"Kunxi Style" refers to the school of poetry that took Li Shangyin as the research object in Song Zhenzong period. The style named after Kunxi Appreciation Collection, represented by Yang Yi and He Qian, paid special attention to imitating Li Shangyin's poetic style, which was gorgeous and elegant and was once all the rage.
These schools of poetry pay too much attention to the imitation of the style of Tang poetry and fail to grasp its essence. Therefore, it is not a climate, and Ouyang Xiu is a poet who influenced the formation of Song poetry style.
Ouyang Xiu was the first great man in the Northern Song Dynasty who made great achievements in poetry, ci, literature and literary thought. Ouyang Xiu's poetry is deeply influenced by Li Bai and Han Yu, and has obvious characteristics of prose, which integrates discussion, narration and lyricism.
Ouyang Xiu's poems reflect the reality, but they are more about expressing personal life feelings and experiences, especially those he wrote during his relegation.
Ouyang Xiu's poems are mostly written in the form of essays and discussions, such as "The snow outside the door disappears, Qian Shan is green, and February flowers are sunny by the river" in his Cao Yun. Loneliness is full of vitality, so free and easy feelings, and Li Bai has a continuous love.
Most of Ouyang Xiu's poems are straightforward and easy to understand, forming a natural and fluent style.
Ouyang Xiu likes to make comments in poems, and combines them with lyricism and notes, which expands the content of poems, such as the poem "A Play Answers to Yuan Zhen", which is vivid and intriguing.
Ouyang Xiu's Works of Qu and Wang and Harmony with Qu are diverse in structure and profound in discussion. They inherited Han Yu's tradition of writing as poetry, which showed a new scene and created a new tone for the Song Dynasty.
Mei, Wang Anshi and others, with Ouyang Xiu as the main leader, opened up a new road for the development of Song poetry.
Mei is a diligent poet, and he pursues a plain style. In his own words, "Poetry has no ancient or modern, plain and difficult." . From his poems "A Journey to Lushan Mountain" and "Things", we can see the characteristics of his plain poetry. His poems, such as Tian and Like a Poor Girl, are similar in style to Du Fu's Three Officials and Three Farewells.
Su Shunqin and Mei Yao Chen are mentioned together and called "Mei Su". Su Shunqin has a "strange appearance" and a strong personality, and his life is very difficult. In his later years, he built his own Canglang Pavilion to relax himself. His poems often seem bold and passionate on the surface, but in fact they contain helplessness that cannot be underestimated. He wrote a poem "To Drink" in his early years, which directly expressed his personal frustration.
Wang Anshi's poems can be roughly divided into two periods. First, when he was an official, he mainly wrote political poems, such as Hebei People and Picking Salt. He also wrote many poems. Among them, Fei Ming Qu is the most famous. In the first song, he swept away the traditional view that poets of past dynasties wrote that Wang Zhaojun missed your kindness and complained without anger.
When Princess Ming first left the Han Palace, her eyes were moist.
There's nothing Wang can do about it.
When you come back, you will complain about Dan Qing's hand. How many times have I seen it in my life?
I couldn't understand the meaning, so I killed Mao Yanshou for nothing.
Go and know it, don't return, pity the Han palace clothes;
……
The poet first outlined the image of Wang Zhaojun, a peerless beauty in ancient and modern times, and wrote her sad and helpless feelings of going to a foreign country alone and missing her hometown. At the same time, the narrative also reveals the poet's feelings of lack of talents.
The most successful poem in Wang Anshi's later period is a lyric poem after the strike, which is called "Wang Ti". These poems are novel and unique, refined in wording and sentences, appropriate and natural, and poetic and meaningful, such as the sentence "Spring Breeze and Green Jiang Nanan" in "Boating in Guazhou", which is well-known.
Ouyang Xiu and others laid the overall style of Song poetry, which made Song poetry form its own style, while Su Shi pushed Song poetry to the peak with his brilliant poems.
Su Shi's poems are rich in content and diverse in themes, which typically and comprehensively show the achievements of Song poetry creation. Su Shi's political poems express the poet's attitude and views on major political and social issues, such as the poem "Litchi Pond", which fully shows the poet's distinctive political attitude and the spirit of struggle without fear of power and violence.
Su Shi's lyric poems mainly reflect the poet's unfortunate experience of hard work and repeated persecution and unyielding mental outlook, such as "You Jinshan Temple", which describes the magnificent scene and expresses his seclusion.
Su Shi also wrote a lot of landscape poems. He embraced nature with the passion of the son of nature, and observed and described nature with the unique sensitivity and inspiration of artists. He integrated his interests and thoughts into his landscape poems.
The poem "It rains after drinking the clear water on the lake" vividly describes the beauty of the scenery of the West Lake, and the sentence "If you want to compare the West Lake with the West Lake, light makeup is always appropriate" has also become a swan song.
The artistic achievements of Su Shi's poems are extremely high. His poems are full of imagination, curiosity and interest, and the metaphor is novel and ingenious: when describing the scenery, state of things and human feelings, they can be nuanced, with both form and spirit, integrating scenery, emotion, events and reason in one furnace.
"Title Xilin Wall": "Looking horizontally, the ridge side becomes a peak, and the distance is different. I don't know the true face of Lushan Mountain, but toward which corner of the mountain. " The whole story takes the scenery as the background, achieving a high degree of unity of philosophy and image.
Su Shi's mastery of language is superb, and his use of allusions is skillful and skillful. Su Shi's poems exist in ancient and modern times, especially in ancient style and seven-character poems.
Su Shi's poems typically reflect the achievements and advantages of the Song Dynasty. He inherited Ouyang Xiu's experience of taking ancient prose as poetry and discussion as poetry, and Mei's pursuit of plain daily poetry, and created a new method of poetry creation with reason as interest.
The direct narration of current events in Wu Zhong Tian Fu Tan, the direct narration of tourism in You Jin Shan Temple and Fan Ying, and the direct narration and layout of scenery in Hundred Steps Red all use prose. And "A Journey to Mianchi by a River" not only uses the sentence pattern of prose, but also shows the poet's ability to take argument as poetry and reason as poetry.
Su Shi