The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
It can be seen that it is one, two, four, six and eight rhymes. The whole poem is very harmonious and the antithesis is extremely neat. As for the landlord's "worry" and "cup" don't rhyme. There are several reasons for this:
First of all, we should consider the rhyme chosen by the poet. In terms of water rhyme, from all the rhymes, we can find that: the ash belongs to the top and the ash belongs to the bottom; Sweet rhyme remains unchanged; China coal, thunder, depression, Cui urging to destroy piles, accompanying cups, pushing, pushing [supporting rhyme]; Wearing a helmet, Pei simmered roses and fennel and chased the empty mast.
So we conclude that "reaching the top" is based on a flat rhyme (ten colors on the top).
In addition, there are other rhyming words, such as Lin and Chinese rhyme. This landlord can learn more about it.
Secondly, from the perspective of ancient Chinese, the pronunciation of ancient Chinese characters has changed from that of modern Chinese characters, which leads to the difference in pronunciation, which is different from ancient rhyming contrast, but not modern. Actually, you can read it like this at that time.
Therefore, it is not an exaggeration to ascend to the top of metrical poems. Du Fu paid great attention to rhythm, and his achievements in metrical poetry were extremely high.
He not only expanded the subject range of metrical poems, but also made progress from writing current affairs in ancient prose to writing current affairs in metrical poems, which was more difficult than writing current affairs in ancient prose, while Du Fu used it freely, such as "The Imperial Army Recovered the Banks of the Yellow River" and "Shu Xiang", and also expressed a wide range of contents in the form of five or seven metrical poems, greatly expanding the expressive force of metrical poems. Example: Eight poems with seven rhythms in autumn are intertwined with reminiscing about the past, feeling ups and downs, feeling sad and lonely, lamenting current events, and the eight poems are in-depth layer by layer.
Then, in terms of poetic context and artistic skills, Du Fu's poems are harmonious and not bound by temperament, such as "The Yellow River was recaptured by the imperial army" and "Ascending the Mountain". Du Fu made a long-term exploration of the Seven Laws in his later years. His clumsy style is a modification of the law of poetry and enhances the expressive force of poetry. While refining words and phrases, it keeps the charm of rhythmic poetry.
On the whole, Du Fu's artistic achievements in poetry are worthy of recognition. Ascending to the top is called the first rule of poetry, which has its own value.