Then I wrote "I see cherry blossoms", from Castle Peak Cemetery in Tokyo to Qianwuyuan, from Sakura Mountain and Yoshino Sakura to Yaeyama Sakura, "In the rain, in the fog, under the moon", "Japanese spring is immersed in the diffuse cherry blossoms!" The author's brushwork is vivid and graceful, and he still remembers the cherry blossom song written by Huang Zunxian, a poet in the Qing Dynasty, which led to Japan's "ten-day trip to the whole country" and the Japanese literati's mentality of seeing cherry blossoms "early blooming and early setting" and "life is short". Of course, the author doesn't think so. Cherry blossoms are beautiful in the author's eyes. Nature, pleasure, nature.
People who write from Japanese cherry blossoms to Japan are the sublimation of content. The taxi drivers' strike in Kanazawa actually changed the time to send a delegation of Japanese writers to the station. "My heart jumped with a jerk, like a lighted firework, and a brilliant spark came from deep inside generate ..." This kind of situation, whether read in the past or read today, is exciting. The friendship between the Chinese and Japanese peoples has always been a topic of concern to the two peoples. The author is from things and people, from people and things, because of the friendship of Japanese friends, and Yufa felt the beauty of cherry blossoms. I just think: "This cherry blossom, piled by pile, layer by layer, like a sea of clouds, is flushed in the morning. When the winding mountain road is covered by this boundless flower cloud, we are like sitting in a light boat connected end to end, riding the east wind suitable for swinging, splashing flowers on both sides, and making rapid progress towards the rising sun. "
The so-called "exotic cherry blossoms that the author has never seen before" are not only beautiful in the past, but also "bright", "solemn" and "gorgeous". This description of cherry blossoms is the most gorgeous part of the full text, which highlights a different kind of brilliance in the plain narrative of the full text. The special aura of cherry blossoms on April 13 is even more dazzling. At this point, the full text reached a climax, and the author's feelings were sublimated to the extreme. Finally, ask questions in the words of Japanese friends to make the theme more clear. Where is the beauty of cherry blossoms? "there are no flowers that are not beautiful in the world ... as for the love for a flower, it is because of personal feelings." Japanese literati think of the shortness of life, samurai think of heroic sacrifice, Japanese think of the joy of spring, and Bing Xin naturally thinks of the enthusiasm of Japanese friends and the profound friendship between the two peoples. At this point, readers' feelings about cherry blossoms are no longer limited to sensory enjoyment, but transformed into a sacred totem of the friendship between the two countries in their hearts, just as the author said, "solemn" and "gorgeous".
Any work needs to have rich feelings, and Bing Xin's prose has more emotional elements, so there is no need for logical reasoning about things, and often the artistic effect of persuading and infecting readers can be obtained. This is particularly evident in the praise of cherry blossoms. People who know nothing about cherry blossoms can also have different feelings about cherry blossoms with the author's eyes and emotions. The artistic conception created by Bing Xin in many works has the characteristics of "a little empathy". We enter the artistic conception of the works through emotional singing, and create various new artistic conceptions with the help of artistic conception. Her creation is full of literary thoughts, without meticulous carving or repainting. Profound lyricism often begins with a very plain technique. Praise of cherry blossoms
She has poetic characteristics in the application of language, a very common word and a very common sentence pattern. Once it appears in her pen, it will glow with brilliance, send out fragrance and show her thoughts in relief. The reason why her language is poetic lies in the author's strong feelings and the perfect harmony and unity of the language forms she adopts. Lu Xun said: "I don't think it's appropriate to write poetry when feelings are strong, otherwise the sharpness will be too exposed, which will stifle the beauty of poetry." (Lu Xun's Book of Two Places. 32 "). In other words, a poet (or writer) should be good at restraining emotional impulses, so that feelings are controlled by reason, and never cry out in his works. A well-controlled article can make people feel the emotional weight best. This is also the highlight of Mr. Bing Xin's ode to cherry blossoms. The praise of cherry blossoms seems to be calm and decent, leading people to the highest point step by step, and then leaving you with deep thoughts.
Bing Xin's Ode to Cherry Blossoms is the same as many Five Poems. The works in the "Fourth" period are also political, but Bing Xin's works show more personal thoughts, with a relaxed and lively style, which rarely puts any pressure on readers. Looking back carefully on the history of this century, we can easily find that it leaves little time and space for individuals. More often, people are driven forward by the times, like rushing to a grand party, and they can't stop and have no time to think. As I said in an article: "In China in the 20th century, the average person probably didn't have to expect to escape the prescribed growth imposed on him by history." We can only hear the slogan of the group, but not the voice of the individual. The crowding of political space to spiritual space and public space to private space has almost become the landmark landscape of this century.
Bing Xin, a new woman wearing an old-fashioned cheongsam, has been cleaning dirt, weeding and fertilizing in the deserted spiritual garden since the first day of new literature. She tried to warm the cold chest of the century with the stars of wisdom and pure spring water. Contrary to the name, Bing Xin is warm. She was not infected with the unique self-pity of women in that era, but pure and spotless. The thinness and weakness of her appearance highlights her great and extraordinary spirit.
Bing Xin and Lu Xun formed a "complementary relationship". Lu Xun represents the masculine side of the new culture, while Bing Xin represents the feminine side. Lu Xun is a sharp social scalpel, and Bing Xin is a soul preacher full of love. Scholar Li pointed out when discussing A Dream of Red Mansions that women are water and men are mud. "These two characteristics show that women naturally appear in history as an aesthetic dimension, while men are engaged in the creation of history as symbols of social forces." If Lu Xun is a war horse in the wilderness and Bing Xin is a waterwheel by the river, she inherits the quiet part of China culture and relies entirely on the power of nature to irrigate the fertile soil of the mind; If Lu Xun shouldered the floodgate of history with superhuman strength, Bing Xin is quietly transforming the world. The existence of Bing Xin enriched the spiritual dimension of the May 4th culture, which made China's spiritual enlightenment not a simple linear structure or plane structure, but a psychedelic and complicated gesture.
Mao Dun wrote in Bing Xin Lun: "Of all the writers in the May 4th period, only Ms. Bing Xin belongs to her most. In her works, she did not reflect the society, but herself, and she did not reflect herself clearly. At this point, I think the value of her prose is higher than that of novels, and longer poems are higher than stars and spring water. " Mao Dun is a typical political writer, and his novels are as detailed as sociological papers. It is absolutely serious for him to make such comments on Bing Xin, whose literary value orientation is completely opposite to his own.
Mr. Bing Xin, the "century old man", had a brilliant life. Her praise of cherry blossoms is my personal favorite work. If I may, I would like to make such an analogy-Grandma Bing Xin is like a beautiful and solemn cherry blossom that blooms in everyone's heart in spring. Of course, this is me.