At the beginning of the word, it's amazing Gao Yong's Songs of the South reveals the sentimental sentiment and grandeur of the festival. Qu Yuan's noble character inspired the poet. He recited the songs of Chu with great interest, deeply felt the pain of wandering around the world, and was in a hurry, but he had no intention of serving the country. When Chen was wandering between the two lakes, he looked back at the past in the face of reality and was filled with emotion. He wrote "Liu Hua is not as red as a dance skirt" with the brushwork of setting each other off, and compared a bright red dance skirt with bright Liu Hua, recalling the past that he was proud of his spring breeze and made a name for himself. In A.D. 1 122 (the fourth year of Xuanhe), Chen Yinshi's Mo Mei was appreciated and became famous for a while. As you can imagine, dignitaries from all walks of life compete for novelty and beauty, and there are frequent song and dance banquets. Now that he is in the Jianghu, "The Terracotta Warriors and Horses are gone forever, and the Jianghu will send him to his old age" (Yi Xian Wang Ye), it is no wonder that the pomegranate flowers in May will touch his memories of the old days so much. However, "this matter is unknown, and the curtain is full." Who can understand his mood at the moment? After singing "Songs of the South", the curtain was full of wind and trembling, and its generous and tragic feelings can be imagined, but it highlighted the author's painful mood. In the time and space from "singing" to "singing", the poet used the word "reward" to explain the transition of time. "Reward is processing, sending away, and killing time here (Du Mu's poem" Climbing the Mountain in Nine Days ":"But I will fight my life to enjoy the festival "). In this memorable festival, the poet's spiritual consciousness fluctuates and flows in the song. The feeling of "hurried festival", the nostalgia of "Liu Hua is not like a red dress" and the feeling of "no one knows this" are entrusted to the passionate and tragic singing, and the brushwork of "full curtain wind" shows the author's emotional agitation and melts into the scene, making people appreciate a broad temperament and expression.
The tone of the words deepened. "Everything hurts the old", a sigh, contains the author's feelings about family disorder and personal life experience! When people are old, all happiness is a thing of the past. As he recited in his poems, "I am old and comfortable, but I am floating on the credit book" ("I arrived in Shaoyang at the beginning and wrote a book to ask about our safety"), "The solitary minister first frost and thousands of feet, the fireworks are getting heavier every year" ("Wounded Spring"), and his lament about his age is in tune with the words. The sentence "Rong Kuining smiles at the wall east" metaphorically reflects his consistent patriotic thought through the attribute of hollyhock to the sun. In May, the sunflowers on the wall bloom against the sunshine in the east. Rong Hong and Liu Hua are both symbols of May, which poets use to express their lofty feelings. Although "Rong Kui" is a heartless thing, the word "Xiao Ning" endows sunflower with human feelings, thus expressing the author's thoughts and feelings more deeply. Although old and exiled, a sense of heroism has never wavered. The word "Xiao Ning" is a portrayal of the poet's own soul and has a strong artistic appeal. The last three sentences write the mood at this moment. Full of lofty sentiments, dedicated to Qu Yuan. "Glass Depth" is a close-up of the passage of time by comparing this year's wine with last year's wine. Glasses are the same depth, which is not today and has far-reaching influence. Expressing feelings with wine glasses has deepened the lament that "everything hurts the old" in the passage of time. Highlighted the author's grief and indignation. The agitation of emotion made the poet deeply miss the integrity of Qu Yuan, and said, "Try pouring the bridge into the water and go to Hunan tonight." In the face of the piety of the Xiangjiang author and the association that this cup of wine will definitely flow to the Miluo River, the poet's deep affection is integrated into the surging river. From singing praises to drinking medicine to quenching thirst, the poet deeply shows his attachment to Qu Yuan, and his strong homesickness and patriotic feelings are pinned on the action of "trying irrigation" and the daydream of "getting water under the bridge and going to Hunan tonight".
Yuan Haowen said in "Introduction to Self-titled Yuefu": "There are many Yuefu handed down in the world, such as? Chen Qufei's Nostalgia said,' Do you remember drinking under the bridge at noon yesterday?' Another cloud says,' sing Chu ci for the afternoon?' And so on, the poet said it was a hint. You hide when you have a mouth, but only people with long eyes can enjoy it. "As far as this word is concerned, the lines are full of enthusiasm and lofty aspirations, which are intended to be implicit. As Yishan said, "it has been passed on for a long time, but it is looming. "Readers can appreciate the poet's heroic mood of" looming "from the sigh of" everything hurts the old "and the recollection of" the glass is as deep as last year ". Huang Sheng said that Wu Zhuci "has superb meaning, and those who know it can touch the foundation of Poxian" (Volume 1 of Selected Poems since Zhongxing), which also refers to this tragic and intense deep style.