Yuan Dynasty: Baipu
The sunset in the lonely village, the light smoke from the old tree in the west of Western jackdaw, and the shadow of Hong Fei. Green mountains and green waters, white grass, red leaves and yellow flowers.
Translation of Jing Tian's Sand Ball
The sun is gradually sinking in the west, and the sunset glow on the horizon is gradually dissipating, leaving only a few dim colors, reflecting how lonely the quiet village in the distance is. Light smoke floated into the air, several crows perched on a rickety old tree, and a wild goose flew down in the distance and crossed the sky. In the distance are green mountains and green waters, and white grass, red leaves and yellow flowers are mixed with each other. What a colorful Qiu Jingtu.
Notes on Jing Tian's Sand Ball
Tianjingsha: the name of Qupai.
Qiu: Title.
Sunset: A fading sunset.
Western Western jackdaw: Crows returning to the forest in cold weather.
Hong Fei: A swan in the sky.
In the shadow of Hong Fei: The shadow of a goose passes by.
White grass: White grass that withers without withering.
Yellow flower: chrysanthemum.
Red leaves: maple leaves.
Appreciation of sand ball in Jing Tian
Although it is similar to Ma Zhiyuan's Qiu Si, it also has its own characteristics. The first two sentences are based on Lonely Village, deliberately rendering the cold silence of autumn dusk. "A Little Hong Fei" brought vitality to the cold static picture, which caused the emotional transfer of the song. Then the poet described the beautiful autumn scenery in five colors: blue, green, white, red and yellow, from far to near, from high to low, multi-level and multi-faceted, which made the whole picture full of poetry. This song is full of artistic tension. It successfully combines the bleak scenery of autumn with the bright and gorgeous scenery, and takes the pleasing autumn scenery as the main theme of the song. It is another masterpiece of writing autumn.
This poem, with only five lines and twenty-eight characters, is short in length, but it draws a wonderful Qiu Jingtu. The first three sentences focus on rendering the bleak scene of late autumn. Dusk: The bloody sunset glow reflects a lonely small village. Smoke from the kitchen chimney dimmed the sunset. A few homing western Western jackdaw stood quietly on the branch of an old tree. Suddenly, a sorrowful lonely rainbow flew far away in the shadow of the sunset glow on the horizon. In the last two sentences, the author turned to write: the mountains are quiet, the green water is long, the white grass is continuous, the red leaves are patches, and the yellow flowers are in full bloom. Sweep away the cliches of previous people who are sad to the end.
When writing autumn scenery, it is inevitable to set off a bleak atmosphere, but if the bleak atmosphere is the theme of the whole article, it will make readers feel bored and stressed. In order to avoid this situation, Bai Pu took great pains in choosing words. Bai Pu is writing A Concise Selection of autumn scenery's Ci. In the first two sentences, "Sunset in a lonely village, Western jackdaw in the west of an old tree with light smoke", six pictures of "Lonely village, sunset, sunset, light smoke, old tree and Western jackdaw in the west" are used, and any one of them represents the bleak atmosphere of autumn scenery in autumn. In order to make this bleak atmosphere vivid, the author chose Flying in the Shadow as the end of the first half. As a result, the bleak picture turned to be active, and the lonely autumn scenery seemed to present another vivid life. Finally, in order to strengthen the beautiful and charming image of autumn scenery in the author's mind, "Green mountains and green waters, white grass, red leaves and yellow flowers" is the conclusion of the song. These two sentences use five colors: green, white, red and yellow. White grass, red leaves and yellow flowers are mixed in the two colors of green mountains and green waters. "Green mountains and green waters" is a vast picture scroll, and "white grass, red leaves and yellow flowers" is a delicate picture scroll, which is so patchy that autumn scenery, which was originally lonely and bleak, suddenly becomes colorful. Thus, Bai Pu's prose writing skills are brilliant.
Describing autumn scenery has always been the favorite theme of ancient China literati. Poets and poets who spared no expense to express it took their place, leaving behind countless works, but many of them are easy to fall into stereotypes. However, according to his own observation and experience, Bai Pu described the natural scene of autumn in a vivid way in his works. Although the beginning is a bit dim, the end is colorful, pleasing to the eye and lasting appeal. His pen is profound, his works are unique in style, graceful and graceful, and his artistic conception is novel, which can be compared with Ma Zhiyuan's Tianjingsha Qiu Si, known as the "father of Qiu Si". This poem is not only good, but also elegant. Words and songs can be divided into refined and popular. Generally speaking, words are charming and implicit, while inflections are sharp, new and straightforward. Bai Pu's poems have artistic conception of words. Although there is no such sentence as "heartbroken people are at the end of the world" in the song, the lyric protagonist appears and disappears from time to time, conveying a kind of "Tianya" silence in the hazy haze.
The Creative Background of Jing Tian Sand Ball
Bai Pu's Jing Tian Sand is the third of four songs, mainly about the autumn scenery. This was written by the author when he lived in Jinling (now Nanjing) after the death of the Song Dynasty. The specific creation age is unknown.
Brief Introduction to the Author of Tianjingsha Autumn
Bai Pu (1226—— about 1306) was originally named Heng, whose name was Renfu, and later it was renamed Park, whose name was Zi. Han nationality, originally from qi zhou (now near Hequ, Shanxi Province), moved to Calm (now Zhengding County, Hebei Province) in his later years and lived in Jinling (now Nanjing). He was a famous litterateur, songwriter and dramatist in Yuan Dynasty, and was also known as the Four Masters of Yuan Dynasty with Guan Hanqing, Ma Zhiyuan and Zheng Guangzu. Representative works mainly include Autumn Night Rain in Tang Ming, Pei Lai Great Wall and East Wall of Dong Yueying Flower Moon.
Appreciation of the poem "Autumn in patio sand" 2 "Autumn in patio sand"
With a loud door painting,
Half-court crescent dusk,
Waterfront in front of snow-capped mountains.
Bamboo fence hut,
A lonely village with weak smoke and grass.
300 winter songs in Yuanqu.
Introduction to ancient poetry
Tianjingsha Winter is a poem written by Bai Pu, a writer in Yuan Dynasty. This poem uses traditional poetic techniques and forms the artistic conception of the poem. This song chooses a suburb at dusk as a specific environment to describe the winter scenery, and expresses a sad and hopeless loneliness through the cold images of Leng Yue, dusk, snow-capped mountains, waterfront, light smoke, broken grass, huts and lonely villages.
translate
One winter evening, the city gate rang gently, a crescent moon hung in the air, and the water in front of the snowy mountain was slow. The bamboo fence and the hut in the fence are quiet and harmonious in this remote village.
To annotate ...
⑴ Cantonese tune: the name of Gongdiao. Tianjingsha: the name of Qupai, entering the Yuediao.
⑵ Horn painting: a horn used by the ancient army to warn the police at dawn. Bridge gate: the gate of a promising building. In ancient times, in order to guard against theft and enemies, both the capital and counties built promising buildings under the city.
⑶ Waterfront: near the water.
(4) Light smoke: light smoke.
Appreciation/appreciation
Bai Pu was born in the year of turmoil and grew up in the land of national subjugation. When Eby was 18 years old, he experienced the misfortune of national ruin, fled in the mutiny and lost his mother in the drift from place to place. My father was an official in Jin, Song and Yuan dynasties. His emotional experience is very complicated. This is the psychological background for the author to create this poem.
This piece of music uses traditional poetic techniques and forms the artistic conception of poetry. Wang Fuzhi said: "Love and scenery are two names, but they are inseparable. God is infinite to poets. " Bai Pu's poems, between emotion and scenery, pursue the realm of "infinite harmony".
This song chooses a suburb at dusk as a specific environment to describe the winter scenery. The opening sentence brings the reader into a desolate environment: the door with an outline in the twilight, and the distant and sad horn lingering inside and outside the door, which is one side of the picture. Then the author turned his eyes to all directions: with the arrival of dusk, the new moon Ran Ran rose, and the moonlight slanted half the yard; The hillside is covered with snow, and the stream in front of the mountain winds. A few wisps of light smoke rose from a lonely village, with bamboo fences and huts beside the water, which filled the twilight of rotten grass. Leng Yue, at dusk, the snowy mountain waterfront is already chilly; The faint smoke from cooking stoves, decaying grasslands, huts, isolated villages, loneliness and coldness, even a cold door corner, add a little sadness. Although the sound of painting corners broke the silence of this winter evening, it added a cold atmosphere to the sadness, and the air was filled with loneliness and helplessness. It's similar to the writing of clear sky, clear sand and autumn. First, they all describe the scenery word for word, and do not directly express and state the author's feelings. The emotional implication of the work is revealed and embodied in the description of the scenery. Secondly, they all form a distinctive picture through a group of images of natural scenery. In addition, the emotion expressed by this piece of music is not the emotion of a specific content at a certain time, but a mood, a state of mind and an inner state. In chronological order, Jing Tian Sand Autumn is about the sunset, while this one is about the sunset disappearing behind the mountain and the new moon appearing in the sky. From "autumn" to "winter", from "love" to "scenery", from desolation and desolation to sad and hopeless loneliness. People may understand the four poems in Tianjingsha as not only descriptions of seasonal changes, but also the development of emotions and life experiences, from cheerful and bright to sparse and lonely. In this way, these four tunes constitute the whole of internal emotional connection.