How to write Qiu Yun's ancient poems well

1. Poems and songs are poems. Ci is the highest peak of metrical poetry and the free verse of ancient poetry. It was a poem of changing physique and was later imprisoned. Qu is a more liberated poem. China's earliest collection of poems is&; The Book of Songs. All kinds of poems and songs in later generations exist in&; The Book of Songs has been published, and the number is huge. &; In The Book of Songs, rhythmic poems account for 52%, miscellaneous poems account for 45% and other types account for 3%. After the Northern and Southern Dynasties, miscellaneous poems gave way to regular poems. But at this time, Quzi poetry never disappeared in the form of folk songs. It is very popular in the north. Gt, & ampLt Lin Gaotai &; Gt, & ampLt Linjiang Xian &; Gt,&It looks at Jiangnan &; Gt and other forms, which also laid the foundation for the rise of song ci. Many friends who love metrical poetry have been puzzled by this question: How did the ancients master metrical poetry so well? Why don't we remember? Speaking of writing poems and lyrics, I have to move to Fan Wen to write. The answer I gave to this question is absolutely true, because the ancients were idle and thought about it every day. Today, primary school students have to study at least two courses, middle school students have to study six courses, and I studied 39 courses in college. How many courses did Li Bai take in his life? Just one subject, Chinese. Can't he learn well? If you don't believe it, you can lock yourself in a room and master all the skills and business of metrical poetry without a lifetime, three years or three years. But we can't do that. Today's life foundation, life skills, life style and life needs are diversified. These four diversities make it impossible for you and me to recite metrical poems exclusively. There is a saying that learning mathematics and physics is not afraid to travel all over the world. Listen, you have to take three courses. Where is Li Bai? You can travel all over the world by taking one course. You can also ask Yang Guifei to learn ink for her and Gao Lishi to take off her shoes. There are many cows and the effect is good. That was the characteristic of that era. How can it be today? The ancients didn't regard their poems as perfect works of art at first, they just wrote them according to the music and recitation effect at that time. The most important problem is that they are not easy to read, which was the highest artistic skill at that time. Later, many idle people, unable to write good poems themselves, went to study poems written by others. Found a lot of patterns. That is, the excellent works of the ancients all have the same poetic mechanism. So some people came up with seven methods, seven unique techniques, even lines, rhyme corners, Huanxisha and Yu Meiren. Then they talk nonsense everywhere. Someone wrote him a poem. He looked at it, compared it with his own research results and found some. That's what it says. The man went home and wrote another article as he said, so that he could read it. He said, oh, you have paid attention to everything I said, which is similar to what Li Bai wrote. Flat and even, strict rules, can be published. In the long run, the strict requirements of ancient metrical poems were set by these people. So here we can ask a question: Who did Li Bai learn to write from? What is it based on? Here, I can also say so arrogantly: With regard to any requirement of China's ancient metrical poems, we can find the other in the long river of poems. And the artistic effect of these poems is very good. I won't say even rhyme angle, there are too many such examples. Let me talk about the problem of "saving the quarrel" I will talk about the mechanism and examples together. What does "+0" mean? 5438 "one is full of mouth, disharmony, and pleasant to hear." Another reason is that it is a fixed format, inconsistent and flat. The first is scientific, and the second is meaningless words &. However, whether in the past or in ancient times, when it comes to saving quarrels, we always talk about the second one. It seems that if we don't save this quarrel, it will be like coming from the ruins. Look at Su Dongpo's&Lt Niannujiao. Red Cliff Nostalgia &; Gt's sentences "How many heroes were there" and "A bottle is still on the river" are both "mediocre". Who saved who? Cong Yi, dare you say that this poem is not well written? I dare you. (Note: According to the rules, this sentence should be "* ping * ping", and * can be flat. ) 2. "This sentence saves one, saves three, saves two and saves four. But we also learned that "135 doesn't matter, 246 is clear", since 135 doesn't matter. Paradoxically, such examples account for more than 20% of metrical poems. I don't know who came up with this rule. 3. The expressions of "particularly level" and "some difficult words can't be saved" are despicable and satisfactory slogans for people who are idle and unable to justify themselves. If you ask me, as long as it sounds good, nothing can be saved. Pranks can only lead to more disharmony. This problem is not a problem of changing from negative to positive. The problem is that Washington cut down a tree and said it was cut by his cousin. He did two things wrong in a row. &; Lt niannujiao &; Gt's epigraph, Su Dongpo usually comes according to the original rhyme before, and then according to Su Dongpo. Xin Qiji's Nineteen Poems &; Lt niannujiao &; Gt, everyone does. I always thought that Xin Qiji's ci and art were the highest in ancient times, and on the whole, they could not be second to none, but I despised him very much. Can't you learn from others' Dongpo, forge ahead and innovate boldly? Li Qingzhao in her&; Lt word theory &; In gt, Su Dongpo was criticized to pieces, saying that he was "often uncoordinated". I don't think Li Qingzhao understood Su Dongpo. Su Dongpo's content is the first, no matter what the regulations are. Su Dongpo is a manufacturer of clumsy sentences and also engages in wholesale. However, he didn't see his language, bold and simple, fresh and simple, without carving, very close to nature. How nice! It seems that women can never understand men, even a big woman like Li Qingzhao. The essence of these two problems is one problem. The answer is that this is due to the characteristics of Chinese itself (one word has one meaning, each tone is different, and it is also a square. That is to say, it is active in quantity and flexible in tone. This is the basis of the unique rhythm of China's poems, which is attributed to the conscious practice of ordinary people for thousands of years. They wrote poems. Let people who especially like to write poems carry forward their thanks to their predecessors such as Qu Yuan, Chen Ziang, Li Bai, Du Fu, Bai Juyi, Liu Zongyuan, Su Dongpo, Liu Yong and Yang Wanli. They consciously follow the characteristics of Chinese in their own creative process, so that Chinese shows its vitality and vigor not only in daily life, but also in literary creation. As for those who have studied this article today, they will imagine that framework tomorrow. Let them calm down first. This is none of their business. The creation law of metrical poems is the internal mechanism of metrical poems. This mechanism is the objective law and inevitable result of objective existence, and people can only find it, but can't create it. The laws, rules and forms of ancient metrical poems are produced by the psychological reaction caused by the interaction between China's national conditions and people's various senses, which is pleasant to read, easy to remember and beautiful. If someone tells you, you see how beautiful this poem is, because it conforms to the meter. Don't trust him any more, just pretend that he is talking nonsense. (However, he may be casting pearls before swine. Hehe) 5. Find something wrong with the rhythm of popular ancient poetry. The meter of poetry has two contents, which are divided into poems, words and songs in form. What Yuefu, new Yuefu and Yuefu can also be subdivided. China Poetry Discipline is an authoritative book, but its biggest feature is "all talk and no action". It is unreasonable to talk about phenomena. I wanted to learn something from him at first, but after reading it, I had more questions. In the preface, he asked future generations to "obey", but did not talk about the basis and reasons he said. It is said that the ancients did this, but I found that the ancients didn't do it at all. They avoided many works that did not conform to the ancient laws but were still beautiful. What kind of academic attitude is this? Are you still talking about science? So I say, to some extent, the whole so-called "poetic meter" is basically meaningless, meaningless for learning ancient poems, and meaningless for modern people to write poems. Don't worry, listen to me slowly. 1, Ancient Rhyme has its own problems. Many of the "eighteen rhymes" and "thirteen rhymes" we are learning now are not suitable. For example, the "Seventeen Rhyme" in the "Thirteen Rhymes" is fundamentally wrong in Chinese pronunciation. "Thirteen Rhymes" originated from folk operas and was later adapted into official rhymes. Its main pillar is the rhyme of Beijing Opera. Metamorphosis, re-integration, formed their own not serious rhythm, and then became an example for us to learn. However, many of these classifications are serious and unscientific. We say "17 road" and "17 road" to press "I, U, R, er". As far as modern Chinese is concerned, "I, U" in some parts of Yunnan is indistinguishable. Thirteen Rhymes may have been born in the early Ming Dynasty. It is possible to explain some ancient rhymes with these rhymes. However, if Li had to write like this, I guess he would have died of depression. In addition, "Eighteen Rhymes" and "Eighteen Rhymes" & from < Peiwen Yunxin &; Gt, at&Lt Pei Wen Yunxin &; In gt, the sounds of "Bo" and "Song" originally had the same rhyme, but the official rhyme of "Eighteen Rhymes" was separated. I really can't feel much difference between "E" and "ue" in pronunciation and auditory effect. How can the times develop, and the more reform, the more backward? "Geng" and "Dong" are definitely big families in Chinese pronunciation. The sounds of "East" include "ueng", "Rain" and "Eng". These two families are actually one family, and there is no point in separating them. The problem is that all the books have separated them now, which has artificially caused the two brothers to disagree. What do you think we should do? As for the "rhyme" and "double cross rhyme" put forward by some busybodies, it is not worth mentioning and ignored. It is to conform to the human auditory effect. Now we pay attention to the purpose of leveling in order to conform to the law of ancient poetry writing. In fact, ancient people wrote more questions than we think today. Those artificial rules themselves have many problems. Lian Ji is a "bamboo pole", "------------------. If the metrical poem is relative, can the135th poem be ignored? Can it be distinguished without considering135,246? Write a poem "Ping, Ping, Ping, Ping, Ping. "This is consistent with the difference between 135 and 246. But is it nice? Does anyone write like this? Then someone said you were hopeless. All right, I'll save you. Save yourself "Ping, Ping, Ping, Ping, Ping". Everything looks a bit like a foreigner. It saves "ping, ping, ping, ping, ping. "Originally, it was to avoid the same format of two adjacent sentences in rhyme, but it fundamentally violated the form of standard sentence patterns, and I didn't please. I'm too lazy to say more about it. I don't talk, I'm bored. 3. The question of salvation. I've said it before, so I won't repeat it. I said so much. I just want to overturn the rules that have been formed in your mind. Those rules and regulations are by no means considered by great poets when they write. They consider not only their own feelings, but also their own feelings. When writing ancient poems today, we must put aside established theories and innovate. Those theories are shackles and will tie you crazy. 1, I don't believe in the requirements of leveling and even measuring at all. Reading is catchy, as long as it looks comfortable. 2. Pay attention to certain format and rhythm. This kind of format and rhythm is not the kind of strict and meaningless flat meter, but pays attention to the special requirements of Chinese for poetry. For example, there are three ways to write words, one is to write words strictly according to words, the other is to use the existing word spectrum flexibly to supplement words, and the third is to make words freely after understanding the structural characteristics and characteristics of words. There were not many kinds of words in the past. It was created by the Song people themselves and changed a lot. Song people dare to change and create. We were born in New China and grew up under the red flag. What dare we do? What are you afraid of? Look at this song: Go west to Pingsha desert, the Yellow River ferry, there is no way to the world. The soul is on it, thinking about snow. Looking up, there are clusters of Qingfeng. Brothel full of Zhu Ge, dancers, waves full of red lotus dew. Facing the heights, the children are crying. Sigh and hate, the cloud locks Nanpu. Everything I've told you since Kyoto, I made it up myself. Who can say that this is not a word? Who dares to say that this is not a sentence? Of course, if you really say no, I can't help it. 4. Make people understand. Use as few isolated words as possible, and use as few uncommon dictionaries as possible. There are more learned people than we are. Don't use isolated words, an isolated dictionary that can be expressed by other words, just to brag that you know a few words that others don't know.