Goose song
Luo [Tang Dynasty]
White swan, white swan, bend your neck and breathe fire into the sky.
White feathers, floating in green water; The red soles of the feet stir the clear water.
translate
"Goose, goose, goose!" Facing the blue sky, a flock of geese are singing with their necks bent.
The white body floats on the green water, and the red soles stir the clear water waves.
To annotate ...
Quxiang: crookneck.
Song: Long sound.
Dial: strokes.
Distinguish and appreciate
Ode to Goose is said to be a poem written by Luo when he was seven years old, and it is a poem describing the object. This poem, which has been passed down through the ages, has no profound ideological connotation and philosophy, but only describes things (geese) in fresh and cheerful language. Write naturally, vividly and vividly.
The beginning of Goose, Goose, Goose not only simulates the sound of geese, but also shows a leap in thinking and integration. The little poet used the word "goose" to tell the cheerful cry of the goose from far to near, which made people gradually see its "curve" shape and "Xiang Tiange" proud expression, and then wrote the colorful scene when the goose was playing in the water. Show the subtle observation of the little poet.
Through simple sketching and sketching, the vivid image of the goose is highlighted. "Go to Xiang Tiange. White hair floating green water, red palm clear waves. " Lovely dynamic images.
2. Ancient poems of infants and young children are 0-3 years old.
Two Poems of Min Nong (Part Two)
Li Shen [Tang Dynasty]
At noon in summer, the sun is very hot, farmers are still working, and beads are dripping into the soil.
Who would have thought that our bowl of rice and grain are full of the blood and sweat of farmers?
translate
At noon in midsummer, when the sun was shining, farmers were still working and sweat dripped into the soil.
Who would have thought that every grain of rice in our bowl was bought by farmers' hard work?
To annotate ...
Grass: a general term for cereal plants.
Rice: a "rice". A generic term for cooked food.
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The first poem describes the scene of working in farmers' fields at noon in the scorching sun, which generally shows the hard work life of farmers all year round. Finally, with the motto "Who knows that every meal is hard", the poet expressed his sincere sympathy for the farmers.
From the beginning, it depicts that farmers are still working in the fields under the scorching sun at noon, and sweat is dripping on the scorching land. This makes up for the change from "a millet" to "ten thousand kinds" and then to "the four seas have no idle fields", which was watered by thousands of farmers in Qian Qian, Qian Qian with blood and sweat; This also captures the most typical image of the following "every grain is hard", which can be described as one tenth. Generally, it shows the hard life of farmers who don't avoid cold, summer, rain, snow, wind and frost all year round.
"Who knows that every grain of Chinese food is hard" is not an empty sermon, nor is it a moaning without illness; It is similar to a profound motto, but it not only wins by its persuasiveness, but also reflects the poet's infinite resentment and sincere sympathy in this deep sigh.
When the poet expounds the above contents, he is not vague and abstract, but exposes the problems and explains the reasons with vivid images and profound contrast, which makes people easy to accept and understand.
In the first two sentences, the author didn't say how hard it is for farmers to farm and how hard it is for crops to grow. He just made a vivid rendering of the plot of farmers sweating in the hot sun, which made people make this hard and hard taste more concrete, profound and real. Therefore, the poet finally said in a rhetorical tone that "everyone knows that every meal is hard" is very convincing. In particular, comparing the grain to a drop of sweat is really subtle and vivid.
3.0-3 years old children's ancient poems
Cross the border
Wang Changling [Tang Dynasty]
It is still the moon and border pass in Qin and Han dynasties, and the enemy has fought a protracted war.
If Wei Qing, who attacked Longcheng, and Li Guang, the flying general, were alive today, the Huns would not be allowed to go south to spend their horses in Yinshan.
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This is a famous frontier fortress poem, which expresses the poet's desire to be a good general, calm the frontier fortress war as soon as possible and let the people live a stable life.
The poet begins with a description of the scenery, and the first sentence outlines a desolate scene of Leng Yue looking at the border. "The Moon of Qin Dynasty was broken in Han Dynasty" cannot be understood as the Moon of Qin Dynasty was broken in Han Dynasty. Here, Qin, Han, Guan and Yue are used alternately, which is called intertextuality in rhetoric, meaning bright moon in Qin and Han dynasties and Guan in Qin and Han dynasties. The poet hinted that the war here has never stopped since Qin and Han dynasties, highlighting the long time. The second sentence "The Long March has not yet returned" and "Wan Li" mean that the frontier fortress and the mainland are far from Wan Li. Although it is empty, it highlights the vastness of space. The Return of Man reminds people of the disaster brought by the war and expresses the poet's grief and indignation.
How can we get rid of people's difficulties? The poet pinned his hopes on a brilliant general. "But make Longcheng fly, and don't teach Huma to cross the Yinshan Mountain." If Wei Qing, who attacked Liuzhou, and Li Guang, the flying general, were still alive, they would never let the Hu people cavalry cross the Yinshan Mountain. "Dragon City" refers to Wei Qing, a famous soldier who surprised the Xiongnu holy land, and "Flying General" refers to the famous flying general Li Guang. "Flying Generals in Dragon City" is not just a person, but actually refers to Li Jue, who was also a famous anti-Hungarian body double in Han Dynasty. "Don't teach" is not allowed, and the word "teach" is pronounced flat; "Huma" here refers to the cavalry invaded by foreign countries. "crossing Yinshan", crossing Yinshan. Yinshan Mountain is a big mountain range in the east-west direction in the north, and it is the natural barrier of the northern border defense in Han Dynasty. The last two sentences are written implicitly and skillfully, which makes people draw the necessary conclusions by comparing the past.
Although this poem has only four short lines, its content is complicated through the description of frontier fortress scenery and conscription psychology. Have strong sympathy for the soldiers who have been defending for a long time, and have the desire to end this border defense regardless of the situation; At the same time, it also showed dissatisfaction with the court's failure to select and appoint talents, and at the same time paid attention to the overall situation and realized the justice of the war. Therefore, his personal interests are subordinate to the needs of national security, and he issued an oath of "not teaching Huma to turn over the shady mountain", which is full of patriotic passion.
The poet did not describe the frontier fortress scenery in detail, but chose a typical picture of garrison life to reveal the inner world of foot soldiers. Scenery description is only a means to describe the thoughts and feelings of the characters. Han Yuefu and DuDu are integrated into the scenery and saturated with the emotional color of the characters. The complex content is thrown into the four-line poem, which is profound, implicit and intriguing.
4. Ancient poems of infants and young children are 0-3 years old.
Quatrain
Du Fu [Tang Dynasty]
"Two orioles sing green willows, and egrets cover the sky."
My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.
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This poem "Jueju" was written when the poet lived in Huanhuaxi Caotang, Chengdu, and described the beautiful spring scenery around the Caotang.
Poetry cuts in with vibrant natural beauty, creating a fresh and relaxed atmosphere. In the first two sentences, the poet described this beautiful scene in an implicit way from different angles. Cui is new green, which is the color when everything recovers and germinates in early spring. "Two" and "one" are relative; Horizontal and vertical, it opens a very beautiful natural landscape. In this poem, the word "Ming" is the most vivid, and the oriole is described more vividly by anthropomorphic methods, and a hundred birds are paired, which constitutes a picture full of vitality and festive atmosphere. The oriole sings on the willow, which is the vitality of moistening things quietly. The next sentence is about the anger of nature, which is more obvious. Egrets flying in this fresh sky is not only a comfort of freedom, but also an upward struggle. Furthermore, the first sentence says that the oriole sings on the willow, and the next sentence says that the egrets fly to the sky, which broadens the space a lot. From bottom to top, from near to far, the poet's tangible vitality fills the whole environment and shows the prosperity of early spring from another angle.
The third sentence is written in the window of Xishan overlooking the snow ridge. The snow on the ridge doesn't melt all the year round, so "Thousand Autumn Snow" is piled up. The word "containing" means that the scene seems to be a picture embedded in a window frame.
The last sentence describes Du Fu's complicated mood at that time. When the ship came from "Wu Dong", this sentence means that the war has been decided, the traffic has resumed, and the poet misses his hometown when he sees things. The use of the word "berth" has its profound meaning. Du Fu has been wandering for many years without landing. Although there is still a little hope in his heart, that hope has been greatly reduced. The word "Bo" just describes the poet's complex mood between hope and disappointment. While "Wan Li" implies the difficulty of achieving the goal, which is juxtaposed with "Qian Qiu" in the third sentence and describes the difficulty of achieving the goal in time and space. Sun Quan of the Three Kingdoms has been praised by many scholars as the wise master since ancient times. The author refers to Sun Quan as the representative of Dongwu, alluding to Du Fu's hope for the emperor of the dynasty. The combination of "Bo", "Wan Li" and "Dongwu Ship" is precisely to write the word "Nan".
The whole poem seems to be four independent scenes, but the poet's inner feelings make its content consistent, and the fresh and elegant scenery entrusts the poet's inner complex emotions and forms a unified artistic conception. At first, he showed the spring scenery of the thatched cottage, and the poet's mood was Tao Ran. However, with the wandering of sight and the change of scenery, the appearance of river boats touched his homesickness. On the surface, it is a vibrant picture, but in the cheerful and bright scene, it entrusts the poet with the loss of time, loneliness and boredom, and also writes the poet's complex mood when there is a glimmer of hope. Beyond that kind of hope, it is more the poet's sadness about disappointment.
5. Ancient poems of infants and young children are 0-3 years old.
Wangdongting
Dynasty: Tang Dynasty | Author: Liu Yuxi
The lake and the moon set each other off, and there is no wind mirror on the pool surface.
Looking at Dongting from a distance, there is a green snail in the silver plate.
Introduction to ancient poetry
Wang Dongting is a seven-character quatrain written by Liu Yuxi, a poet in the Tang Dynasty. Wang Dongting is contained in 365 volumes of All Tang Poems. This poem fully shows the poet's whimsy through the description of Dongting Lake. Expressed the poet's love and praise for Dongting Lake.
Appreciation/appreciation
This poem describes the beautiful scenery of Dongting Lake under the autumn moon. Microwave is quiet, calm, beautiful and particularly pleasant. The poet let go of his imagination, vividly described the hazy beauty of Dongting Lake in a fresh style, and sketched out a beautiful landscape of Dongting Lake. It shows the poet's love for nature, and also shows the poet's magnificent bearing and lofty and unique feelings.
The poem focuses on the word "Wang", "water and moon blend" and "the lake is as level as a mirror", which you see at close range; "Dongting Landscape" and "Like a Green Snail" are both from afar. Although they are all written in hope, the difference is obvious. The close-up is wonderful and unique; The vision is fascinating and wonderful. The pool surface is like a mirror, the lake surface is like a plate, and Junshan is like a snail. The silver plate and the green snail set each other off, and the bright moon and the lake light set each other off, making the scenery more harmonious and complement each other. Junshan, described by the poet, is like a beautiful jade inlaid on Dongting Lake in the mirror. Its words are also very precise.
The first sentence describes the clear lake and the green light of the plain moon, just like the meeting in Qiongtian, which is an ethereal, ethereal, quiet and harmonious realm. It shows a harmonious picture of Tianshui and jade characters without dust. The word "harmony" has been refined, showing a harmonious picture of water and sky, jade and dust-free, and it seems to convey to readers the rhythm of a water town night-the rhythm of moonlight and lake water.
The second sentence describes that there is no wind on the lake, and the lake covered with mist is like an unpolished bronze mirror. The word "the mirror is not polished" vividly and aptly shows the calm, peaceful and gentle scene of a thousand miles of Dongting, which has a hazy beauty in the moonlight. Because only "there is no wind on the pool surface", the water waves are calm, and the lake and the moon can be coordinated. Otherwise, the lake is noisy and the waves are empty, and the lake light and autumn moon are not interesting, so there will be no "two-phase harmony".
The third and fourth sentences focus the poet's attention on Junshan from the overall picture of the vast lake and moonlight. In Yin Hui under the bright moon, Dongting Mountain is greener, Dongting water is clearer and the mountains and rivers are integrated. It looks like a small green snail in a carved silver plate, which is very attractive. The autumn moon Dongting described by the poet has become a fine treasure of arts and crafts, giving people great artistic enjoyment. "Green snail in a silver plate" is really an incredible punch line. The advantage of this sentence is not only reflected in the accurate warning of metaphor, but also in the poet's magnanimity and lofty feelings. In the poet's eyes, a thousand miles of Dongting is just a mirror and a cup and plate on the case. It is very rare to lift weights lightly, the pool is natural and unpretentious. It is a reflection of the poet's character, sentiment and aesthetic taste to express the relationship between man and nature so cordially and to describe the lakes, mountains and mountains so broadly and clearly. Boldness without thought, full of romance.
Encyclopedia of Ancient Poems for Infants Aged 6.0-3
Chang'e
Li Shangyin [Tang Dynasty]
The mica screen was dyed red by thick candles, and the Milky Way gradually tilted towards the morning star.
Chang 'e, I must regret eating the elixir, and now I am alone, in the blue sky, singing every night.
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This poem sings the lonely scene of Chang 'e in the middle of the moon and expresses the poet's self-injury mood. The first two sentences describe the indoor and outdoor environment respectively, render the empty and cold atmosphere, and show the thoughtful mood of the protagonist; The last two sentences are the feelings of the protagonist after a night of painful memories, expressing a sense of loneliness. The whole poem is sentimental, rich in meaning, fantastic and touching.
"The shadow of the mica screen is deep, the long river is gradually falling, and the stars are sinking." These two sentences describe the hero's environment and sleepless nights. Indoor, the candlelight is getting darker and darker, and a deep shadow hangs over the mica screen, showing the emptiness and cold of the room more and more, revealing the gloomy mood of the protagonist sitting alone in the long night. Outside, the Milky Way is gradually moving westward, and the Cowherd and the Weaver Girl face each other across the river. The sleepless eyes in the lonely room watched the school of the Milky Way disappear. The sparse morning stars dotted with the empty sky will also disappear. The word "Shen" vividly depicts the dynamics of the morning star, and the hero's heart seems to be sinking gradually. "Candle shadows are deep", "Long river sets the yen" and "dawn stars sink" indicate that the time has reached dawn. Wear the word "gradually" to indicate the passage of time. The protagonist in Loneliness spent another sleepless night facing the cold screen and the lonely moon in the blue sky. Although there is no direct description of the protagonist's psychology here, with the help of the rendering of the environmental atmosphere, the protagonist's loneliness and unbearable loneliness can almost be touched.
In the long quiet night, when you see the bright moon, you will naturally think of the legendary moon fairy Chang 'e. It is said that she used to be the wife of Hou Yi, because she ate the elixir given by the Queen Mother of the West and flew to the Moon Palace to become a fairy. "Who is the neighbor of Chang 'e? "In the eyes of a lonely hero, does Chang 'e, who lives alone in the Guanghan Palace and has no companion, have a similar situation and mood with himself? Therefore, I can't help thinking from the bottom of my heart: Chang 'e must regret stealing the elixir of life, so that she lives in the moon palace every year and night, facing the blue sea and blue sky, it is difficult to get rid of loneliness and cold. " Should regret "is a speculative word, which shows a feeling of being in the same boat and having a heart." Because of the description and rendering of the first two sentences, the word "should" seems natural and reasonable. Therefore, the last two sentences are not so much affectionate and considerate to Chang 'e's situation and mood as the lonely monologue of the protagonist.
Who is this lonely, lonely and sleepless hero? There is no clear explanation in the poem. The poet once compared the female crown to "lonely in the moon" in the poem "Sending Palace Officials to Taoist Temple", and also used "stealing medicine" as a metaphor for women to learn Taoism and seek immortality in the poem "Sending Song Huayang sisters back on a moonlit night". Therefore, it may not be nonsense to say that this poem is an expression of sadness and loneliness on behalf of the female crown trapped in the palace. Taoism prevailed in the Tang dynasty, and women's entry into Taoism became the trend. After entering the Tao, they experienced the bondage of religious purity to normal love life, resulting in mental depression. Three or four sentences are a true portrayal of their situation and mood.
However, the loneliness expressed in the poem and the emotion of "regretting stealing the elixir" caused by it are integrated into the poet's unique real life feelings and contain richer and deeper meanings. Surrounded by the dark and dirty reality, the poet tries to get rid of the secular world and pursue the lofty spiritual realm, which often makes him more lonely. The twin brothers of sublimity and loneliness, and the subtle and complicated psychology of self-worship and self-harm, unwillingness to change one's mind and obedience, unbearable loneliness, etc., are successfully expressed here by the poet in subtle and meaningful language. This is a kind of beauty with strong sadness, which is easy to cause a wide range of * * * songs among lofty scholars in the old days. The typical meaning of poetry is also here.
Ancient poems of infants aged 7.0-3
The first day of the lunar month
Wang Anshi [Song Dynasty]
The roar of firecrackers, the old year has passed; The warm spring breeze ushered in the New Year, and people happily drank the newly brewed Tu Su wine.
The rising sun sheds light on doors of each household, New peachwood charm is put up to replace the old.
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This poem describes the moving scene of excitement, joy and Vientiane renewal on New Year's Day, and expresses the author's thoughts and feelings of reforming politics.
The first sentence, "One year old in firecrackers", sent away the old year and ushered in the new year in firecrackers. Sentences are closely related to the topic, rendering the lively and joyful atmosphere of the Spring Festival. The second sentence, "Spring Breeze Warms Tu Su", describes people drinking Tu Su wine in the warm spring breeze.
The third sentence, "Every family is dying", is written that the glory of the rising sun shines on every family. Using "absolutely" to express the splendid scene at sunrise symbolizes the infinite bright future. In the conclusion, the phrase "Always exchange old symbols for new peaches" not only describes the folk custom at that time, but also contains the meaning of exchanging new cloth for old cloth. "Fu Tao" is a kind of red wooden board painted with gods, which is hung on the door to ward off evil spirits. Every new year's day, take off the old peach symbol and put on a new one. "New peaches for old symbols" closely echoes the first sentence of firecrackers to send the old year, vividly showing the scene of Vientiane renewal.
Wang Anshi is not only a politician, but also a poet. Many of his poems about scenery and things contain strong political content. Through the description of New Year's Day and the new atmosphere of New Year's Day, this poem expresses its ambition, optimism and self-confidence of ruling reform, eliminating the old and enriching the people.
Ancient poetry of children aged 8.0-3
Chinese plum
Wang Anshi [Song Dynasty]
There are some plums in the corner, and cold ling opens them alone.
I knew from a distance that it wasn't snow, because there was a smell coming.
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The first two sentences of this poem are written that plum blossoms in the corner are not afraid of the cold and are proudly independent; The last two sentences describe the delicate fragrance of plum blossom, personifying it, and making Ling Cold blossom alone. Metaphor is noble and fragrant, symbolizing its brilliance. It is also a metaphor for those who, like poets, can still uphold integrity and advocate justice with the strength and noble character of plum blossoms in a difficult environment. The language of the whole poem is simple, but it is plain and restrained, but it is also profound and intriguing.
"A few plums in a corner, cold ling alone." In the corner, plum blossoms are not afraid of the cold, but proudly independent. "There are a few plums in the corner" and "corner" are inconspicuous, not easy to be known and not appreciated, but they don't care. The "corner" environment highlights the humble and lonely forms of several plums. It embodies the poet's attitude of sticking to his own opinions despite the harsh environment. "Cold ling spends alone", here the plum blossom is written without her gesture, only her "opening alone", highlighting that plum blossom is not afraid of cold and does not follow the crowd. Although it is in a lonely place, it still blooms in the cold, writing about the quality of plum blossoms and writing about personality. "Loneliness" has a strong meaning, is not afraid of others' eyes, and remains firm in harsh environment. Reflect the poet's belief in self-persistence.
"Far knowledge is not snow", and "far knowledge" refers to the fragrance floating from a distance, which is faint and not obvious. The poet has a keen sense of smell, unique vision and is good at discovering. "Not snow", not plum blossoms, but the whiteness of plum blossoms. It means it looks pure and white from a distance, but you know it's not snow, it's plum blossoms. Poetic twists and turns are implicit and intriguing. A faint fragrance, a delicate fragrance. "Because there is a faint scent", "faint scent" refers to the scent of plum blossoms, which personifies people, and cold ling is alone and noble in character; The faint fragrance is inspiring and symbolizes its brilliance.
Standing in a secluded or even barren corner, breaking through the cold and quietly opening up, sending rich fragrance to the world from a distance, this is a peerless plum and a peerless person.
Ancient poetry of children aged 9.0-3
Summer quatrains
Dynasty: Song Dynasty | Author: Li Qingzhao
Live like a hero and die like a ghost.
Today, people still miss Xiang Yu because he refused to live and returned to the East.
Appreciation/appreciation
This poem is correct and dignified, penetrating people's hearts and pointing to people's backs.
"Life is a hero, and death is a ghost." The first two sentences of the poem are in the air, like a close call, showing the heroic spirit of life and death to the readers, which makes people respect. These two poems are a kind of concise essence, a kind of verve bearing and a fearless attitude towards life. Because of its lofty realm and extraordinary momentum, it has become a famous sentence that has been passed down through the ages.
The last two sentences of the poem, "I miss Xiang Yu so far and refuse to cross Jiangdong", point out the reason. Xiang Yu's most heroic act was because he was "ashamed to see his elders in Jiangdong" and gave up the spirit of temporarily avoiding the revival of Jiangdong and committed suicide. In the view of the author Li Qingzhao, the extraordinary heroism shown by this failure was particularly valuable when Song Ting crossed the river. The poet praised the spirit of "refusing to cross the Yangtze River" because of his deep feelings about current affairs and expressed his patriotic enthusiasm with historical facts. The word "up to now" skillfully links the past and the present, history and reality in time and space, and reveals the profound intention of satirizing the present by recalling the past.
This poem clearly puts forward the value orientation of life: people should be heroes in life and contribute to the country; Even if you die, you have to die for your country and become a hero in ghosts. Patriotic passion, beyond words, was really inspiring. The rulers of the southern song dynasty ignored the lives of the people and only cared about their own escape; Abandon the rivers and mountains of the Central Plains and drag out an ignoble existence. Therefore, the poet remembered Xiang Yu and used Xiang Yu's feat to lash out at the shameless behavior of the rulers in the Southern Song Dynasty.
10.0-3 years old children's complete poems
wind
Li Qiao [Tang Dynasty]
It can blow off the golden leaves in autumn and bloom beautiful flowers in spring.
Scraping the river surface can set off several huge waves in thousands of feet, and blowing bamboo can make tens of thousands of poles tilt.
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Three autumn leaves can bloom in February, crossing the thousands of feet waves and entering the bamboo pole. This is a poem describing the wind, which is a dynamic interpretation and understanding of the wind.
Wind is invisible, and air flows to form wind. But it is tangible. A breeze blew, the grass smiled and nodded to people, the flowers swayed with the wind, the kitchen smoke danced with the rhythm of the wind, and the slender willow branches gently brushed the faces of tourists under the tree.
The wind also has its own thoughts and feelings. It often rains in Mao Mao when it is happy. Spring has come, and the wind has passed the Qian Shan show. The spring breeze in February is like scissors, blowing like a flying skirt. Spring breeze awakens hibernating catkins, swallows fly, the valley is green, and the youth of grass is awakened by spring breeze.
When it is angry, it rolls up dust all over the sky when crossing the river. Su Shi's "Red Cliff Nostalgia" proves this point: rocks run through the air, crashing on the shore and rolling up thousands of piles of snow. It triggered a tsunami, uprooted towering trees, smashed cars into ditches with the palm of your hand, waved pieces of trees with your sleeves, laughed wildly, looked at people who were helpless about it with contempt, and regarded themselves as chariots, while everything in the world was like a gladiator's arm.
When it is sad, it will make a purring sound, as if it is telling the sadness and injustice in its heart, and it seems that a child is crying and has to be moved by it.
The wind is amazing, ever-changing, weak and strong. Sensitive wind, sentimental wind, sad wind and all kinds of winds, you are a friend of mankind and bring endless disasters to mankind. Wind, you make people have to love and fear.