How to choose the decoration design of a small villa?
Hello, Xiaotianer is very happy to answer your questions!
As for the villa decoration design, it mainly depends on which style of design you choose. After all, different styles have different effects. The effect is different. I have seen a villa designed by a designer before, and the effect is indeed very good. It is noble, grand and high-end.
This case is a 4-story villa with an area of ??about 200 square meters. The designer expanded the space on the second floor by building a private space, moved the bedrooms on the third floor to the second floor, and planned the third floor Provide an activity space for children and save the family the inconvenience of going up and downstairs.
The design focus of the first floor of this case
This case adopts a modern light luxury decoration style, with mainly black, white and gray tones. Brown, blue and gray are used to increase the spatial layering, and are matched with clever lighting. The design and overall atmosphere are very noble and elegant.
The TV background wall is made of jazzy white stone, the floor is made of light gray floor tiles, and metal strips are chosen as the embellishment. It is paired with elegant and dignified soft furnishings to create a high-end, grand yet tasteful appearance. A light luxury style home.
The key points of the renovation of the second floor of this project
The designer divided the first floor into a dynamic area and the second floor into a quiet area by building a shared space. The second floor space is mainly used for work and rest, and the newly added cloakroom also meets the function of storing clothing. The master bedroom uses a comfortable leather bed, and the headboard makes the bedroom look more spacious and simple.
The cloakroom will continue the light luxury style in black, white and gray tones. The chandelier has chosen the artistic shape of abstract geometry to convey the stylish and fresh artistic taste of the residents. The floor is in a light warm wood color, and hidden light strips are installed in the wardrobe cabinet, creating a high-end and generous atmosphere.
The second bedroom still maintains the overall light and luxurious style, lighting up the entire space with an artistic illustration. The overall color is calm and simple, with soft beige and gray atmosphere, outlining a comfortable and noble atmosphere. At the same time, the objects carefully matched by the designer create a delicate emotion in the space, and the long-lasting artistic sense blooms in the details.
The key points of the three-story renovation of this project
●Remove the wall of the storage room to facilitate the placement of sofas and create an exclusive leisure area.
●Create a children’s room space through new walls to create a child’s exclusive world.
If your villa also has a basement, you can also decorate it like this!
01 Video Room
The basement is relatively closed and has excellent sound insulation, so it can be renovated. An independent video room for movie lovers. From then on, every weekend I can sit on the sofa with my family and watch a wonderful movie, adding more fun to life.
02 Wine Cellar
If you love drinking red wine, you can completely transform the basement space into a wine cellar. By customizing the wine cabinet, you can create an excellent private wine cellar. . When friends come to visit, you only need to take out the good wine that has been collected for many years from the wine cellar, and then you can enjoy the happy time of the guests.
03 Library
Although books are afraid of moisture, you only need to take moisture-proof measures for the basement in advance. You can also keep books away from moisture problems by setting up a row of top-to-ceiling bookcases on the wall. , list your favorite books that you have collected for many years, and you can enjoy a quiet reading time here.
04 Fitness Room
The basement has good sound insulation properties, which can effectively avoid disturbing other family members during fitness. When designing a basement gym, you can also hang a large mirror on the wall and place some commonly used fitness equipment to easily create a sports space that is no less than a professional gym.
05 Billiards Hall
Xiao Tianer suggested that on the basis of renovating the billiards hall, you can also add a bar, occasionally meet up with friends, and enjoy the fun of putting while drinking delicious drinks. Good wine and a carnival party at home.
06 Basement Patio Garden
You only need to place a few rocking chairs or plant your favorite green plants to create a small green garden and make it a family home It is a pleasant place where people can relax their body and mind and breathe fresh oxygen.
If you still have questions about decoration, environmental protection, home decoration pollution, home design and layout, etc., you can consult Litian Decoration. All decoration problems can be answered for you! Director Bi Gan's uncle (Golden Horse Award) Best New Generation Director)
The 30-year-old Chinese director Bi Gan has completed two films that are both strange and familiar in his young and legendary career
. Among them, the 2015 Locarno Award winner "Roadside Picnic" and the Cannes Film Festival shortlisted "Last Night on Earth" may be things you have never seen before. The work involves the fickleness of time and the vagaries of memory in both form and content. This contradiction is the core of Bi Gan's works. The Chinese title of "Roadside Picnic" was originally named after Fernando Pessoa's "The Record of Panic", while "The Last Night on Earth" comes from the short story collection of the same name by Chilean novelist Bola?o.
Similar to the UFO in the film festival scene that focuses on realism, his film seems even more incongruous in the social reality context of Chinese independent films.
This is not to say that Bi's films are divorced from reality; on the contrary, they are rooted in specific places and cultures and, I think, the sensibilities of a generation.
What sets him apart is his unusually bold and expansive pursuit to refine cinematic dreams and memories.
In these two films, Bi built a world entirely his own, centered on his hometown of Kaili, Guizhou. At first glance, his narratives seem overly fleshed out and complex, even though their basic actions are simple and usually involve return, travel, and pursuit.
But his work is about "loss". In this film, the story unfolds about disappearing people and lost time
Traveling through time and space is the core of Bi's film, which relies on montage and continuous movement techniques to imply the collapse and transcendence of physical space, as well as the mysterious interweaving of multiple time and space.
"Roadside Picnic" features a 41-minute tracking long shot
In different modes of transportation, along mountain roads and narrow alleys, across a river by boat, in Track the target person near the riverside village. The second half of "Last Night on Earth" consists of an hour-long, gravity-defying sequence that hurls the protagonist from a mountaintop into a labyrinth of semi-abandoned buildings via zip lines and drones. Building complex.
The male protagonist of "Roadside Picnic", Chen Sheng, is a middle-aged poet who was once a criminal and worked in a shabby clinic in Kaili. (Actor Chen Yongzhong is Bi's uncle and starred as a poet and singer in the short film "Diamond Sutra.") Chen is also the caretaker of his nephew Wei Wei, the son of Chen's younger brother "Lao Wai" who is "eating to die". Bi vividly and piecemeal introduces his characters and the dirty, garbage-filled environment around them in the first 30 minutes of the film. A man and a woman kick a ball back and forth, and a pair of blue embroidered slippers float on the riverbed, mysterious insertions that have retroactive significance.
Then, through a batik printed umbrella, the ubiquitous mirror image evokes one mysterious poetic narration after another.
The film often takes on a surreal tone, when Chen is searching for bananas in underground tunnels, or when the news reports news of an elusive "savage." "Space is limited and unstable: a crumbling amusement park is cut through a field of lush vegetation; Chen's house sits directly beneath a waterfall; and without any warning or explanation, images of a moving train Appearing on the wall.
Roadside Picnic gives us a glimpse into the subtropical region of Guizhou that is rarely shown on the screen, with its lush greenery, humid climate, and abundant wildlife. Many rivers, caves and steep limestone. Guizhou is also home to several ethnic minorities, which account for more than one-third of Guizhou's population. Bi himself is from the Miao ethnic group, whose traditional Miao culture is famous for its reed pipes and bamboo wind instruments. /p>
Bi, who majored in literature, adapted some of his poems into the film. They work like so many other things in the film, constantly inducing a trance, even at key plot points, including Chen's. The basic background information is embedded in dreamy passages, including his dead wife.
Later, "Roadside Picnic" almost turned into a road movie. Chen left Kaili to find the "Laowai". "Sold Weiwei
. Chen was also entrusted by his old colleague Zhao Daqing to give several souvenirs, including a box of tapes and a printed shirt, to an old lover whom he had not seen for many years. This This journey takes him to Dangmai Village, where the film gradually reveals a time-warped and intertwined form. Chen strolls through Dangmai Village, and the camera occasionally leaves his side to accompany other characters, and he once participated in a road trip. side concert. Is this impossibly subtle time short circuit a memory, a premonition, or a combination of the two? The young man who picked him up on a motorcycle was Weiwei, and the hairdresser who washed his hair looked like his dead wife.
This long take, like Birdman and its ilk, is often a showcase of directorial talent
The important thing is the illusion of continuity. But Bi is more concerned with pushing Tarkovsky's concept of "time pressure" to the limit until it breaks through the embankment of reality. This technique can be achieved through the simplest film editing techniques, but editing often means the loss of time. Transformation, but Bi refused to do so.
There is a saying in the Buddhist scripture "Diamond Sutra", which says: "The past mind cannot be acquired, the present mind cannot be acquired, and the future mind cannot be acquired."
", and the ultimate goal of this film is a single stable but erratic reality. But what is certain is that there are other non-spiritual backgrounds that affect Bi Gan’s lens language. In the interview , Bi says with self-deprecating sarcasm, he attributes his long-standing talent to his background as a wedding videographer, as he traces the hair salon and travel footage in the film to his mother a hairdresser and his father a barber. Driver.
In short, Bee is interested in the potential of film to create mental space and convey physical sensations (his top 10 recent favorites include Alfonso Cuarón’s “The Center of the Earth”). "Gravity").
His ambitions are further reflected in "The Last Night on Earth"
The first half of "The Last Night on Earth" is composed of two parts. An anachronistic mosaic illustration, the second half of which is a nighttime dream. The film expanded the scope of Roadside Picnic into a genre, essentially remixing genres with a bigger budget and adding movie stars like Tang Wei and Sylvia Chang to the cast.
Bi said he wanted to express Wong's cadence in the film with his wistful voiceover: "Every time I see her, I know I'm in a dream again."
The male protagonist of this film, Luo Wu (played by Huang Jue), is another wandering lonely man, troubled by loss and regret
. He travels to Carey, where there are various talismans, a photo with a phone number on the back stuffed inside a broken clock; and a green book that contains a spell that can make the house spin and evoke a flood of memories. "It's scary to live in the past!" one character says. At Kaili's funeral for his father, Luo recalled his old friend Baimao and his old love Wan Qiwen. Wan Qiwen's gangster boyfriend killed the white cat.
This film stages a tug-of-war between past and present, or reality and imagination. As Law recalls his affair with the femme fatale who wore only green, he questions the authenticity of his memory. Today, he goes to find Bai Mao's mother who was a hairdresser and Wan Qiwen who may now have a different name.
What follows is a long, exciting and seamless journey, a feat even more daring and complex than Roadside Picnic's tracking shot.
The first time Luo met in this 3D movie was a smart child, who may be a younger white cat. The little boy rode a motorcycle and sent him to a lookout, where he descended via a cable to a billiards hall halfway up the mountain. The manager here seems to be none other than Wan Qiwen, but she insists that she is Kai Zhen. Later, the two of them float to the village square, where a karaoke competition is in progress, and a red-haired woman is in trouble... The tracking shots are lengthy and intricate, so they must be carefully designed to be meticulous. But there are also contingencies: Luo's experience of this long night depends partly on the outcome of an impromptu table tennis match and partly on someone's ability to play billiards under pressure.
The characters who exerted influence on Law in the first part of "The Last Night on Earth" appear in different forms in the second part. Nearly every detail, including the craving for grapefruits in the off-season, the white cat that eats an apple without spitting out the core, the music, the incantations, and the grating pattern of the prison window, is repeated or altered in the dreamscape activated by the film. While Vertigo is the most obvious touchstone of this tale of obsession and duality, its structure owes something to the similarly structured Mulholland Drive.
Some people say that Hou Hsiao-hsien's "The Assassin" is a painting, while Bi's "Roadside Picnic" is a poem. Bi also publicly expressed his admiration for Hou Hsiao-hsien and David Lynch
Bi Gan's films have a vague distant memory, a kind of familiar dream
If the first half of "Last Night on Earth" seems to describe a dream state defined by constant sliding and shifting of the ground beneath your feet, the second half simulates a different kind of dream, a lucid dream. , the embodiment of a free-floating consciousness. Bi clearly knows to avoid the cliché pitfall of so many trance stories: the twisty "it was all a dream" ending. He had to use different techniques to make his technique acrobatic with great poignancy: he kept the camera rolling, characters in motion, rotating rooms, incombustible pyrotechnics, all in order to avoid "waking up from a dream" into a Kind of "death".
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