1, Nanshan autumn, high momentum. -Don Tu Mu's Long Wang Anqiu
Appreciation: Nanshan is so high in clear autumn, don't you need to compare the momentum with autumn colors? The advantage of this poem is that he wrote the poet's spiritual character while writing the scenery of Chang 'an in high autumn. Closer to freehand brushwork. The lofty, vast and clear autumn colors are actually the symbol and externalization of the poet's mind.
Especially in the last sentence of the poem, Nanshan and autumn scenery are endowed with a dynamic trend of steep rise. This shows the poet's personality and temperament more clearly, and also makes the whole poem end with a vigorous momentum, leaving room for full imagination.
2, the lake is full of moonlight, and there is no wind mirror on the pool surface. -Don Liu Yuxi, "Looking at Dongting"
Appreciation: The water color and moonlight of Dongting Lake reflect each other, and the lake is calm, just like an unpolished bronze mirror. This sentence describes the clear lake and green moonlight, creates an ethereal realm and outlines the beautiful Dongting landscape.
3. Three Wan Li rivers enter the sea, and 5,000 cases climb skyscrapers. -Song Luyou, "The Feeling of Going Out of the Hedge Door at Night to Meet the Cold"
Appreciation: Three Wan Li-The Yellow River flows eastward into the sea, and Huashan Mountain, 5,000 meters high, soars into the sky.
The artistic conception of this sentence is broad and profound, horizontal and vertical, showing the victory of half of China in the northern Central Plains to the fullest. Magnificent mountains and rivers symbolize the loveliness of the motherland, the perseverance of the people, and express the poet's hope of regaining lost ground and realizing the reunification of the motherland.
4, people are cold orange pomelo, autumn old phoenix tree. Besides me, who will think of the North Tower and welcome the autumn wind, Miss Xie? —— Tang Li Bai's "Qiu Deng Xuancheng Xie Tiao North Building"
Appreciation: the thin cold smoke in the village permeates between oranges and grapefruit, and the phoenix tree is a sign of yellow and aging in late autumn. The poet grasped the feeling of a moment, used extremely concise language, and then sketched the outline of a late autumn at will, profoundly revealing the atmosphere of the season and environment.
It not only writes about autumn scenery, but also writes about autumn. If we understand it carefully, we will find that it is highly generalized and meticulous with a pen.