Idioms reflecting Li Bai's artistic achievements in poetry

As a romantic poet, Li Bai is great and the most typical. He said that his poem was "Xing Han put pen to paper to shake the five mountains, and the poem became a small Aoling Cangzhou". Du Fu praised his poems and said, "Putting pen to paper scares the wind and rain, and a poem makes you cry." This magical artistic charm is indeed the most distinctive feature of his poems. His poems not only have the strongest romantic spirit, but also creatively use all romantic methods to make the content and form highly unified. Li Bai is not an infallible poet. On the contrary, he seems to care about everything. He has experienced and shown a lot of life. Although he can't satisfy his life forever, his passionate feelings and strong personality have left an indelible mark on poems expressing various lives, leaving a strong subjective color of self-expression everywhere. When he wanted to be an official in Beijing, he declared, "Laugh to the sky. Are we Artemisia people? " When politics is frustrated, they will shout, "The road is like the blue sky, but there is no way out before my eyes!" " He wanted to accuse himself of injustice, so he said, "I want to climb the dragon to see the Lord, and Lei Gong plays the drums." He misses Chang 'an, that is, "the wind blows my heart and hangs Xianyang trees in the west." When he climbed Taibai Peak, let Taibai talk to me and open the sky for me. When he asks for immortality, there must be "the immortal caresses me and I become immortal." He wants to drink, including Dongzaoqiu in Luoyang, "Building a restaurant for the south of Tianjin Bridge". He lamented Xuancheng's good wine making and asked, "Without Li Bai at the night stage, who is the wine sold to?" This strong subjective color of self-expression, in terms of artistic effect, adds overwhelming momentum to poetry in some places and takes the lead; Some places make people feel warm and kind when reading. Of course, this subjective color is not limited to poems and poems with the word "I". For example, in many poems, the names of Lu Zhonglian, Yan Ziling, Zhuge Liang, Xie An and others are often regarded as first-person pronouns by Li Bai, which makes the ancients fully incarnate him. In line with the above characteristics, he did not suppress and converge in the expression of feelings, but gushed and poured thousands of miles. When ordinary language is not enough to express its * * *, he uses bold exaggeration; When things in real life are not enough to describe, compare and symbolize his thoughts and wishes, he relies on unrealistic myths and all kinds of wonderful and amazing fantasies. From some lyric poems quoted in the last section, we can already feel this feature. Using "but since the water is still flowing, although we cut it with the sword" as a metaphor to "raise a glass to relieve sorrow" is extremely exaggerated, but it makes people feel the highest truth. Another example is "White hair and three thousands of feet, sorrow is like a long beard" in Song of Autumn Pu. With tangible hair, it highlights invisible worries, and exaggeration is extremely bold. Others, such as "Chivalrous Man", said, "Three cups spit infinite, and five mountains are light." Take the five mountains as light and exaggerate the importance of chivalrous promises. "Elegant Ballad": "Speak out of turn, trust a friend, and welcome Jiu Feng's suspicion." Mountain peaks are also used to exaggerate the estrangement and suspicion between friends. In "Popular North", "Yanshan snowflakes are as big as seats, and pieces blow down Xuanyuantai". Everyone is familiar with it, but there are two sentences at the end of the poem: "The Yellow River can hold soil, and the north wind hates rain and snow." It is also thrilling. Without this amazing metaphor that the Yellow River can be blocked, we would not understand the deep despair and sorrow of the wives of fallen soldiers. Bold exaggeration can never be separated from amazing imagination. Here, we would also like to focus on his most romantic landscape poems, especially "Difficult Road to Shu", which made Li Bai gain a great reputation: Hey, shh, it's dangerous! Such a trip was more difficult than climbing the blue sky, until the two rulers of this area squeezed in in the foggy age. Second, he is eight thousand years old and has nothing to do with Qin Sai. And Dabaishan, to the west, still has only one bird path, all the way to the peak of Emei. Once it was broken by an earthquake, some brave people lost it, and then the ladder stone pile was hooked. On the high flag, six dragons drive the sun, and far below, the river lashes its twisted channel. Such a height is difficult for a yellow crane, poor monkey, they only have claws to use. The Green Mud Mountain is made up of many circles. For every hundred steps, we have to turn nine times in the middle of its mound. Panting, we passed Orion, passed Jingxing, and then fell to the ground with our arms folded and groaned. We want to know whether this path to the west will never end. The road is too steep to climb, and nothing can be heard except the cries of birds surrounded by ancient forests. The male bird rotates smoothly and follows the female bird. Jathyapple, what comes to us is the melancholy voice of Du Fu, a sad empty mountain. This kind of trip is more difficult than climbing the blue sky, and even hearing it will make people pale! ..... This poem, with a magic pen, rises out of thin air. From Can Cong Yufu to Wuding Mountain, all myths and legends are used to set off a strange atmosphere. Putting high standards in the sky can make "Six Dragons Return to Japan" and also rely on myths to gallop fantasy. The following is an exaggerated embellishment with yellow cranes, apes, sad birds and rules, and then the narrative of threatening, caressing and fading Zhu Yan is inserted as the backbone of the whole poem. The poem "it is hard to go ascended to the sky" appeared three times in the text, which set the tone for these five complicated movements. Li Bai has never been to Jiange in his life. This poem is entirely based on legend. Because of this, his mind and personality have been fully displayed here. Fan Yin's "He Yue Ling Photo Collection" said that this poem is "both strange and strange, and it is rare for a poet to return it." It just reflects the surprise and admiration of contemporaries for this poem. Today, when the Shu Road is unblocked, it is still an immortal masterpiece with historical and aesthetic value. His two poems "Looking at Lushan Waterfall" and "Lushan Ballad" are also well-known works. In the latter poem, he wrote about the view of the great river from the top of Lushan Mountain: "I climbed to the top of the mountain. I look around the world, and the great river is gone forever. The yellow cloud was blown away by the wind for hundreds of miles, and a snow peak was surrounded by a vortex with nine times the current. " He completely got rid of the shackles of the sense of real space and exaggerated it with bold imagination, highlighting the magnificence of mountains and rivers and showing the poet's magnificent mind. Bai Juyi's poem "Climbing to the top of incense burner": "The river is as thin as a rope, and the city is smaller than the palm." Completely realistic. Comparing the two poems, the artistic value is self-evident. Poet Li Bai, fresh and elegant poet Du Fu, is depressed and confused.