"Poetry is beautiful because of love, moving because of love, and bright because of love. The inscription is sentimental and sad. Mingbo is warm and moist, and he is strong in the face of frustration. Praise the excellent tour to be beautiful, exquisite and fluent. Play plain and elegant, swear by Ye Hui. Although there are differences here, it is also forbidden to control evil. Well-founded, well-founded, not lengthy. "
Introduction to the viewpoint that "Poetry must have love";
1. This is Lu Ji's literary criticism theory on style. One is to write poetry because of emotional excitement, and the other is to emphasize the beauty of poetry as a whole.
2. During the Wei and Jin Dynasties, with the overall awakening of human consciousness and the vigorous publicity of personality, "human awakening" brought about "literary consciousness", and Lu Ji boldly denied the idealistic tendency of China people and Confucianism about the concept of poetry, and put forward "poetic sentiment" for the first time and became a literary world.
3. In Wen Fu, Lu Ji not only put forward this groundbreaking point of view, but also standardized the "emotion" to be reflected in poetry, requiring it to be true feelings. He said that "truth and appearance are not bad, so every time they change", that is to say, "emotion" is the true feeling, and all external manifestations are the result of the externalization of true feelings.
4. Yuan Mei's Collection of Poems in the Garden in the Qing Dynasty: "The poets are all born with feelings, puzzled, and then incorruptible."
This paper further expounds the essential characteristics of "poetry must love"
"Fate" refers to the inner beauty of poetry, and "magnificence" refers to the appearance beauty of poetry, which inherits Cao Pi's "poetic beauty". Lu Ji believes that poetry should have a gorgeous form. The so-called "his understanding is also brilliant, his last words are noble, and the sound and sound are iterative, if the five colors are mutually announced", it is precisely the discussion of the formal beauty of poetry.
5. The concept of "feeling beauty" has been criticized by feudal scholars because it does not conform to the traditional Confucian poetics creed, but the renewal of this concept has further promoted the development of poetry theory and creation. Without this liberation, there would be no beauty of the Six Dynasties and no grand occasion of the Tang Dynasty.