Life and death field (novella) 1935, Shanghai Rongguang Bookstore; 1980, from Heilongjiang
Essays on salary frame 1936, Wensheng.
Bridge (collection of novels and essays) 1936, Wen Sheng.
On Oxcart (Collection of Novels and Proses) 1937, Wen Sheng.
The cry of the wilderness (collection of short stories) 1940, the first part.
Xiao Hong's Prose 1940, Chongqing Times Publishing House.
Lu Xun's Memories (Prose) 1940, Chongqing Women's Life Society.
Ma Bole (novella) 194 1, Chongqing Times Publishing House.
Biography of Hulan River (novel) 194 1, new literature and art; 1979, from Heilongjiang
Hand (novel) 1943, Guilin Fiona Fang Bookstore.
Small Town March (Novel) 1948, Hong Kong Ocean Book House.
Selected Works of Xiao Hong (Short Stories) 1958, Humanities
Selected Works of Xiao Hong 198 1, Humanities
Xiao Jun collected Xiao Hong's letters and notes, 198 1, from Heilongjiang.
Xiao Hong's Short Story 1982, from Heilongjiang.
Selected Prose of Xiao Hong 1982, Hundred Flowers
Xiao Hong (Selected Works of Modern Writers in China) 1984, Humanities.
Xiao Hong's Masterpiece (Collection of Short Stories) 1987, Humanities
On March, 1933, Xiao Hong participated in the relief painting exhibition organized by party member Jin, and exhibited two of her own chalk paintings. At the same time, under the influence of Xiao Jun, Xiao Hong began to engage in literary creation.
In memory of maple leaves, quiet, spring melody and accidental memories, planting flowers is the earliest poem written by Xiao Hong (1932).
Illusion is a poem written by Xiao Hong after knowing Xiao Jun (1July 30, 932), which was later published in the supplement of Harbin International Association, International Park (1May 27, 934).
April 8 1933 completed the first documentary essay "Abandoned Children" (including Datong Society and Changchun Datong Daily Supplement).
On May 2 1 65433, she finished writing her first short story "The Death of Sister Wang". By describing the tragic experience of Sister Wang's family, she angrily accused the landlord of cruel exploitation and oppression of the peasants. After the novel was published, she published Watching Kites, Bandage on Legs, Wife and Watermelon, and Little Black Dog.
"Petunia Square" is the former residence of painter Feng, named after the morning glory planted in the yard. It is a bungalow located in Daoli Shuidao Street (now Daoli Zhao Lin Street). Xiao Hong and Xiao Jun often come here to attend the gathering of left-wing intellectuals, and also often come to Luo Feng, Bai Lang, and others. Through contact with them, Xiao Hong broadened her horizons, increased her literary knowledge and received some *.
Xiao Hong's literary creation began at 1932, and it was only nine years before her death. In this short period of nine years, she wrote three novels, Life and Death Field, Ma Bole and Biography of Hulan River. Three collections of short stories and essays: Trekking, Bridge and Oxcart; There are also three collections of essays, such as Mourning for the Past, Xiao Hong's Prose and Recalling Mr. Lu Xun, as well as some works scattered in newspapers and periodicals. Xiao Hong's unique creation lies in that she broke the usual narrative mode of novels in modern literature, created a marginal style between novels, essays and poems, and formed a unique "Xiao Hong-style" novel style with her unconventional language, autobiographical narrative method, prose structure and poetic style. Xiao Hong's novels are unique in China's modern literary world with their profound tragic implication and unique style, and have built a unique artistic world.
Most of the novels selected in this work are typical works of Xiao Hong's style, among which Hand and March in a Small Town are her representative short stories. Humor and satire works such as Escape and Ma Bole are rare in Xiao Hong's creation, which are relatively weak links in Xiao Hong's academic research and are rarely read by readers. But from these works, we can see Xiao Hong's creative talents in many aspects.