Picture appreciation of ancient famous poems and calligraphy works

Ancient poetry is an ancient literary form in China. It reached its peak in the Tang Dynasty, and many literati expressed their inner feelings through ancient poems. The following are pictures of famous ancient poems and calligraphy works I have compiled.

Classical ancient poetry and calligraphy works. Scholars study? Han Yuefu? In another case, the popular features of Yuefu poetry are mainly introduced into lyric classical poetry, which reflects the characteristics different from the previous five-character classical poetry. The representative work is Li Bai's "Ancient Style" (58 poems). ? Antiques? Formally, it is no different from the five-character poem, but the lyrical content and way are different. When answering the difference between Yuefu and classical poetry in Zhao Zhixin's Yinpu in the Qing Dynasty, he said: Sound and emotion are very different, so I realize it here and think half of it. ? (Qing Shihua 132, Shanghai Ancient Books Publishing House 1963)? Sound and emotion? It refers to the differences in content, emotion and charm. Ou Bei Shi Hua further points out:? The poems of Gaigu Yuefu are mostly women's thoughts, and Qinglian is deeper than Yuefu, so it is also the works of many couples saying goodbye to injuries, but they are all implicit and ancient. Throwing hints and being concise are directly the legacy of the national wind. Shaoling has no such taste. ? (Continued Poems in Qing Dynasty, p. 1 142, p. 1983) So, although we have the same experience? Han Yuefu? Influence, Du Fu's? New Yuefu? With Li Bai? Antiques? There is a difference. In the collection of Tang poems, it is directly marked with? Antiques? Few topics. ? Antiques? 、? Five-character ancient style? 、? New Yuefu? Formal freedom, no rules, so no? Hiromi? problem There are also two situations when the seven-character song style developed to the Tang Dynasty. Because the Tang Dynasty appeared? Metric poem? (also called? Modern poetry? To distinguish people who didn't speak metrical rules before? Ancient poetry? ), so, one is to introduce some syntax and skills of metrical poetry into classical poetry, and the other is to avoid the syntax and skills of metrical poetry. Traditionally, people call the former category? Seven fonts? The latter category is called. Seven-character ancient poems? (abbreviation? Gucci? )。

In the early Tang Dynasty, some poets, on the basis of inheriting the gorgeous spread of Qi and Liang poems in the Southern Dynasties, tried to introduce the sentence patterns and antithesis of seven-character poems into their singing, so famous works appeared, such as Lu's Ancient Meaning of Chang 'an, Luo's Poems on Jingdi, Zhang's Moonlit Night on a Spring River, which formed a magnificent space and momentum, and the prose sentences were mixed with metrical and antithesis. Early Tang style? So the seven-character singing has a new look. In the prosperous Tang Dynasty, Gao Shi and others wrote a large number of frontier poems on this theme, such as Gao Shi's Travel, Cen's Bai Xuege Farewell to Tian Li Wu Gui (eight times) and Ben Ma He Song Farewell to General Feng of the Western Expedition (nine times). These poems are fully developed? Early Tang style? It is characterized by rich and magnificent content, unrestrained emotion, magnificent image, diverse techniques and colorful language, which is inspiring to read. In the middle Tang Dynasty, Bai Juyi and others incorporated narrative elements into this style and wrote such famous works as Song of Eternal Sorrow and Pipa Story. Seven-character quatrains have made new progress. Until the early Qing Dynasty, Wu (No.Meicun) wrote Yuan Yuan Qu, He Yong Palace Ci, Xiao Shi Qing Men Qu, and Listening to the Female Taoist Bian Yujing Playing the Piano in this poetic style. He praised history with poems, paid more attention to skills in form, used colorful words, and formed a colorful and changeable artistic style, which was beautiful and touching, and even sung in seven words. Meicun style? . By the end of the Qing Dynasty and the beginning of the Republic of China, Wang Guowei and others had written poems such as The Summer Palace Ci in this style.

Flat tones in ancient poetry and flat tones in duality are two major categories of Chinese tones. In modern poetry, poetry and songs, there are quite strict regulations on the use of flat and even words. Some posts must use plain language, and some posts must use plain language. For example:

Spread a tight knot and make it as long as possible.

(Han Yu: "Chun Xue")