Two songs without titles
Tang Dynasty: Li Shangyin
The stars were bright last night, but there was a cool breeze at midnight.
Two songs without titles
Tang Dynasty: Li Shangyin
The stars were bright last night, but there was a cool breeze at midnight. Our banquet is on the side of Hualou Temple and the east of the county.
Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same.
Guessing and intrigue, wine warms the heart; This group of people came to the bet of drinking friends, and a win-lose red in candlelight.
Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind. (Turning the canopy into a work: Skybreaking canopy)
I often hear people talk about elvhua, but I always feel that she is in that distant world.
But after attending the feast like Xiaoshi, I didn't expect to peek at the palace flowers.
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The starry sky last night and the spring breeze last night are in the west of the painting building and the east of Guitang.
Although the body flies to a place without Cai Feng's wings, the heart is connected.
How warm it is to send spring wine every other seat, and the wax lamp in every other group is particularly red.
Alas, I was encouraged to go to the official office, and riding a horse to Lantai was like climbing over the eaves.
At that time, I often heard people talk about sepals and green flowers, but I always felt that she was in the distant horizon.
But after attending the feast like Shaw History, I didn't expect to peek at the flowers in the palace.
To annotate ...
Painted architecture: refers to high-rise buildings with colorful colors. A painting gallery. Guitang: Describe the magnificence of the hall.
Linxi: The medulla in the center of rhinoceros horn runs up and down like a white line, which is a metaphor for telepathy and secret communication between two lovers.
The two sentences in "Parting Seats": sending hooks and patting covers are all games between ancient banquets. Sub-Cao: Group.
Oh: interjections. Y: Me. Drum: A drum that changes the clock. In the Tang dynasty, at five o'clock and two o'clock, drums came from inside, and all the streets were shaken, and the gates of squares and cities were all open. When the drums sound at dawn, you must go to work.
Lantai: the palace view of the secretary in Han Dynasty refers to the secretary province where the poet worked. Class: Similar. Turn: Make a "break".
Zhangmen: Zhanghe River, the legendary Tianmen. Sepal green flower: the legendary fairy name.
Arrive: Arrive, arrive. Looking at each other: looking forward to Iraq. Refers to one party, that is, one party does something to the other; Hope, hope, expectation.
Qin Lou Guest: Use the story of Shaw History in The Legend of the Immortal.
Look: a passage.
Distinguish and appreciate
Li Shangyin's love poems are untitled. These are two love poems. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet. The first untitled poem (Last Night's Stars and Last Night's Wind) is even more popular.
This seven-melody, the first couplet, is caused by tonight's scene to recall the happy time at dinner last night. In this starry and breezy spring night, the air is filled with intoxicating fragrance. Everything seems to be the same as the banquet in your backyard last night, but the scene of meeting the right person during the dinner can only be an unforgettable memory. The poet did not directly describe last night's events, but with the help of beautiful stars, painted buildings, Guitang and other external scenery, set off the beautiful environment and atmosphere last night, with gorgeous words and full of sighs, bringing readers into warm and romantic memories. This couplet expresses the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings. The necklace especially recalls the scene of a grand meeting with the right person last night. The poet's loneliness and depression are self-evident. The poet recalled how warm and intoxicating the scene between the banquets last night was, with colorful lights, flowers blooming and laughter! "Warm Spring Wine" and "Candle Lamp Red" not only vividly depict the warm and harmonious joyful atmosphere between banquets, but also remind readers of women's blushing cheeks under candlelight. It is self-evident that each other's feelings will be self-evident, and it is also true that wine does not make people drunk. William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.
The first four-line poem is really an excellent love poem, and the second one supplements its content. The second untitled poem (Smelling Sepals and Green Flowers in Luomen) roughly means: At that time, people often heard that a woman named Sepals and Green Flowers in Luomen was beautiful, but she always felt so far away from the horizon. I didn't expect to have the urge to peep after attending a grand banquet like Shaw History last night. The poet is talking about the flowers in the garden of Wu Palace, of course, not the flowers in the garden, but the beautiful women as beautiful as flowers and pure as jade. Qin Lou Binglesbo used Shaw History's allusions to declare that he was a loving husband. Poetry is expressive and erotic, but it mainly shows the love between men and women.
This group of poems has high artistic value, especially the first poem with seven rhythms, which has deep feelings, concise sentences and colorful colors. The poet combines the feelings of life experience with eroticism, and contrasts the feelings of hardship and frustration with the gorgeous lyrics to create a colorful and elegant artistic realm. The intricate jumping of images in the poem makes its theme ambiguous and ambiguous. The depth and breadth of the poet's exploration of the spiritual world are indeed far ahead of his predecessors, and his position in literature largely depends on the great and lasting influence of such untitled poems.