The whole poem is as follows:
On Five Poems (Ⅱ)
Zhao Yi in Qing Dynasty
The poems of Li Bai and Du Fu have been read by thousands of people, and it is nothing new to read them now.
There are many talented people all over the country, and their poems and popularity will last for hundreds of years.
The whole poem is interpreted as follows:
Li Bai's and Du Fu's poems have been praised by thousands of people, and it feels nothing new to spread them so far.
Talented people appeared in every dynasty in history, and everyone created a new style, leading the poetry world for hundreds of years.
Sentence annotation
Du Li: Li Bai and Du Fu.
Talent: A talented person.
Coquettish: refers to the "national style" in The Book of Songs and Qu Yuan's Li Sao. Later, it was called coquettish to control poetry writing. This refers to the lofty status and far-reaching influence of "gifted scholars" who have made achievements in literature.
Make an appreciative comment
The first two sentences of the poem take the poems of Li Bai and Du Fu as examples: "Du Li's poems are widely circulated, but they are not new so far." In order to explain the change of poetic style from generation to generation, the poet quoted two famous poets in the history of poetry, Li Bai and Du Fu in the Tang Dynasty, as examples. Li Bai and Du Fu's poems have been handed down from generation to generation, and no one can compare them. Even great poets like Li and Du Fu, whose poems have been circulated for thousands of years, are no longer fresh when they are circulated to the public. From the perspective of historical development, every era has its leading figures. It can be seen that "talents come forth in large numbers, each leading the way for hundreds of years", and talents appear from generation to generation in the country, and their respective influences are only a few hundred years. The author believes that poetry should keep pace with the times, and poets should be innovative in their creation, not deliberately imitating, but following in the footsteps of the ancients.
This poem embodies the author's idea that the most important thing in poetry creation is innovation. He believes that poetry develops with the times, and poets also demand new changes when creating. Not only are the works of the ancients the best, but every era has its own style of poets. Write that future generations inherit predecessors. Although the language of this poem is straightforward, it has profound implications. "Jiangshan has talented people and has been leading the way for a hundred years." One sentence tells the theme and center of literary creation with the changes of the times.
Zhao Yi's poems advocate innovation and oppose mechanical mode. He reviewed the achievements of poets Li Bai and Du Fu. From the perspective of historical development, each era has its leading figures, and it is not necessary to follow the ancients. Poetry should also keep pace with the times.
Brief introduction of the author
Zhao Yi (1727 ~1814 65438+10/0) was a writer and historian in Qing Dynasty. The word Yun Song and the word Yun Song are called Oubei and Qiuchuli. Is a 35-year-old man, Han nationality, Jiangsu Yanghu (now Changzhou, Jiangsu). Qianlong was a scholar in the twenty-sixth year. Officials are the most important. Announced his resignation and gave lectures at Anding College. He is good at history and textual research. On the poet's originality and anti-imitation. Some of the May 7th Poems ridiculed Neo-Confucianism, implying dissatisfaction with current politics, and they were called the three masters of spiritualism in Qing Dynasty together with Yuan Mei and Zhang Wentao. Notes on Twenty-two Histories, Wang Mingsheng's Comments on Seventeen Histories and Qian Daxin's Textual Research on Twenty-two Histories are collectively called the three great historical masterpieces of Qing Dynasty.