Who are the representative poets in the late Qing Dynasty?

In the late Qing Dynasty, the social situation was complicated, and the ideological trend of practical use was surging, and the surge of new ideological trend shocked the traditional literary world. During this period, many poems were left to expose the disadvantages of the times and express the feelings of worrying about the country, which is of special significance as a record of the times. The representative poets in this period are Lin Zexu, Gong Zizhen, Wei Yuan, Huang Zunxian, Kang Youwei and Liang Qichao.

Lin Zexu is famous for killing opium in Humen. His poems are not famous, but because of his position and experience, his poems are of great value to understand the situation before and after the Opium War. When he was stationed in Yili, he wrote "Going to the Garrison to Show His Family" and "Feeling of Walking Out of Jiayuguan", expressing his enthusiasm for worrying about the country and the people and making great efforts to govern the country.

In previous songs, he often chanted the phrase "If the country survives, why not avoid every cloud has a silver lining?" We can feel the heart of an honest politician from it.

Gong Zizhen, who received a good education in traditional culture since childhood, is talented and ambitious. Juren at the age of 27, Jinshi at the age of 38. He has served as cabinet minister, minister of Zongren House and minister of rites.

Gong Zizhen's poetry creation is a new chapter in modern literature. His poems organically combine lyric, political theory and artistic image, and are rich in strange imagination and artistic image, with diverse forms and styles, fresh and colorful language and eclecticism.

Gong Zizhen's Ji Hai Miscellaneous Poems? Kyushu is angry, relying on wind and thunder. Originally, it was a poem for offering sacrifices to the gods at the request of Taoist priests. The poet made full use of the topic, shouted loudly to make all kinds of outstanding talents stand out, and expressed his strong dissatisfaction with the dark and dreary reality at that time.

Wei Yuan and Gong Zizhen are good friends. He is an insightful scholar and thinker. He was commissioned by Lin Zexu to compile Historical Geography of Countries, and he was one of the pioneers who opened China's eyes to the world. The book puts forward that "learning from foreigners to control foreigners" represents a common thought among progressive literati in that era.

Many of Wei Yuan's poems, such as Ten Chapters in the South of the Yangtze River, Ten Chapters after the Sea and Ten Chapters in Autumn Glory, are political poems that discuss current events and express their anger. The opinions expressed are mainly on the premise of adhering to China's inherent tradition, opposing closed doors and advocating learning western technology, which is of historical value. At the same time, Wei Yuan's political poems are straightforward and his poetic style is relatively liberated. However, there are too many allusions and arguments in the poem, and sometimes they are straightforward, which weakens the image and aesthetic feeling of the poem to some extent.

Among ordinary lyric poems, Wei Yuan's landscape poems are very famous. He likes to write magnificent scenes, such as Tai Shi Hang, qiantang bore Watching Hangzhou, Tiantai Liang Shi Waterfall Watching the Rain Song, Xiangjiang Boat and Hangzhou, etc. , showing the author's heroic and positive personality.

In addition, Wei Yuan's epic is also quite appreciated. Two couplets in Jinling nostalgia;

Since ancient times, it has only rained and snowed in northern Qian Fan. I've been here for a thousand years, and I've been here for a hundred years.

Yao Xie, when the light is shining, hold people up. He wrote many poems about the current events of the Opium War and related social conditions, which have the characteristics of "poetic history". The second chapter of "Eight Sorrows of Poems in the Five Stages of Autumn and Clouds" tells about the death of Chen Huacheng.

The hurricane rolled up seven stars, and the white-haired Rong Yuan missed the years of China. The tidal waves on the narrow shore were weak, and there were dry months in the high sky. To recruit soldiers, you can register as a citizen of Fengtang, and then you can blow up the stone. I cherish the weakness of Wusong spring water most, and the delicate forest is bleached.

Poets' poems related to current politics in this period are usually exaggerated, whether praise or satire. This poem, written about the old Chen Huacheng's inability to support the decline, reveals deep sorrow and sympathy, and also reflects the author's feelings about the current situation, so it can move people's hearts.

Huang Zunxian is the banner of revolution in the field of poetry, but Huang Zunxian does not pretend to be a poet. In his own words, he is a poet, but he has made great achievements in poetry creation.

In the poetry revolution, Huang Zunxian not only discussed the innovation of poetry in theory, but also created a large number of new poems, which became an out-and-out banner of poetry. His poems include more than *** 1000, such as Poems in Loneliness and Poems in Loneliness.

Huang Zunxian's poetry is not limited by content and form, which has opened up a vast field in the history of China's poetry.

Huang Zunxian has the courage to innovate in his creation, drawing lessons from the achievements of the ancients and drawing nutrients from folk songs. His poems are vivid, with appropriate allusions, rich vocabulary and quick thinking. His poems changed the methods of poetry creation after the Tang and Song Dynasties, updated the poetic images, and began the transition from old-style poetry to new-style poetry.

Kang Youwei was the initiator of the Reform Movement of 1898. Kang Youwei is strong and conceited, and his poems are extraordinary. Such as "Climbing the Great Wall of Wan Li":

When the Qin Dynasty was built, the Han family built a camp and rode on the old city of Gaoqiu.

Whip stone thousand peaks on the clouds, even the sky Wan Li pressure deep and remote. The east is poor, the blue sea and green hills stand, the west is with the Yellow River, and the sunset is bright. Don't talk nonsense about achievements, heroes are amazing!

The scene in the poem is magnificent, and the poet's own spiritual image is also extremely tall. In the third sentence, the legend of the man of God whipping the stone into the sea to build a stone bridge for Qin Shihuang was changed to whipping the stone up the mountain to show the extraordinary power of heroes to drive everything.

Liang Qichao studied under Kang Youwei in his early years and was one of the core figures in the Reform Movement of 1898. Liang Qichao has extensive knowledge, vertical and horizontal brushwork, and rich works, including The Ice Room Collection. His poem Rain in the Pacific Ocean;

A rain that spans two continents,

Wave after wave flows into the east.

The heroes of the Reform Movement of 1898 will not be swept away by the historical trend. Today, I travel far with the ambition of transforming society.

This poem was written by Liang Qichao when he fled overseas after the failure of the Reform Movement of 1898, but it has a broad realm, full of enthusiasm and no melancholy color.

Liang Qichao put forward the slogan of "Poetry Revolution", trying to push the existing poetry revolution deeper. Liang Qichao put forward three directions of "poetic revolution" in "Travel Notes in Hawaii": First, "new artistic conception". It mainly means that the theme and content of poetry should enter a "new artistic conception"; The second is "new sentences"; The third is "to enter it with the wind of the ancients." Zhang is a man who engaged in political activities after the Sino-Japanese War. Zhang Taiyan is proficient in philology and uses ancient Chinese characters, but a Zou Rong in Prison is very lively:

Zou's younger brother was sent to Yingzhou. Cut the scissors and braid it, the dried beef is a mess. Heroes sneak into prison, and the world grieves for you. When in danger, be sure to put your hands together. Gan Kun has only two heads.

This poem is not very particular, but it is very dignified. The last four sentences focus on lyricism, saying that there are only two good beginnings and writing heroism.

liang qichao

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