At the beginning of the poem, a clever metaphor is used to describe the girl's shyness. "Tenderness of Bowing the Head" and "Shyness of Water Lotus that can't be broken by cool breeze" are two juxtaposed images, which overlap just right. Who are you? Flowers? Or are flowers people and people flowers? We can't tell the difference, but we feel a hazy beauty, like inhaling the fragrance of daffodils. Next, there is the triple mutual treasure of Yangguan, which is too thick to melt. "Sweet sorrow" is the crowning touch of the whole poem, and the use of contradictory rhetoric not only widens the tension between emotions, but also enriches them. "shian Nora" is by far the most beautiful translation of the word "goodbye" in Japanese. This is not only Yang Liuyi's farewell, but also a call for the girl's gentle name. There are many kinds of customs, which goes without saying!
This poem is simple and beautiful; Perhaps its beauty lies in its simplicity. The poet just built an aesthetic stage with Liao Liao's figures, which touched the common drama of life and made people taste eternal human feelings! Even among modern poets, this skill of mastering poetry and writing is rare. The attitude behind the poem is undoubtedly: since time flies, we must treat every inch of life with an aesthetic attitude!