1, the grass is rustling outside Changzhou Garden, but it takes a long time to go around the city. Only by not forgetting today can we get rid of the rain at dusk and cross the Maple Bridge.
2, the water flows like tears, and the bridge is sad. The withered poplar leaves are all empty, but they are still blown by frost and wind.
3, the green hills are faint, and the grass in the south of the Yangtze River is not withered in autumn. Where does the Jade Man teach oral sex at Bridge 24 on a moonlit night?
Looking back at Wei Qiaodong, I feel the same way in spring. Green silk charming sunset, spring breeze.
5, Jinguyuan willow, spring comes like dancing waist. How can I enjoy the scenery alone and go to Luoyang Bridge?
6, shallow deep water under the bridge, red and white flowers between bamboo. Brewmaster has avoided this world, so why should he hate Changsha?
7. Crane Dance Millennium Tree, Hong Fei Baichi Bridge. I also have doubts about red pine nuts, and Tianlu invited me.
8, the sword stays near the south, and the book is sent to the north wind. The oranges in Wutan are ripe and I want to send some home, but no one takes them to Luoyang.
The introduction of this poem:
Poetry, pronounced: sh Ρ Ρ Ρ is a sentence that constitutes poetry. Poetry usually limits the number of words in each sentence according to its format. China's earliest poems were structured with metrical poems, and the metrical requirements were strict. For example, the poems in the pre-Qin period are generally four words per sentence, which can be found in the Book of Songs.
Later, it developed into a five-character or seven-character rhythmic poem, which was found in Tang poetry. After the further development of economy and culture in Song and Yuan Dynasties, the content of poetry was gradually expanded and deduced. In the later period of the new-democratic revolution, poetry evolved into a free poem that was not limited by the number of words. The sentence, language, image, form and connotation of poetry also refer to poetry.