Complete Works of Li Taibai, Collected Works of Li Hanlin and Poems of Taibai Caotang; Li Bai's Resentment, Bright Moon, Spring Thoughts in Guanshan, Silent Night Thoughts, Down Zhongnanshan to a Kind Pillow and Bowl; Hu Si's Farewell to the Moon, Don't Cross the River, Difficult Road, and Farewell to the Moon. Sauvignon Blanc sings the song of an oriole in Noda, flying white doves in the clouds, going in and out in the daytime, talking with Fangcheng Temple in Yuan Dan Qiu, looking for the peak, Shimen Mountain, Danqiu in the Central Plains, sitting alone in the autumn night, reasoning, getting drunk in Shandong East Building, making a mistake about drunkenness, hiding in a pine niche, getting drunk in Longmen, and feeling that one is determined to find a mountain. I mocked Wang Liyang for refusing to drink. I sat alone in Jingting Mountain. I recall the two full moons in Dongshan, and I think of wine. I recall two sunsets in the mountains. I recall the old tour of Qiupu Peach Blossom, and I fled to Yingcheng Jade Girl Soup in Anzhou. I stayed in Guangling and often went to Shimen to live in seclusion. Jingmen stands upright and looks at the Three Gorges Jinling on the Shujiang River. Three mornings later, it was released. Autumn Baidi City Jingmen River traveled far and stayed in Wusong Mountain. Seven families stayed in Huangshan Mountain. Fourteen tones stayed in Xiahu Lake. Mrs. Wang Youjun Shangyuan visited the ancient times. Shangshan No.4 passed the No.4 tomb. Xianshan Huaigu Su Wu passed Xiapi Bridge. Zifang Lujiang's mistress and his wife accompany Song Zhongcheng and Wuchang to have a night drink. Looking back at the ancient parrot island, Huaimi Hengsu Wushan Xiajinling Baiyang Transverse Lane, Xiegong Pavilion, Xie Tiao Fan's Tour Ji Nanling Title Wu Songshan's homesickness for one night-under the Boniu Mountain-Zhu Gushu, Shi Yong, Deng Jincheng's scattered flower building, Deng Emeishan's Kudeng's single father, Tao Shaofu, half a terrace, looking forward to Hai Xia Jiaoshan Liaoshan, Deng Taibai Peak, Deng Handan Hongbo Station's wine view, sending troops to Xinping Building, On autumn night, Banqiao Pu Pan-Moon Xie Tiao boarded the Wanglushan Waterfall on Phoenix Terrace in Nanjing (II). Denglu Wulaofeng River King Wangwangong Mountain King Yellow Crane Tower Parrot Island Ninth Dengbaling Wine King Dongting Water Army Qiudeng Baling Wang Dongting Xiashi Dengyueyang Building Tour Nanyang Baishui Dengxi River Shangshi stirred up a thousand waves and waited for the bright moon. Jinling Wang Han Jiang Qiudeng Xuancheng Xie Tiao North Building Wangtianmen Mountain Wood and took prostitutes to Qixia Mountain. Guangwu ancient battlefield Huai Gudeng Baling Kaiyuan Temple West Pavilion presented two pan-lands for monks. The single father and Liu Dangshan feasted in the east building to enjoy the autumn scenery of prostitutes, toured Nanyang Qingling Spring with his nephew in Hangzhou, and toured Tianzhu Temple with friends. As the platform goes down, Lu Langzhong catches up with old friends, attendants visit the hot spring palace "Handan South Pavilion to see prostitutes", and spring outing accompanies Luo Fu to explore spring. Asking for the moon, an old friend of Jia Chunling, asked him to enjoy the cool air in Anzhou, prajna temple, to meet with the righteous man outside Xue. Pan Mianzhou Nanlang Guanhu Banquet Qingshanchi accompanied his ancestor Jinan satrap Pan Queshan Lake, three poems with Qingxi Yujingtan Banquet and two poems with Zhang Shaofu's Chucheng Ku Gao Zhai left in the water army banquet Wei Sima Louchuan to see the prostitute Chu River Huanglong Ji Nanyan Yang Zhiji Ruling Building. On the second night, Pan Chun, I accompanied Yang Jiangning and other officials to banquet North Lake. On the ninth day, on a snowy night, I climbed the mountains of Qiupu and Qingxi. On the ninth day, I sang a song about partridges in the mountains. In the west, Jane Zheng Mingfu accompanied my uncle and killed him. I visited Huacheng Temple, raised many people and raised Qingfeng Pavilion. I gave a banquet in Taojiatingzi Jinling Phoenix Terrace, bought wine, climbed Meigang to see Jinling, and presented my nephew, a monk, Zhongfu, to accompany my assistant uncle to visit the cave. The sadness left by Confucius traveled through Songmen to the stone mirror to record the poems of thanks. On September 10th, I went to the North Second Hill of Jingting. When I was away, I saw Cui off and stayed here. After going through Qutang Gorge to the highest peak of Wushan Mountain, I searched for Fan Jushi in the north of Lucheng. When I saw Fan buying wine, picking xanthium and making a living, I went to Jiangxia to accompany Uncle Chang and Xue Mingfu to the south pavilion of Xingde Temple, and accompanied Ye, assistant minister of punishments, and Jia Sheren, a Chinese scholar, to visit the cave.
The unique artistic personality of Li Bai's poems in the prosperous Tang Dynasty can be appreciated from four aspects: bold, bold, brave and heroic. 1. The bold artistic personality of Li Bai's poems. In Li Bai's poems, his "drinking" can best reflect Li Bai's uninhibited personality. Look at the first sentence of this poem: "Look, how the water of the Yellow River flows down from the sky and into the ocean, never to return!" " This poem is about the unstoppable water potential of the Yellow River, which suddenly pours like a rainstorm and flows into the East China Sea. Here, Li Bai expresses the poet's lofty sentiments through the majestic scenery of the Yellow River. His unrestrained emotion is: "A real person, living in this complex society, should work hard and write hard in this world like the rushing water of the Yellow River." Du fu, I ... Du Fu
Life: Du is the grandson of the famous poet Du, and was born in a family with literary tradition. He studied poetry at the age of 7 and became famous at the age of 15. He was frustrated all his life and only worked as a small official such as Zuo Shiyi. Although later generations called it a "poet" and poetry a "history of poetry", it didn't get people's attention at that time in the Tang Dynasty. There is a poem "The Play is Six quatrains (Part II)" written by "Four outstanding figures in the early Tang Dynasty": "Wang Yang and Luo Lu are contemporary, but frivolous; Second, Cao's name is destroyed, and the rivers will last forever. " Among them, there are many poets' self-comparisons. Du Fu's experience and poetry creation can be mainly divided into four periods:
First, the roaming period of reading (before the age of 35)
The so-called "dissolute Zhao Qi, Qiu Ma is quite sober and crazy".
In the 19th year of Kaiyuan (at the age of 20), he began to roam in wuyue, returned to Luoyang five years later, and then Du Fu roamed Qi and Zhao. Later, I met Li Bai in Luoyang, and the two met and hated each other late, forming a profound friendship. Then I met Gao Shi, and the three of them traveled with Liang and Song (now Kaifeng and Shangqiu). Later, Du Li went to qi zhou. After breaking up, they met on East Road respectively. This is the last time that "Shi Xian" and "Shi Sheng" met.
Second, trapped in Chang' an period (35 to 44 years old)
During this period, Du Fu took the exam in Chang 'an for the first time and came last. Li, the prime minister of the Tang Dynasty, even told Xuanzong of the Tang Dynasty that no one in the ruling and opposition parties was successful. Later, he presented gifts to the emperor and presented them to the nobles. He lived a life of "grabbing the rich door in the morning, catching the fat horse dust at dusk, throwing a cup and baking it cold, hiding sadness everywhere". Finally, I got a small official who led Cao Youwei to join the army (mainly guarding the soldiers' weapons and the keys to the treasury). During this period, he wrote poems such as "Car Shop" and "Two Ways", criticizing current politics and satirizing dignitaries. The book "Singing 500 Words from Beijing to Fengxian" is particularly famous, which indicates that his understanding of the political and social reality of the imperial court has reached a new height after ten years of hard life in Chang 'an.
Third, the period of being trapped as a thief (45 to 48 years old)
When the Anshi Rebellion broke out and Tongguan fell, Du Fu settled in Zhangzhou and went to Suzong alone. He was captured by the Anshi Rebellion and taken to Chang 'an. In the face of chaos in Chang 'an, he heard the news that the loyalist troops were repeatedly defeated, and wrote poems such as Moonlit Night, Spring Hope and Crossing the River Head. Later, he fled to Fengxiang to cheat and made a collection. Because of his advice, Shangshu was demoted to prime minister of joining the army. (Fang Shu is a typical intellectual, but unrealistic. He fought against the rebels and adopted the Spring and Autumn Array, which resulted in a crushing defeat. Du Fu began to tidy up Zuo's remains. He said Fang was innocent. He was angry and wanted to find fault. Later, he recorded his experiences in the form of poems and became his immortal works, namely "Three Officials" and "Three Farewells".
"Three officials": Shi Haoguan, Xin 'an official and Tongguan official; "Three Farewells": Wedding Farewells, Homelessness, Farewell to the Old and Welcome to the New.
Four, the southwest wandering period (48 to 58 years old)
With the collapse of Xiangzhou loyalist and the famine of Guanfu, Du Fu abandoned his official and fled with his family, passing through Qin Zhou and Tonggu, and lived a relatively stable life in Chengdu. When he entered the DPRK, the warlord in the middle of Shu rebelled and he went to Zizhou and Langzhou. After Yanwu filmed "Our Times" as a blog in Chengdu, Du Fu went to Yan and died. He drifted again, lived in Kuizhou for two years, drifted to Hubei and Hunan, and died on the Xiangjiang River. During this period, his works include Delighting in Rain on a Spring Night, Autumn Wind Broke the Straw Shed, Shuxiang, Yellow River Banks Recovered by the Imperial Army, Gordon, Moon Landing Building and many other famous works. One of the most famous poems is: "An De Wan Lou, all the poor people in the world are happy." And the "leaves fall like waterfalls, and I think the long river always rolls forward" in "To the Top" is a swan song.
Influence on future generations
Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of Han Yuefu's poetic style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis and refining words and sentences, which made this genre reach a fully mature stage.
Masterpiece: Du Fu had a rough life. He was a great realistic poet in the Tang Dynasty and a world cultural celebrity. He and Li Bai are also called "Du Li". Du Fu was the foreign minister of Zuo Shiyi and the proofreading department, so he was later called Du Gongbu. Good at ancient style and rhythmic poetry, with diverse styles. He accurately summed up his work style with the words "depressed and frustrated", mainly focusing on depression. Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty, and his poems were mostly about social unrest, political darkness and people's sufferings. His poems reflected the social contradictions and people's sufferings at that time, so he was honored as a "poet saint" in the history of poetry by later generations. Du Fu is concerned about the country and the people, with noble personality and exquisite poetic skills. Du Fu wrote more than 1400 poems in his life, many of which are famous works that have been handed down through the ages, such as Three Officials, Three Farewells and Du Gongbu Collection. Among them, the "three officials" are Shi Haoguan, Xin 'an official and Tongguan official, and the "three farewell" are newly married, homeless and resigned. Du Fu's poems were the most widely circulated in the Tang Dynasty, and he was one of the most outstanding poets in the Tang Dynasty, which had a far-reaching influence on later generations.