Tiliu Langzhong former residence
[Tang] Li Deyu
Walk down the deserted steps and you will hear them in silence.
Birds are singing and flowers are fragrant, and the lonely mountain window covers the white clouds.
Sentence annotation
(1), the afterglow at sunset.
(2) The stone slides, where water slides over the stone.
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Get off the horse on the deserted stone steps, and the sunset will fade away slowly. Listen carefully to the gurgling water quietly passing through the stone.
There is no sound around, only flowers are falling, birds are singing, and white clouds are floating alone in the old windows on the mountain.
Make an appreciative comment
Li Deyu left one or two hundred poems in his life. As a famous person in the late Tang Dynasty, he was demoted all his life. It is not difficult to see the expression of the author's thoughts and feelings in the poem "The Former Residence of Maoshan in Liulangzhong".
The first sentence, "It is a day of hope to unload the barren steps", opens the whole background. When the sun went down slowly, there was a sound of hooves on the bare stone steps, and the poet dismounted and stood up. The following description of the scenery is implied in the action of "dismounting". Not far away, gurgling water flowed over the stone, and there was a gurgling sound quietly. The latter sentence is a continuation of the previous sentence, and it is a scene that comes into view after dismounting.
The third sentence "Birds sing and flowers fall, but people are silent." Flowers bloom and fall, and birds sing in the distance. It's empty and quiet here, and no one comes. The Silence of the Human Voice contrasts the emptiness and silence in the mountains. The last sentence made the author deeply moved, "The window of the lonely mountain covers the white clouds". The window of the cabin on the mountain is lonely and can only cover the white clouds floating away. There is no way to be lonely at the window of the mountain. Here, the author gives the feelings of the mountain window people and writes the quiet living environment of friends with the mountain window. The word "mask" vividly depicts the silence of the mountain window, which can only be contrasted with the white clouds in the sky, highlighting the seclusion in the mountain.
The author of the whole poem shows a quiet and lonely scene of Maoshan's former residence through the description of the scene in front of him. Things are wrong, things are wrong, and people are more scattered. Not from the heart, but through the prospect of the eyes to express their feelings, as well as the vicissitudes of life sigh welled up in my heart.
Brief introduction of the author
Li Deyu (65438+ 10, 787 -850), born in Zhaojun (present-day Hebei), was born as Rao and Taro. Li Jifu, an outstanding politician, writer and strategist in the Tang Dynasty, was the second son of Assistant Minister Zhongshu.
Li Deyu was born in the west ancestor of Li in Zhao County, and became an official in his early years. He has served as school bookkeeper, imperial academy, Hanlin Bachelor, China Calligraphy Scholar, Zhejiang West Observer, Ministry of War Assistant, Hua Zhengguan, Xichuan Official, Ministry of War Officer, China Calligraphy Assistant, Zhenhai Assistant and Huainan Officer. After four dynasties, namely, Xian Zong, Mu Zong, Jing Zong and Wenzong, he entered the DPRK as a prime minister. However, due to party struggles, he was repeatedly pushed out of Beijing, and he entered the phase again when he was in Wuzong. He was in power for five years, and made outstanding achievements in Uighur, Pingze and Shandong, cutting redundant officials and controlling eunuchs. Worship him for autumn and seal the country. After Xuanzong succeeded to the throne, he was hated for his high position and power, and was demoted to the secretariat of Yazhou for five times. In December of the third year of Dazhong (October 65438+850), he died in Yazhou at the age of 63. During the reign of Zong Yi, he resumed his official rank and gave a left servant a shot.
Li Deyu and Tang Wuzong's "Knowing each other" is known as the swan song in the late Tang Dynasty, and has been highly praised by all previous dynasties. When Li Shangyin prefaced the Collection of Huichang Yipin, he called it a "forever good painting". In modern times, Liang Qichao regarded him as one of the six great politicians in China along with Guan Zhong, Shang Yang, Zhuge Liang, Wang Anshi and Zhang.