The beauty of the poem "Jianjia" is mainly reflected in the following three aspects:
1. Beautiful artistic conception. The author adopts a brushwork inspired by the poem, and paints an ethereal artistic conception through the description and admiration of the real scene in front of him. The poet grasps the unique characteristics of autumn and casts the unique scenery of late autumn together with the euphemistic and melancholy lovesickness of the characters, thereby exaggerating the atmosphere of the whole poem and creating a confusing and blended artistic conception. It is precisely "all scenery and language are emotions" The embodiment of "language".
2. Implicit beauty. Using a little to express a lot, and constructing a very broad space for imagination and appreciation with extremely economical words, this is a major advantage of this poem. The work is not directly lyrical and does not describe how the person misses his sweetheart, but only describes his actions of searching for his lover. The protagonist's passionate feelings and anxiety in pursuing the other person, as well as his infatuated obsession, deep lovesickness and pain of disappointment, are all vividly and implicitly expressed through the action of seeking and the continuous and hurried process of searching left and right. .
3. Beautiful rhythm. Repeated singing is a commonly used technique in the Book of Songs. Specific to this poem, these changes are all in the rhyme - the first chapter "Cang, Shuang, Fang, Chang, Yang" belongs to the yang rhyme, and the second chapter "Qi, Xi, Mei, Ji, Di" belongs to the fat-weihe rhyme. Rhyme, the rhyme of the three chapters "Cai, Ji, Huan, You, Zhuo" - thus forming the effect of harmonious internal rhymes of each chapter and uneven rhymes between chapters, giving people the feeling of: change and inclusiveness Stable. At the same time, this change also resulted in a back-and-forth advancement of semantics.
The Book of Songs?Jianjia