Literary wizard, please come in.

Although it is not quite the same as this artistic conception, it is still a good poem, which is even better than Gu Cheng's two sentences in terms of ideological depth and ideological realm. It is Su Dongpo's "The Divination Operator Huang Huiyuanju", and the whole word is as follows: "The moon is lacking, and people are Jing Chu. Who saw you alone? Fuzzy and lonely. At night, it suddenly becomes afraid, suddenly flies and comes back frequently, but no one always understands its infinite inner feelings. Lonely sandbar is cold. " I really like "who meets people alone?" The words "vague and lonely shadow" have taken it as my trademark. Xiao Gang (Steve Chou), inspired by the artistic conception of "I refuse to live in a cold branch, and the lonely sandbar is cold", wrote a melodious poem "Lonely sandbar is cold". I wonder if the landlord has heard of it?

The following is the appreciation of this word in Song Ci Appreciation Dictionary:

This word was written by Su Shi in December of the fifth year of Yuanfeng (1082) when he demoted Huangzhou to Dinghui Garden. The image of the lonely moon in Ci expresses the poet's self-esteem and contempt for the secular world.

The first two sentences of Uptown create a lonely atmosphere in the dead of night, and the moonlight hangs on the tree, paving the way for the appearance of you and peace. "Leak" refers to the leaky pot used by the ancients for timing: "Leak" means late at night. These two writers are extraordinary, rendering a state of being born alone. In the next two sentences, first of all, I pointed out the image of a lonely person with many worries, and then the image of the lonely person flew from the lonely person to the lonely person, which made the two images correspond to each other and fit each other, making people think: Isn't the lonely mood of the lonely person just like the shadow of the lonely person? These two sentences are not only true writing, but also through the correspondence and grafting of human and bird images, which greatly strengthens the transcendence of "wandering" and has symbolic significance and poetic beauty.

Xia Kun wrote about Gu Hong's misfortune, and he was deeply resentful and fearful. He refused to live after picking up all the cold branches, so he had to stay in a lonely and cold sandbar. Here, the poet uses symbolism and ingenuity to look back, hold a grudge and choose a place to cross the loneliness of Hong, expressing the lonely situation of the author during his relegation to Huangzhou and his noble and confident state of mind that he does not want to go with the flow. The author and Gu Hong appreciate each other, personify Gu Hong's psychological activities and objectify their subjective feelings, showing superb artistic skills.

The realm of this word is indeed as Huang Tingjian said: "It is like eating fireworks and cannibalizing people. There is no thousands of books in the chest and no tacky things in the pen. How can you get this!" This lofty realm of freedom beyond the secular world benefits from exquisite artistic skills. The author "eulogizes the story with the spirit of nature", digress from the theme of God, set the context in his mind, and support people with things; In the description of the environmental background of Lonely Rainbow and Moonlit Night, the narrative of scene selection is concise, ethereal, implicit, vivid and typical.