What are the characteristics of poetry in the early Qing Dynasty?

In the early Qing dynasty, many intellectuals who entered the Qing dynasty from the Ming dynasty broke away from their feelings for the motherland and faithfully adhered to national integrity. Their poems mourn the motherland, the past, hope for recovery and celebrate festivals. These poets are represented by Gu, Huang Zongxi, Wang Fuzhi, Qian and Wu. Gu, Huang Zongxi and Wang Fuzhi are called "the three great Confucians in the late Ming and early Qing Dynasties". Gu's poetry is sentimental when it hurts. Poetry is plain and unpretentious, and it is a literati poem that "dominates temperament and is not expensive and ingenious". The charm of Du Fu's poems can be seen in his sober, gloomy and desolate style. Huang Zongxi has profound knowledge, profound thoughts and rich works. His poems emphasize this point.

Describe the reality, such as The Duke of Zhou Jin Yan:

There are mountains and water to stay, words are forgiven, and the source of benevolence is near * * *. The tears of the adherents in the inkstone are mottled, and the hatred at the bottom of the well has not disappeared for thousands of years.

In the poem, the hatred of national subjugation and the thoughts of the old country overflow in the pen without any cover. Wang Fuzhi's poems were later commented as "graceful and vigorous, with coquettish legacy" Wang Fuzhi admired Qu Yuan the most, and inherited his patriotic feelings of worrying about the country and the people and his artistic style of leaning on beautiful herbs.

Five or six sentences in one of Wang Fuzhi's Ten Poems of Falling Flowers are divorced from the sentence in Qu Yuan's Ode to Oranges that I was born in the south. It can be seen that my will will never change and my will will last forever.

There were many schools of poetry in the early Qing Dynasty, among which Qian and Wu were the most influential and widely circulated poets. Qian played a very important role in the poetry circles in the late Ming and early Qing Dynasties. His Poems of Past Dynasties is a collection of poems in the Ming Dynasty, and he expounded his own poetic ideas by praising and criticizing various schools in his biography.

Qian paid attention not only to Tang poetry, but also to Song poetry, which opened the atmosphere of Qing people living in the Song Dynasty and became a major turning point in the reform of poetry in Ming and Qing Dynasties. His poetry combines the characteristics of Tang poetry and Song poetry, is good at using allusions, is rich in rhetoric, is good at expressing emotions, and is good at modern style with distinctive artistic characteristics.

Qian can learn from Du Fu by singing 124 in 13 group "Prosperity after Autumn" and duets in Du Fu's "Prosperity after Autumn", which fully proves his profound artistic attainments.

Wu's early poems were beautiful, but during the social turmoil in the late Ming and early Qing dynasties, his poems were mostly about major historical events and paid more attention to the fate of specific individuals in history.

Yuan Yuanqu is a ballad poem of Wu. Through the joys and sorrows of the famous prostitute Chen Yuanyuan and Wu Sangui, this paper describes the major historical events that led to the demise of the Ming Dynasty due to the fall of Wu Sangui, and integrates the amorous feelings of children with the complicated political events.

The poem is full of sympathy for Chen Yuanyuan's tortuous experience. "Mourning the six armies, rushing to the crown and being angry is beautiful", although there is a graceful mockery of Wu Sangui, there is a lot of sympathy. Poems like "Garden Songs", written in seven lines, have the charm of "four outstanding poets in the early Tang Dynasty" and Bai Juyi's poems, which are affectionate and melodious.

Apart from Garden Songs, Wu also wrote seven-character quatrains, such as He Yong Palace Ci, Pipa Xing and Yanmen Shangshu Xing, which were read by the world.

In the early Qing Dynasty, "Southern History and Northern Song Dynasty" was also an influential poet. ",that is, stone also. Shi was deeply moved by the sufferings of the people and expressed sincere sympathy in his poems. He also writes poems that are good at writing landscapes. These poems are natural and fluent, vivid and colorful, with a blend of scenes and scenes, and quite have the demeanor of Wang Wei and Meng Haoran in the prosperous Tang Dynasty.

"Northern Song Dynasty", namely Song Wan. Song Wan's life was full of ups and downs, and he suffered great disasters one after another. Most of his poems reflect his life experience of being arrested and imprisoned, and are full of feelings and bitterness for the times. His five or seven sentences are carefully worded, elegant and concise, and his style of writing is boundless.

Wang Shizhen, the most famous poet in the early Qing Dynasty, advocated the theory of verve, that is, he pursued an ethereal, lonely and traceless realm in the artistic expression of poetry. Wang Shizhen abides by the theory of verve, and his poetry pursues a light, ethereal and euphemistic style.

In Wang Shizhen's early masterpiece Autumn Willow, there are four poems with vague meanings and distant scenes, while in Qinhuai Miscellaneous Poems, there are twenty poems handed down from generation to generation.