone.
Because of this, the poet used the voice to cut off the portrait ... Then, she reluctantly answered, still hiding half of her face behind the guitar from us to express her indescribable pain. The description of this pipa girl's appearance is vivid and touching. She didn't see the pipa before she heard it, and her inner pain was slightly revealed before she heard it, which caused many suspense for the development of the next story.
2. The second part describes the pipa girl and the pipa music she plays, revealing the inner world of the pipa girl concretely and vividly. Pipa girl is "yet we called and urged a thousand times before she started toward us" because of "frustration in life". Through the description of pipa timbre, she shows her superb playing skills.
Tap the string (close) with your fingers, knead the string (twist) with your fingers, dial (wipe) conveniently, and dial back (pick) backhand, which is skillful and natural. Thick strings are heavy and majestic "like showers", thin strings are as thin as whispers, and crisp and round as beads falling on a jade plate, which are also described from the perspective of vision and hearing.
During the performance of "Nishang" and "Liu Yao", there are always six sentences of "thinking on each string, thinking on each tone", which are described by "She frowned, stretched out her fingers, and then began to play" and "She brushed the strings, twisted them slowly, swept them and plucked them", and "She seemed to tell us about her life's pain" and ".
In the following fourteen sentences, when copying music with the help of the phonology of language, various vivid metaphors are used to enhance its vividness. The big string is like rain, which not only uses the overlapping word "noisy" to describe the sound, but also uses "like a downpour" to visualize it. The same is true of "whispering as a secret".
That's not enough. "Humming, whispering-and then mixing together" reproduces the interlaced features of two melodies, such as "like a shower" and "like a whisper". If we use the metaphor of "like pouring large and small pearls into a plate of jade", the visual image and auditory image will be exposed at the same time, which is dazzling and dazzling. The melody is constantly changing, and there are two artistic conceptions: first "slippery" and then "astringent".
"Off-site" sound is light and smooth, which is like "flower bottom", and the beauty of visual image strengthens the beauty of auditory image. The sound of "choking" is sad and choked, which is like "flowing under the ice" The coldness of visual image intensifies the coldness of auditory image.
From "indifference" to "silence" is a process of "silence". The poet's quatrains of "Going into mourning and hiding deeply, silence is better than sound" describe the artistic realm with lingering sound and endless meaning, which is amazing.
At this point, I thought it was over. Who knows that "sadness and dark hatred" has accumulated infinite power in the process of "the voice gradually subsided" and cannot be suppressed. In the end, just like the "silver bottle bursting", the water slurry burst, and like the "iron horse standing out", the sword roared and suddenly pushed the undercurrent of "Ningjue" to a climax. It was only at the climax that I received a painting and came to an abrupt end.
Although the song is over, the soul-stirring and soul-stirring musical charm has not disappeared. The poet takes the environmental description of "the east boat is quiet, the west is quiet, and we see the white autumn moon entering the heart of the river" as the side lining, leaving readers with a broad space with lingering charm.
3. In the third part, I wrote the story of the pipa girl. From "meditation" to "being awakened from a dream by her hot tears": The poet tells the life story on behalf of the merchant woman, and the experience from the girl to the merchant woman is like the agitation and silence of the pipa.
Just like after the invitation, the details of playing the pipa were omitted; After the song, the inquiry about life experience was also omitted, and two sentences describing the portrait were used to transition to "soliloquy": the expression of "thoughtful" was obviously related to the inquiry, reflecting the contradiction between her inner desire to talk and rest; A series of actions and expressions such as "letting go", "inserting strings", "tidying clothes", "getting up" and "smoothing her face" show her psychological activities of overcoming contradictions and freeing her mind from her chest.
After soliloquy, she wrote a gripping elegy for the pipa girl's half-life experience, which complemented the music "Let her heart share everything with ours bit by bit" and completed the image-building of the heroine. The image of the heroine is extremely vivid and true, and it is very typical. Through this image, the tragic fate of musicians and artists who were insulted and damaged in feudal society was deeply reflected.
4. The fourth part is the poet's deep affection, from "her first guitar note made me sigh" to the last "this Jiujiang official". My blue sleeves are wet. In the fourth paragraph, the poet felt lonely after being relegated to Jiujiang, felt his own life experience and expressed sympathy for the pipa girl.
Both the poet and the pipa girl have fallen from the prosperous capital to this remote place. The poet's sympathy is full of sighs for his own misfortune, and the pipa sound of "complaining about life and failing to achieve" also shows the poet's grievances.
Excited by the fate of the pipa girl, the poet sighed, "We are all unhappy-forever and ever, we meet. We understand. What is the relationship between acquaintances? " And expressed the feeling of being in the same boat. Poetry is lively, step by step, dotted everywhere. Strong feelings, tears of the lost through the ages, also triggered an opportunity of love at first sight for the lost through the ages.
This is a famous masterpiece of realism. The full text takes the characters as clues, not only writing the life experience of the pipa girl, but also writing the poet's feelings, and then meeting in the second sentence of "We are both unhappy-to the end of the day".
The singer's tragic experience is very specific and can be regarded as a bright line; The poet's feelings permeate between the lines, and with the constant changes of the music played by the pipa girl and her life experience, it can be regarded as a dark line. This one is bright and dark, one is real and one is empty, which makes the plot ups and downs.
The story it tells is tortuous and touching, and the emotion it expresses can arouse people's voices. The language is beautiful but not flashy, refined but not obscure, the content is close to life and has a wide range of sociality, elegance and popularity.
Pipa Trip [1] is one of the long Yuefu poems of the Tang Dynasty poet Bai Juyi. Eleven years of Yuanhe (8 16). This poem reveals the unreasonable phenomena such as bureaucratic corruption, the decline of people's livelihood and the burying of talents in feudal society by describing the superb playing skills and unfortunate experiences of the pipa girl, expressing the poet's deep sympathy for her and the poet's resentment at her innocent demotion.