Li Qingzhao's creative style

Li Qingzhao was a poetess in the Song Dynasty (at the turn of the Northern and Southern Song Dynasties), a representative of graceful and restrained words, and was known as "the first talented woman through the ages". Below, I will introduce the creative style of Li Qingzhao, a poet, for your reference. Welcome to browse!

Li Qingzhao, a poet, is good at writing and poetry, and even better at ci. Li Qingzhao's ci is known as "Yi 'an Ci" and "Shuyu Ci", which is named after its number and collection. Yi 'an Collection and Shuyu Collection were recorded by Song people long ago. Up to now, there are about 45 ci-poems, and more than 10 are in doubt. Her "Yu Shu Ci" is both heroic and strange. She not only has profound literary accomplishment, but also has bold creative spirit. Generally speaking, due to the changes of living in the Northern Song Dynasty and the Southern Song Dynasty, her creative content showed different characteristics in the early and late stages.

Early stage: it truly reflects her boudoir life, thoughts and feelings, and the theme focuses on writing about natural scenery and parting lovesickness.

Later stage: mainly expressing nostalgia and nostalgia when injured. Expressed his deep sadness, loneliness and melancholy in his lonely life.

Li Qingzhao's early poems truly reflected her boudoir life, thoughts and feelings, and the theme focused on writing about natural scenery and parting lovesickness. For example, the two songs "Like a Dream" are lively and beautiful, with innovative language. Words such as "Yi Xiao on Phoenix Terrace", "Pruning Plums" and "Drunk Flowers" express their deep affection for their husbands and love for each other by describing lonely lives. "Farewell often sends sisters" is about the memory of female companions, and the feelings are extremely sincere. Although most of her poems describe lonely life and express melancholy feelings, she can often see her love for nature and frankly reveal her pursuit of a better love life. This is written by a woman writer, which is much more valuable than Forever in My Heart written by the first-person narrator.

Li Qingzhao's poems after crossing the south are also very different from those in the previous period. The political risks and various tragic experiences in her personal life after the destruction of her country made her spirit very painful, so her early ci became beautiful and bright, but full of sad and low voices, mainly showing her homesickness and nostalgia when she was injured.

During her exile, she often missed her hometown in the Central Plains, such as "Where is her hometown? "Only when you are drunk" in Bodhisattva Man and "Dreaming about Chang 'an and recognizing Chang 'an Road" in Die Lian Hua all reveal her deep nostalgia for the lost north. She is more nostalgic for her past life, such as the famous slow word "Never Meet Happiness", recalling the old story of Luo Jing, which was "the heyday of Zhongzhou" in that year; Tune House and Cao Fang Pond recall the "acceptance speech" of that year, and both compare the beautiful life in the past with the bleak and haggard life today, and place their thoughts on the motherland.

In her poems, she fully expressed her deep sadness in her lonely life. For example, Wu Lingchun expressed her indescribable "sadness" by writing about the feeling that "things are people, not everything" and by writing about the situation of "searching, being cold and lonely, and being miserable". Another example is the sadness of "the horizon is far away this year" in Qingpingle, and the sad mood in "The Lonely Goose" are all based on the ruin of the country and the misery of life, so her participle is an artistic summary of the suffering and personal unfortunate fate of that era.

In her early years, Li Qingzhao also wrote an essay "On Ci" and put forward the word "other schools", which was an important theory of Ci in the Song Dynasty and also became the theoretical basis of her creation of Ci. She wrote Shu Yu Ci, and Li Qingzhao's ci style is graceful and restrained, which is called "graceful ci school". In Shen Qian's Miscellanies of Ci, Li Qingzhao and Li Houzhu are mentioned together: "Li Houzhu is a man and Li Yian is a woman, which is very true."

Yi 'an Ci is unique in the Song Dynasty, which is called "Yi 'an Style". The name "Yi 'an Style" began in the Song Dynasty. The title of Hou Yin's Eye-catching is: Xiao Yi Antioch. Xin Qiji's "Ugly Slave Close" title: "Boshan Road is easy to be safe." Ci has its own system, which shows that it has formed a distinct personality.