If we want to suppress it, it is also called first promotion and then suppression, that is, the literary potential is first promoted and then suppressed, or the literary meaning is first promoted and then suppressed, flying down from a height like a waterfall.
For example, Li Shangyin's Jia Sheng, "Xuan Shi Qiu Xian visited the courtiers, and Jia Sheng was even more incoherent. Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods. "The first two sentences of the poem are written from the front, as if to warmly praise the Chinese Emperor's desire for virtue and his open mind. This is Yang. But after reading the last two sentences, I suddenly realized that the original intention of earnestly seeking talents, humbly seeking advice, confided in one's heart, and even "confinement" is not to seek the way of governing the country and comforting the people, but to "ask ghosts and gods", which is repression. The poet satirized the political fatuity and cowardice of Emperor Wen of China by suppressing one and promoting two.
Another example is Wang Changling's Forever in My Heart. "Boudoir young woman don't know sorrow, high-rise makeup in spring. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the seal. " This poem uses the method of restraining first and then promoting, and writes that young women "don't know how to worry" On a bright spring day, she dressed up and climbed up the Cuilou. When she saw the green willows on the road, she remembered her parting husband, and then she said that she was "sorry". Through the description of the subtle changes of young women's emotions, the sadness and sadness caused by touching the scene are deeply expressed.
Intonation is a common skill in classical poetry. The use of intonation makes poetry ups and downs and swaying in a short space, which has a good artistic effect. Therefore, when appreciating poetry, we should grasp the change of content and the gap of feelings, and analyze the use of intonation in order to achieve the purpose of accurate appreciation.
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The application of "inhibition" in classical poetry (teacher-centered draft)
Middle School Chinese Teaching Resource Network → Essay Reference → Application of the Doctrine of the Mean in Classical Poetry (Teacher-centered Draft)
SETTING: Lanzhou Foreign Language High School in Gansu Province.
Zhang Fuliang 093 1-3237439
Postal code: 7300 10
E-mail: zhfl 1965@sina.com zhfl1598 @163.com.
The doctrine of the mean is a common expression in classical poetry, that is, the negative and positive aspects are said at the same time, and only one of them is emphasized, so as to suppress this or that. The relationship between them can be divided into two types: first rising and then restraining and first restraining and then rising.
First, I want to raise it first.
If we want to improve, it is also called restraining first and then promoting, that is, the literary potential is suppressed first and then promoting, or the literary meaning is degraded first and then promoting, just like climbing a mountain, climbing from the bottom up.
For example, Ye Shaoweng, a poet in the Southern Song Dynasty, wrote, "It's not worth going to the garden", "You should pity your teeth, Chai Fei won't leave for a long time. The garden can't be closed in spring, and there is an almond in the wall. " The first two sentences of the poem were written by the poet through the pleasure of visiting the garden and were rejected; In the last two sentences, the poet got something else. When he sees all the love, there is a gap between his feelings, with regret in front and happiness behind. What is adopted here is the method of promoting first and restraining first.
Another example is Zhao Xilu's "Plum Blossom Rhyme on the Cliff of Xiao Bing", "The ice posture is flawless, and Chu Shi's home is by the stream outside the bamboo. If the peony blooms early, who will see the plum blossoms in the snow? " Three or four sentences in the poem have a whim: If the peony blooms earlier than the plum blossom, who will take care of the plum blossom in the snow? However, peony will not bloom before plum blossom after all. Poets should first publicize that only plum blossoms with pure ice crystals can bloom in Leng Xue and win people's favor.
Second, I want to hold it back first.
If we want to suppress it, it is also called first promotion and then suppression, that is, the literary potential is first promoted and then suppressed, or the literary meaning is first promoted and then suppressed, flying down from a height like a waterfall.
For example, Li Shangyin's Jia Sheng, "Xuan Shi Qiu Xian visited the courtiers, and Jia Sheng was even more incoherent. Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods. "The first two sentences of the poem are written from the front, as if to warmly praise the Chinese Emperor's desire for virtue and his open mind. This is Yang. But after reading the last two sentences, I suddenly realized that the original intention of earnestly seeking talents, humbly seeking advice, confided in one's heart, and even "confinement" is not to seek the way of governing the country and comforting the people, but to "ask ghosts and gods", which is repression. The poet satirized the political fatuity and cowardice of Emperor Wen of China by suppressing one and promoting two.
Another example is Wang Changling's Forever in My Heart. "Boudoir young woman don't know sorrow, high-rise makeup in spring. Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the seal. " This poem uses the method of restraining first and then promoting, and writes that young women "don't know how to worry" On a bright spring day, she dressed up and climbed up the Cuilou. When she saw the green willows on the road, she remembered her parting husband, and then she said that she was "sorry". Through the description of the subtle changes of young women's emotions, the sadness and sadness caused by touching the scene are deeply expressed.
Intonation is a common skill in classical poetry. The use of intonation makes poetry ups and downs and swaying in a short space, which has a good artistic effect. Therefore, when appreciating poetry, we should grasp the change of content and the gap of feelings, and analyze the use of intonation in order to achieve the purpose of accurate appreciation.
Appreciation of Li Bai's poem My Concubine is Unhappy
My concubine is unlucky.
Lipper
Emperor Wu of the Han Dynasty once loved Gillian very much and built a golden palace for her to live in.
The emperor indulged her so much that even if her saliva fell, it would be as precious as pearls.
Indulgence to the extreme, love stopped, and the emperor's affection for her gradually faded.
When Gillian was banished to Longmen, even the emperor's bedroom was close to the emperor, and the emperor refused to go back to Gillian for temporary residence.
As soon as the rain falls, it can't fly to the sky, and it's hard to take back the water.
The feelings of Emperor Wu and Gillian, their own affairs.
The beautiful hibiscus flower has become a desolate grass today.
When is it good to serve others with color?
My bad luck is one of the ancient poems in Yuefu. Li Bai's poem "Yi Yi Ti" reveals the tragic fate of women in feudal society by describing the fall from grace of Queen Chen Ajiao.
There are sixteen sentences in the whole poem, and basically every four sentences are a level. In the first four sentences of the poem, Gillian is in favor first, but starting from "The Golden House hides Jiao", I want to suppress it first and then promote it, so as to set off the coldness after falling out of favor. According to the story of Hanwu, when Liu Che was a few years old, his aunt princess royal asked him, "Does the child want a wife?" Pointing to more than 100 people around them, they all said, "No." Finally, referring to his daughter Gillian, she asked, "How is Gillian?" Liu Che smiled and said, "Good! If Gillian becomes a wife, she will be hidden in the golden house. " After Liu Che ascended the throne, Gillian became the queen, and she was once very popular. Two exaggerated verses in the poem, "Cough and vomit for nine days, pearls and jade give birth to wind", vividly depict Gillian's arrogance when she is in favor, which is really hot and arrogant. However, the good times did not last long. Starting from the following four sentences, "A pet loves to rest", the pen turned to describe Gillian's fall from grace, and between pitches, the bottom of the pen turned out to be a wave. Empress Chen, who is jealous of virtue and talent, tried her best to "please". She hired Sima Xiangru to write "Changmen Fu" and "I hope that you will be kind to my concubine, and don't cherish gold to buy Ci Fu" (Li Bai's "Bai Tou Yin"); He also used the sorcery of the witch's Chufu to "make the mind return". The former didn't get much effect, but the latter was offended by it. Later, she became a "waste queen" and lived in Nagato Palace. Although she is only one step away from the emperor, the distance is too far, and the palace car refuses to return for the time being. The following four sentences, "Rain can't fall into the sky", illustrate the impossibility of "returning the heart to the sky" with vivid metaphors, and "East flow doesn't make the water return to the west" and "If the water is covered, will the cup be full?" What is the reason? In the last four sentences, the poet vividly reveals such a rule by contrast: "The hibiscus in the past has become rootless grass. How long can it take to convince people with color? " This thought-provoking poem is a good warning. It satirizes people who judge people by color, and it is also a warning to those who are temporarily favored by "judging people by color". Poets use metaphors to reason, use metaphors to discuss, give full play to the characteristics of image thinking and the role of metaphors, and it is quite interesting not to argue over reason, not to discuss over discussion.
The language of this poem is simple and natural, with natural charm, appropriate metaphor and sharp contrast. Compared with falling out of favor, "hibiscus flower" is more just than "root-cutting grass" Half of the poem is comparison. It is natural and surprising to draw the conclusion that "how good it is to convince people with color" from the comparison, and it comes naturally and is amazing to read.