Manjianghong 1
Yue Fei
Angry hair rushing to the crown, leaning on the fence and drizzling. Looking up, screaming in the sky, strong and fierce. Thirty fame, dust and earth, eight thousand miles of clouds and the moon. Don't be idle, grow old together and be unhappy.
Jingkang shame, still not snow; When will courtiers hate it? Driving a long car to break through, Helan Mountain is lacking. Eat pork when you are hungry, and drink Hun blood when you are thirsty. Stay from the beginning, clean up the old country and go to the sky.
2. Operator Yongmei.
Lu you
Outside the bridge, the plum blossoms are lonely, no matter what. Twilight arrival, plum blossom is helpless, already exhausted, but also subject to wind and rain.
Plum blossoms don't want to compete for blooming, and the envy and rejection of flowers don't care. Even after autumn, when it is ground into dirt and turned into dust, plum blossoms still emit fragrance as usual.
3, Nian Nujiao nostalgia Chibi
Su Shi
The surging river flows eastward, and those heroes of the past are gone forever.
To the west of the old base, humanity is the Red Cliff in Zhou Lang.
The steep rock wall, like thunder waves lapping against the river bank, waves like rolling up thousands of snow.
The majestic rivers and mountains are picturesque, and many heroes emerge at once.
In the past, Xiao Qiao got married for the first time.
Feather fan nylon scarf, talking and laughing, lost in the smoke.
Wandering in the old country, I am full of enthusiasm, and Fahua was born early.
Life is like a dream, sprinkle a glass of wine to pay tribute to the bright moon on the river.
4, water tune song, Mid-Autumn Festival
Su Shi
When did the moon begin to appear? I take my glass from a distance. I don't know the palace in the sky, and I don't know the month and time. I want to go home in the wind, lest it be too cold on the roof. Dance to find the shadow, what is it like!
The moon turned into a scarlet pavilion, hanging low on the carved window, shining on the sleepy self. The moon should not have any resentment against people. Why is it round when people are gone? People have joys and sorrows, and the moon is full of yin eyes. It was difficult to accomplish in ancient times. I hope people live a long life.
5. Queqiao Xianzi
Qin Guan
Bo Yunqiao, flying stars spread hatred,
Yin and Han are both dark.
As soon as the golden wind and the jade dew meet,
There are countless people in the world.
Tender as water, ritual like a dream,
Endure the magpie bridge and return home.
If the relationship is long,
Are you still here, day and night?
6. Yulinling-Liu Yong
The cicadas in autumn are so sad and urgent, facing the pavilion, it is in the evening and a sudden rain has just stopped.
All the accounts are in no mood, and the blue boat in homesickness is urging.
Holding hands and looking at each other with tears, I was speechless and choked.
Missing thousands of miles of smoke and waves, the evening is heavy.
Affectionate since ancient times, parting hurts the body, and the cold autumn festival is even worse!
Who knows where I am when I am awake tonight? There is a breeze and a waning moon on the bank of Yangliu.
This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only.
Even if it is full of emotions, who can enjoy it together?
7. Yu Meiren
Yu Tang Li
When is the spring and autumn month,
How much do you know about the past?
The small building blew eastward again last night.
The old country can't bear to look back on the mid-Ming Dynasty.
Carved jade should still exist,
Just Zhu Yan' ai.
Ask how sad you can be,
It's just a spring flowing eastward.
8. cut plums
Li Qingzhao
Lotus root is fragrant, and jade is lingering in autumn.
Gently untie Luo Shang and go to Lan alone.
Who sent the brocade book?
The word goose returns, and the moon is full of the west building.
Flowers bloom and fall, and flowing water gurgles.
One kind of lovesickness, two places of leisure.
I can't eliminate this situation,
Only under the eyebrows, but in my heart.
Related common sense
1. Rhyming: rhyming words at the end of a verse sentence, such as Li Bai's Thoughts on a Quiet Night, are there already frosts at the foot of my bed? Looking up, I found that it was moonlight and sank again, and I suddenly remembered home. The land of light and frost is rhyme. Usually the third sentence doesn't rhyme, but there are also poems with irregular rhymes (such as looking at Tianmen Mountain).
2. Rhyme: Poetry rhymes to make the tone harmonious and beautiful. For example, Li Bai's "Silent Night Thinking" uses rhyme.
3. The' structure' of metrical poems: * * eight sentences, with one or two sentences as the head couplet, three or four sentences as the platoon couplet, five or six sentences as the neck couplet, and seven or eight sentences as the tail couplet.
4. The rhythm and rhythm of ancient poetry:
Judging from the sentence pattern, the four words of ancient poetry are generally two and two; Five words are two, two and one; These seven characters are two, two, two, one,
In a sense, sometimes there are special circumstances due to ideographic needs, such as: Shila | Wuyue | Gai | Chicheng, which becomes Type II, II, I and II.
Because there are no punctuation marks in ancient poems (punctuation marks were added by later generations), one line is one sentence.
6. Restore the inverted word order and grasp the poet's true intention and emotional focus.
A. the subject is postpositioned. Cui Hao's poem "Yellow Crane Tower": "Every tree in Hanyang is clear, and a nest of herbs in Nautilus Island." It means "Qingchuan (Shangqingyuanye) has vivid Hanyang trees (countable), and Parrot Island is thriving".
B. prepositional object. Du Fu's poem "Moonlight Night": "Clouds are fragrant and foggy, and jade shoulders are cold." In fact, it is "fragrant fog and wet clouds, cold and jade arms."
C. transposition of subject and object. Ye Mengde's "He Xinlang" words: "Autumn is getting late, and the frost letter reports yellow flowers." Obviously, it also means "returning yellow flowers to frost".
D. the location of the attribute.
(1) Attributive moves forward. Wang Changling's poem "Joining the Army" said: "There are dark snow mountains in Qinghai, and the lonely city looks at Yumenguan." The "lonely city" in the next sentence refers to Yumenguan, which is an appositive of Yumenguan, but now it is moved to the verb "overlooking", which is easily misunderstood as standing on another lonely city overlooking Yumen.
(2) After the attributive is moved. Li Bai's poem "Tianmu Mountain dreams of climbing high": "My heart and dreams are in Wu and Yue, and I cross the mirror lake on a moonlit night." It means "flying over Mirror Lake on January night".
E. adverbial in object form. "People don't know where to go, but peach blossoms are still smiling in the spring breeze." On the surface, "laughing at the spring breeze" is a verb-object phrase. In fact, "autumn wind" and "spring breeze" are not based on "moving" and "laughing", but mean "moving in the autumn wind" and "laughing in the spring breeze" respectively.
Secondly, there are some words worthy of special attention in many poems, which usually add a lot of color to the whole poem and even become the eyes of the poem.
The poet Miracle wrote a poem "Early Plum", and there is a saying: "In the former village of Zita Law, a few branches opened last night." Zheng Gu changed the word "number" to "one" because the title was "early plum blossom". If a few branches are opened, it means that the flowers have been blooming for a long time and cannot be regarded as "early plum". Miracle admired Zheng Gu and called him a "word teacher". The word "green" in Wang Anshi's Spring Breeze and Green Jiang Nanan, the word "see" in Tao Qian's "Seeing Nanshan leisurely", the word "de" in Zhang Xian's "Clouds breaking the moon to make a flower shadow" and the word "noisy" in Song Qi's "Red Apricot Branches Full of Spring" are all well known.
Verbs: When appreciating poetry, we should pay attention to verbs, especially those with "multiple meanings".
Example 1: You remember the Qingxi Banli Bridge, where there was no old red board and there were too few people in Qiushui. There is no one at sunset, leaving a weeping willow. The word "leftover" is prominent here, so the author doesn't have to "stay" or "see". Its beauty lies in that although the meaning of "leftover" is similar to that of "staying", the word "leftover" is generally passive and has the meaning of "residual" and "leftover"; In addition, the word "leftover" is time-sensitive and gives people a sense of helplessness. "Stay" is not that meaningful. "Seeing" is only temporary, and it can't give people a sense of change by comparing the past and the present.
Modifiers: mostly adjectives, but also the focus of poetry appreciation.
Example 1: Young boudoir women don't know how to worry, so they put on Cui Lou in spring. Suddenly I saw the green willows, and I felt uncomfortable; Oh, I regret that I shouldn't have asked my husband to find Hou Feng. ("in my heart forever" Wang Changling) The first two sentences are written by a young woman who has finished dressing and rushed to Cuilou to enjoy the spring scenery. At this time, the author used a word "suddenly", which means casual and just right. Encounter: The willow color that broke into her eyes reminded her of the scene of folding willows with her husband, and she couldn't help but feel sad when she thought of her husband. This is a young woman with a childish face. A word "suddenly" vividly describes this emotional change, which is exactly what this poem is intriguing.
③ Special words: In poetry, some words are unique in themselves, and readers can find them quickly:
A. Reduplicated words: Reduplicated words have two functions: enhancing the sense of rhythm of language or playing an emphasis role.
The willows in Jiang Shuiping are green, and I can hear the songs on the Langjiang River. (《lt； "Zhuzhi Ci" Part I, "Liu Yuxi")
Looking around, lonely and sad. ("Slow Whispering" Li Qingzhao)
B Onomatopoeic words: Some onomatopoeic words are overlapping words, so they are listed separately because of their high frequency. It has a function: to make poetry more vivid and make people feel immersive.
Outside the curtain, the rain is gurgling, spring is fading, and Luo Can can't stand the cold. ("Langtaosha" Li Wei)
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. ("Ascending the Mountain" Du Fu)
C. Words expressing colors: These words are sometimes used as predicates, sometimes as attributes, and sometimes as subjects or objects. But there is only one function. Color generally expresses mood, enhances the color sense and picture sense of description, and renders the atmosphere. When you appreciate it, you can grasp the words that can express light colors, and realize the rich artistic meaning and distinctive rhythm of "two orioles singing green willows and a row of egrets rising to the sky" in the poem. The four colors of yellow, green, white and cyan are patchy, extending from points and lines to infinite space. The picture is still and moving, and the three-dimensional rhythm is distinct. Or grasp the words in the poem that can show sharp contrast and appreciate the concentrated emotional color: "The fleeting people, cherry red, banana green." "Red" and "Greenway" show Jie Jiang's "colored thoughts" lamenting that time is in a hurry and spring is fleeting. Even if we grasp the words expressed by a single color, we can also appreciate the poet's deep affection: "Recalling the love in Tsing Yi, we pity the grass everywhere." "Whoever is drunk in the frost forest at dawn always makes people cry!" Pity and hurt feelings are both in "Young" and "Drunken Red".