1, hang your head and drink clear dew, and the sound is sparse. Cicada is far away from cicada because cicada is on a tall tree, not relying on autumn wind.
2, a thousand hammers cut the mountain, and the fire burns idle. Not afraid of broken bones, leaving innocence in the world.
3, clever blue heart, stealing grass nails, Dongfeng wants to block the new warmth. Pipa is hard to stay, but the letter is cold and shallow. Look in the mirror every day, make it, relax and be soft. There was no curtain in my hometown, so I missed coming to Shuang Yan.
4, the green is not exhausted, and the willow is white again. The red one is about to break, and the apricot is flat. The old tour recalls the mountains and shadows, and the thick alliance hinders the garden. No matter how warm the cold stove is, it will slow down the sewing of spring shirts. Afraid of phoenix boots, pick vegetables and come back in case we meet at Baqiao.
5, the bamboo is half-contained, and the new buds are out of the wall. The color invades the book late, and the shadow is cooler than the bottle. The rain washed Juanjuan clean, and the wind blew a fragrance. But without cutting, I will meet the clouds.
Poems about objects are poems that express feelings with objects, and embody humanistic thoughts through poems about objects. The "things" chanted in poems about things are often the author's own situation, which is completely integrated with the poet's self-image, and the author places certain feelings on describing things.
In poetry, the author either reveals his attitude towards life, or expresses his good wishes, or contains philosophy of life, or expresses the author's interest in life.
Description object: Everything in nature, from mountains and rivers to flowers, birds, insects and fish, can be described and sung by poets. While describing them carefully, they pinned their feelings on them. -This gave birth to poetry about things.
Main features:
Liu Xizai said in "Introduction to Art": "It's just a matter of chanting, and there is me in the cover." In "On Poetry", Tu Long thinks that the poems about objects are "simple in form, vivid and enjoyable" and "never touch or leave".
When writing poetry, we must pay attention to thinking in images and write vividly. Only in this way can it become a literary work, not a report or a paper. In this sense, all poems have such characteristics to some extent.
Appreciation of chanting poems should be grasped from the following angles:
1. Appreciate the author's grasp and description of the characteristics of the things he recited, that is, image analysis. The ancients said that writing poems about things should be "never abandon", that is to say, don't stay on the surface of things (don't stay on things), but also conform to the characteristics of things praised (beautiful music).
2. Grasp the author's feelings about describing things. Poetry is not only a symbol of ambition, but also an expression of feelings. Tao Yuanming chanted chrysanthemums, expressing his carefree mood; Lu you Yongmei, that he is not kitsch integrity. The emotional expression of some object-chanting poems is subtle and needs to be appreciated with heart.